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Princeton University Art Museum graduates to expansive new home

The Princeton University Art Museum (PUAM) is opening a new 146,000-square-foot facility on October 31, doubling its previous exhibition and education spaces. The original 1880s building, which underwent multiple additions before being demolished in 2021, could only display about 2% of Princeton's 117,000-object collection. Designed by Adjaye Associates with executive architect Cooper Robertson, the new three-story museum features nine interlocking pavilions, 80,000 square feet of exhibition space, classrooms, and a grand hall. Curators have rethought the installation to move away from rigid geographic and chronological categories, instead emphasizing cross-cultural and cross-media pairings, such as placing Andy Warhol's Blue Marilyn (1962) alongside a 14th-century Italian Virgin and Child.

Allen Rosenbaum, former director of Princeton University Art Museum with a keen curatorial eye and astute administrative foresight, dies at 88

Allen Rosenbaum, the former director of the Princeton University Art Museum who led the institution from 1980 to 1999, died on August 3, 2025, at Calvary Hospital in New York City at age 88. Rosenbaum joined Princeton in 1974 as assistant director under Peter Bunnell, and during his 25-year tenure as director, he significantly expanded the museum's collections, adding major works such as Giulio Cesare Procaccini's "The Martyrdom of Saint Justina," Pinturicchio's "Saint Bartholomew," and Pietro da Cortona's "Saint Martina Refuses to Adore the Idols." He also oversaw the 1989 opening of the Mitchell Wolfson Jr. Wing, which added 27,000 square feet of exhibition space.

“Photography as a Way of Life” at PU Art Museum

The Princeton University Art Museum has unveiled "Photography as a Way of Life," a major exhibition running from April 19 through September 7. The show examines the interconnected careers of Minor White, Aaron Siskind, and Harry Callahan, three titans of mid-20th-century American photography. Drawing heavily from the museum’s Minor White Archive, the exhibition features unpublished color and black-and-white prints, archival documents, and a reconstruction of White’s slide projection piece, "Slow Dance."

Venture Forward gifts name Wilmerding Pavilion and Anschutz Galleries in Princeton University Art Museum

Two major gifts from Louisa Stude Sarofim and The Anschutz Foundation, part of Princeton University's Venture Forward campaign, will name the Wilmerding Pavilion and the Anschutz Galleries in the new Princeton University Art Museum. The pavilion honors the late John Wilmerding, a pioneering American art historian and professor at Princeton, while the galleries within it will showcase the museum's American art collections. The museum opens on October 31, 2025, and the new space will allow a nearly five-fold increase in displayed works, including a broader definition of American art encompassing Spanish Colonial and Native American art.

‘Truly inspiring’: New Princeton University Art Museum opens its doors to all

The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

In first peek at collections, Art Museum announces two opening exhibits

The Princeton University Art Museum (PUAM) has announced its two opening exhibitions for the newly rebuilt museum, set to debut on October 31. The inaugural shows are “Princeton Collects,” featuring approximately 150 works donated over the past four years including the largest piece by Irish-American artist Sean Scully, and “Toshiko Takaezu: Dialogues in Clay,” a ceramics exhibition highlighting the late artist’s closed-form works and her connections to teachers, peers, and students. The museum, described by Director James Steward as a “once-in-a-century remaking,” will open with a 24-hour public open house after student and member previews.

Princeton University Art Museum Announces Inaugural Exhibitions in New Building

Princeton University Art Museum will open its new building on October 31, 2025, with two inaugural exhibitions: *Princeton Collects* and *Toshiko Takaezu: Dialogues in Clay*. *Princeton Collects*, curated by director James Steward and the museum’s curatorial team, features approximately 150 works donated during a “campaign for art” that began in 2021, including pieces by Sean Scully, Willem de Kooning, Joan Mitchell, and Zanele Muholi. *Toshiko Takaezu: Dialogues in Clay* highlights the pioneering ceramic artist and longtime Princeton professor, showcasing her “closed forms” alongside works by her teachers and contemporaries.

Inaugural Museum Exhibit Honors Toshiko Takaezu’s Princeton Legacy

Princeton University Art Museum has opened its inaugural exhibition in its new building, focusing on the work of ceramic artist and longtime faculty member Toshiko Takaezu. The show, 'Toshiko Takaezu: Dialogues in Clay,' features her 'closed form' ceramics alongside works by her contemporaries, highlighting her artistic experimentation and her nearly three-decade tenure teaching at the university.

Museums Are Under Fire. Silence Isn’t an Option

James Steward, director of the Princeton University Art Museum, argues that museums are under coordinated attack in a polarized political climate. He cites threats including scrutiny of the Smithsonian Institution for its narratives, pressure on directors who uphold diversity and inclusion principles, and immigration agents targeting museums serving communities of color. Steward calls on museum leaders to resist the impulse to remain silent and instead double down on their role as spaces for dialogue, debate, and the holding of contradictory ideas.