The Interview: Steven Soderbergh

Steven Soderbergh discusses his new film *The Christophers* (2025), which follows a cantankerous artist and his young assistant tasked with forging his unfinished works, exploring themes of authorship, originality, and the ethics of art-making. In an interview with ArtReview, Soderbergh also addresses his recent use of AI in a documentary about John Lennon, defending the technology as a creative tool akin to his own filmmaking process, and reflects on his career spanning genres from indie dramas to studio blockbusters.

Alma Allen Flops in Venice

Hyperallergic reports on the 2026 Venice Biennale, with Editor-in-Chief Hakim Bishara criticizing the U.S. pavilion's exhibition of Alma Allen's work as a disappointing departure from the previous editions' profound explorations of Indigenous life and Black sovereignty. Editor-at-Large Hrag Vartanian offers a positive review of the main exhibition "In Minor Keys," while Greta Rainbow covers a poetry procession honoring the late artistic director Koyo Kouoh. Additional stories include a review of the film "The Christophers" about an artist and forger, and news of workers at the American Folk Art Museum picketing for higher wages.

In The Christophers, an aging artist’s unfinished masterpieces are subjects of speculation and scheming

The Christophers is a new film starring Ian McKellen as Julian Sklar, a once-celebrated 1970s painter who has become a social pariah and reality TV villain. The plot follows a 'reverse art heist' where Sklar’s estranged children hire a restorer and former forger, played by Michaela Coel, to secretly finish a series of nine incomplete portraits of his former lover. The goal is to inflate the works' market value so they can be 'discovered' as masterpieces upon the aging artist's death.

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Ian McKellen has signed on to star in a new BBC documentary about cult British painter L.S. Lowry, titled "L.S. Lowry: The Unheard Tapes." The film will focus on previously unheard audio recordings Lowry made in the final four years of his life, which contain what is described as the longest interview the artist ever gave. McKellen will lip-sync to Lowry's own words, bringing the artist back to life through his distinctive Lancastrian voice. The documentary is being produced by the BBC and has the support of Lowry's estate.

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A new BBC documentary, *L.S. Lowry: The Unheard Tapes*, will mark the 50th anniversary of the artist's death in 1976. The film features never-before-heard recordings of conversations between Lowry and a young fan, Angela Barratt, recorded in his living room—the last and longest interview he ever gave. These tapes will be brought to life through dramatic reenactments, with Ian McKellen lip-syncing Lowry's words and Annabel Smith portraying Barratt. The documentary is produced by Wall to Wall Media and aims to reveal intimate insights into Lowry's thoughts, ambitions, regrets, and humor.

The Art of ‘The Christophers’: How the Film Created an Artist’s Fabled Oeuvre

Steven Soderbergh’s new film, The Christophers, explores the complexities of artistic legacy and authenticity through the story of Julian Sklar, a fictional washed-up artist played by Ian McKellen. The plot follows Sklar’s children as they hire an art restorer, played by Michaela Coel, to secretly finish their father’s legendary unfinished series to capitalize on his market value. To ground the film in reality, screenwriter Ed Solomon consulted with art world figures like dealer George Barker and artists Jann Haworth and Derek Boshier, while production designer Antonia Lowe and painter Barnaby Gorton created the physical artworks seen on screen.

An Unlikely Friendship Between Artist and Forger

The article reviews Steven Soderbergh's 2026 film "The Christophers," which follows an unlikely friendship between two painters in London: Julian Sklar (Ian McKellen), an older artist facing cancellation, and Lori Butler (Michaela Coel), a young painter who restores and forges artworks. The film explores themes of attention, artistic legacy, and the purpose of art, contrasting with darker narratives like "Tár" by offering a comedic yet profound take on these issues.

One of the Greatest Photographic Documents of the 20th Century

"Eines der größten fotografischen Dokumente des 20. Jahrhunderts"

A New York court has concluded an eleven-year legal battle by awarding Amedeo Modigliani’s 'Seated Man with a Cane' to the heirs of Jewish art dealer Oscar Stettiner. The ruling rejected the claims of the powerful Nahmad family, with the judge determining that Stettiner never voluntarily relinquished the work during the Nazi era. Additionally, a significant photographic archive belonging to darkroom technician Roland Haupt has surfaced, containing previously unseen World War II images by Lee Miller and Cecil Beaton.

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Director Steven Soderbergh is set to release 'The Christophers', a new film centered on the London art world starring Ian McKellen and Michaela Coel. The plot follows a faded 1960s Pop Art star whose estranged children hire a former art forger to secretly complete his unfinished canvases to secure a future inheritance. Following its premiere at the Toronto Film Festival, the movie is scheduled for a theatrical release in April.

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year

Steven Soderbergh's new film "The Christophers" is a London-set movie about contemporary art, starring Ian McKellen as Julian Sklar, a once-dominant but now outmoded English painter, and Michaela Coel as Lori Butler, a former art student hired as his assistant. The plot revolves around a series of hidden paintings called "The Christophers" that Julian's grasping adult children want to find and potentially forge for profit. The film is described as fast, literate, and funny, with McKellen and Coel delivering a compelling double act.

‘The Christophers’ Review: Fine Art, Frayed Artists

Director Steven Soderbergh’s latest film, 'The Christophers,' features standout performances by Ian McKellen and Michaela Coel in a narrative centered on the high-stakes intersection of the art world and global finance. The story follows the psychological and professional fraying of artists and dealers as they navigate a landscape defined by ego, commerce, and the pursuit of prestige.