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Palestinian artist ‘cancelled’ by US museum comes to Frieze Masters

Palestinian artist Samia Halaby is presenting a solo stand at Frieze Masters in London, hosted by Sfeir-Semler Gallery. This follows the abrupt cancellation of her retrospective at Indiana University Bloomington's Eskenazi Museum of Art last year, after staff raised concerns about her social media posts expressing support for Palestinian causes during the Israel-Gaza war. A petition launched by her grandniece garnered over 15,000 signatures, and the gallery reports sustained interest in her work from both private collectors and museums.

Mindy N. Besaw appointed new director for Eskenazi Museum of Art at IU Bloomington

Indiana University Bloomington has appointed Mindy N. Besaw as the next Wilma E. Kelley Director of the Sidney and Lois Eskenazi Museum of Art, effective August 15. Besaw, who brings over two decades of curatorial and museum leadership experience, currently serves as director of fellowships, research and university partnerships and curator of American art at Crystal Bridges Museum of American Art. She succeeds interim director Mariah Keller and will oversee all facets of the museum's strategy, operations, and engagement, including exhibitions, collections, teaching partnerships, and public programming.

IU Bloomington art galleries feature works from and about South Africa

Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.