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The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

Polygon Gallery exhibition features 'one of the most important artists working in Canada'

The Polygon Gallery in North Vancouver has launched "Photolithics," a major exhibition by Secwépemc and Scottish-settler artist Tania Willard. The show features a decade of Willard’s work, including monumental recreations of historical postcards on sandpaper and photographs viewed through ulexite crystals. The exhibition utilizes innovative installation techniques, such as a traditional kekuli structure, to recontextualize archival imagery and explore the intersection of geological time and Indigenous history.

Sara Flores on Representing Peru at the 61st Venice Biennale

Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.

‘People didn’t believe it was real’: Indigenous artists push to shut the Everglades migrant-detention facility Alligator Alcatraz

Miccosukee and Seminole artists, culture-bearers, and youth organizers are protesting the opening of a migrant-detention facility nicknamed Alligator Alcatraz at the Dade-Collier Training and Transition Airport in Big Cypress National Preserve, Florida. In July, a communal action coordinated with the collective Unidos Immokalee included ceremony, dance, sign-making, and distribution of supplies, with participants like Kendal Osceola and Maeanna Osceola speaking out against the facility, which they see as colonial violence on ancestral lands. The facility, run by Florida’s Division of Emergency Management in partnership with the US Department of Homeland Security, opened on 3 July and has faced legal challenges, including a temporary halt to construction by a federal judge in August, though a September appeals panel stayed the shutdown order.

Q&A: How does UVA’s ‘Fuego Eterno’ exhibit explore indigenous sovereignty?

The article is a Q&A with an artist and co-director of the Global Spanish Initiative at the University of Virginia (UVA), discussing the exhibition 'Fuego Eterno.' The show, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, border resistance, and diaspora. The exhibition includes the co-director's own artworks and is accompanied by a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.

Q&A: How does UVA’s ‘Fuego Eterno’ exhibit explore indigenous sovereignty?

The article is a Q&A with artist and professor Fernando Peralta, co-director of the Global Spanish Initiative at the University of Virginia (UVA), about the exhibition 'Fuego Eterno' at UVA. The exhibition, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, and border resistance. Peralta also has his own works in the show, and the exhibition includes a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.

Goldstein Museum of Design Explores Power, Resistance, and Community in Denim-Focused Exhibit

The Goldstein Museum of Design at the University of Minnesota has opened a new exhibition titled 'Resist and Reclaim,' which explores design as a tool of both oppression and liberation. The show focuses on denim as a material linked to labor, exploitation, and resistance, featuring 20 custom denim jackets created by local Black and Indigenous women and femme artists, alongside faculty research on architecture and visual culture.

Gail Mabo leads new exhibition round at Umbrella Studio

Umbrella Studio Contemporary Arts in North Queensland will present three new exhibitions next month, led by Meriam artist Gail Mabo's 'Wer Wer (Boundaries)'. Developed during a residency with master printmaker Dian Darmansjah, the exhibition reinterprets boundary maps drawn by Mabo's father, land rights pioneer Eddie Koiki Mabo, through four unique drypoint etching and collagraph prints. Also opening are 'Neural Architecture' by Geoffrey Schmidt, exploring memory and consciousness through oil, string and rocks on aluminium panels, and 'Scattered' by Barbara Pierce, a site-responsive installation made from found materials addressing global displacement and survival.