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Frieze New York Kicks Off with Seven-Figure Sales and High Energy: ‘It’s a Fiesta’

Frieze New York kicked off its preview day at the Shed in Manhattan with strong sales and high energy, as many attendees arrived fresh from the Venice Biennale. Galleries reported brisk presales and early placements, with White Cube selling major works by El Anatsui and Antony Gormley for seven-figure sums, and other dealers like James Cohan Gallery nearly selling out their booths. Collectors, advisors, and celebrities including Anderson Cooper, Michael Stipe, and Leonardo DiCaprio were spotted, while the Brooklyn Museum made acquisitions through the new Sherman Family Foundation Acquisition Fund.

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A data-driven analysis by Artnet News and Morgan Stanley examines the auction market for women Surrealist artists from 2013 to 2023, using the Artnet Price Database to track prices and sell-through rates. The study contrasts the historical undervaluation of women Surrealists—such as Leonora Carrington, Remedios Varo, Kati Horna, and Bridget Bate Tichenor—against the enduring market dominance of male figures like Dalí, Magritte, and Miró, while noting Frida Kahlo as the top-selling woman Surrealist.

$2.2 million El Anatsui work leads Frieze New York 2026 sales.

Frieze New York 2026 opened its 15th edition at The Shed in Manhattan on May 13th with a VIP preview, drawing collectors, museum directors, artists, and celebrities like Leonardo DiCaprio, Julia Fox, and Sharon Stone. The fair features 68 galleries from 25 countries and runs through May 17th, with a $2.2 million work by El Anatsui leading reported sales.

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Artnet News journalist Annie Armstrong recounts her emotional experience at Art Basel Miami Beach, where she desperately sought to see Julie Curtiss's painting "Mary With the Medela" (2024), a portrait of a woman using a breast pump. As a new mother balancing work and pumping, Armstrong felt a deep personal connection to the work but arrived at the White Cube booth moments after it had been sold and removed from view, leaving her in tears.

New York Art Week 2026 Frieze And TEFAF Report

New York Art Week 2026 featured major art fairs including Frieze New York at The Shed, which drew 25,000 visitors from 75 countries and launched the Sherman Family Foundation Acquisition Fund, placing works by four artists into the Brooklyn Museum and Baltimore Museum of Art. TEFAF New York at the Park Avenue Armory presented over 90 international galleries across historic period rooms, while satellite fairs Independent, NADA New York, and 1-54 Contemporary African Art Fair offered focused alternatives. Auction houses Sotheby's, Christie's, and Phillips opened free spring sale previews featuring highlights such as Roy Lichtenstein's 'Anxious Girl' and the Lewis Collection.

collector questionnaire interiors most shocking works of art

Cultured magazine asked 12 collectors to name the single work in their home that most stops guests in their tracks. Responses include Wolfgang Tillmans’s camera-less photograph *Freischwimmer 153* (2010), a medieval illuminated *Book of Hours* (ca. 1480/90), Jordan Wolfson’s robotic installation *(Female figure)* (2014), Julie Curtiss’s hair-covered sculpture *Spider* (2018), and Haegue Yang’s kinetic bell sculpture *Sonic Rotating Geometry Type E – Brass Plated #23* (2014). Each collector explains why the piece provokes awe, laughter, discomfort, or deep conversation.

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Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.

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On a frigid December evening, eleven women artists gathered in the lobby of 125 Maiden Lane in downtown Manhattan to view and discuss Langdon Graves's exhibition "Mental Model," produced by Art in Buildings. The group, called Gossip, is a long-running artist crit collective founded in 2009 by Cranbrook Academy of Art graduates including Jessica Stoller and Kelli Miller, originally named "Get Out" before being renamed by member Virginia Wagner after Silvia Federici's writings on gossip. The group now has about 20 members, including Jenna Gribbon, Erin M. Riley, and Julie Curtiss, and meets regularly in studios and galleries for critical feedback and creative exchange.

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Seven artists—Kelly Akashi, Firelei Báez, Julie Curtiss, Woody De Othello, Tomás Saraceno, Ilana Savdie, and Yinka Shonibare—have been commissioned to create public artworks for the new $9.5 billion Terminal One at New York's John F. Kennedy International Airport. The terminal will open in phases starting in 2026, with completion expected by 2030. The works, presented under the banner "We Travel Under One Sky," include sculptures, mosaics, murals, and a suspended installation, many of which explore themes of migration and New York's history. The program is organized by Culture Corps as part of a larger cultural initiative for the airport.

Old Master Grandeur and Modern Patronage Converge at the 2026 Norton Museum of Art Gala

The Norton Museum of Art's 2026 annual gala drew nearly 700 guests and raised nearly $5 million for the museum's programs. The event featured a live auction hosted by Sotheby's Oliver Barker, selling works by contemporary artists like Julie Curtiss, Jeffrey Gibson, Jessie Henson, and Marilyn Minter, and honored trustee Ronnie Heyman and artist Loie Hollowell. The evening's design was inspired by the concurrent exhibition "Art and Life in Rembrandt's Time: Masterpieces from the Leiden Collection."