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25 of 2025: 5 Groundbreaking Fiber Artists You Need to Know

Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.

A brush with... Andrew Cranston—podcast

This episode of 'A brush with...' podcast features Scottish painter Andrew Cranston, born in 1969 in Hawick. Cranston discusses how his work draws on personal experiences—childhood memories, family recollections, and recent rituals—filtered through the painting process. His pictures are rich with references to art history, cinema, poetry, and television, and he often paints on the covers of old hardback books. The conversation covers his influences (Pieter Bruegel the Elder, Paul Klee, Pierre Bonnard, Winifred Nicholson, writers Hugh MacDiarmid and Elizabeth Bishop, filmmakers Nicholas Roeg and Dennis Potter), his studio life, and his answer to 'what is art for?' The episode is sponsored by Bloomberg Connects.

Banking family’s treasures go on show at Bath’s Holburne Museum

Nearly 200 Old Master treasures from the Schroder Collection, amassed by the late banker Bruno Schroder and his family over more than a century, will go on long-term display at the Holburne Museum in Bath, UK, starting 10 September. The collection includes silver, maiolica, and paintings by artists such as Lucas Cranach the Elder and Hans Holbein the Elder, many shown publicly for the first time. The loan was facilitated by Bruno’s daughter Leonie, who requested the works remain in the UK and be placed in a regional museum rather than London.