“Constellations”: Jewelry as Art

The Dallas Museum of Art (DMA) has launched "Constellations: Contemporary Jewelry," its first exhibition dedicated exclusively to its contemporary jewelry collection. The show features hundreds of pieces organized into four thematic sections—Zones of the Body, Archetypes, Signals, and Play—alongside a historical retrospective titled "Connecting the Dots." The exhibition highlights experimental and often impractical works that blur the lines between wearable objects and sculpture, featuring artists such as Brian Fleetwood, Joyce J. Scott, and Peter Chang.

Donna Distefano Recreates Centuries-Old Jewelry for the Frick Collection

Donna Distefano, a contemporary jewelry designer, has meticulously recreated 16th-century jewelry pieces for The Frick Collection's exhibition "Gold, Silver, and Rare Stones: Renaissance Jewelry in the Robert Lehman Collection." Her work involved extensive research into historical techniques and materials, resulting in wearable replicas of intricate pendants and brooches originally owned by European nobility.

At the Walters: Douriean Fletcher’s jewelry for the ‘Black Panther’ movies

The Walters Art Museum is showcasing the intricate jewelry designs of Douriean Fletcher, the specialty jeweler responsible for the iconic adornments in the 'Black Panther' film franchise. The exhibition highlights Fletcher's craftsmanship and her ability to blend Afrofuturist aesthetics with traditional African metalworking techniques, bringing cinematic artifacts into a fine art museum context.

Insects, Dresses, and Rebellion: Why 'The Law of Lidia Poët' is Different from All Other Costume Dramas

Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume

The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.