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Everyone Keeps Getting Yoko Ono Wrong

Paul Morley's new biography of Yoko Ono, *Love Magic Power Danger Bliss*, attempts to reframe the artist beyond her reputation as a 'Beatles wife' but ultimately fails, according to this critical review. The book covers Ono's first three decades, from her birth in Japan in 1933 to meeting John Lennon in 1969, but is dominated by lengthy asides on male avant-garde figures like George Maciunas and Pete Townshend, leaving Ono a passive presence in her own story. Morley promises not to mention Lennon but breaks that promise, and the review argues the book is aimed more at 'rock dads' still upset about the Beatles breakup than at understanding Ono's artistic contributions.

Before the Myth, There Was Yoko Ono

The Broad museum in Los Angeles has opened "Yoko Ono: Music of the Mind," the first solo museum exhibition in Southern California dedicated to the artist, musician, and activist. Spanning seven decades, the retrospective focuses on Ono's conceptual and participatory works—such as instruction pieces from her 1964 book "Grapefruit" and interactive installations like "Wish Tree" (1996)—rather than traditional art objects. Curators organized the show around themes of human responsibility, and deliberately delay the introduction of John Lennon until the exhibition's midpoint to emphasize Ono's independent career before her marriage.

Cagecircle: Composition for an Exhibition

An exhibition titled "Cagecircle: Composition for an Exhibition—curated by chance!" will open on June 27, 2026, at Bard College’s Stevenson Library in Annandale-on-Hudson, New York, as part of Upstate Art Weekend. The show features archival items from twenty-two collections, selected using John Cage's chance procedures, including works by Marcel Duchamp, Hannah Arendt’s kitchen cabinet door, a death mask, and an architecture model of a garage. The opening includes free performances of Cage’s "Lecture on Nothing" and "Extended Lullaby."