David Hockney’s 1965 painting 'English Garden' is returning to the auction block at Sotheby’s London with an estimate of £2.5 million to £3.5 million ($3.4 million to $4.7 million). Painted while Hockney was teaching at the University of Colorado, Boulder, the work is recognized as his first English landscape and has been held in a private collection for nearly thirty years. It was last sold at auction in 1997 for just £89,500.
Pace Gallery has taken global representation of Constantin Brâncuși's estate, announced hours before a $100 million Brâncuși sculpture, Danaïde (1913), goes to auction at Christie's. The sculpture comes from the collection of S. I. Newhouse and is among the most expensive works in New York's marquee sales. The announcement coincides with a major retrospective of the artist, organized by the Centre Pompidou, currently at the Neue Nationalgalerie in Berlin and heading to the Museum of Modern Art in New York later this year.
Pace Gallery has secured global representation of the Constantin Brancusi Estate, announcing plans for a London exhibition this fall curated by art historian Jérôme Neutres. The news coincides with the auction of Brancusi's 1917 sculpture *Danaïde* at Christie's New York, estimated at $100 million, from the collection of late media mogul S.I. Newhouse. The estate was previously represented by Kasmin gallery, which closed last year. Pace's CEO Marc Glimcher emphasized the gallery's investment in modernist expertise and its ambition to become a market center for Brancusi works.
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The Art Dealers Association of America (ADAA) kicked off Armory Week with its 2016 edition of The Art Show at the Park Avenue Armory. The fair is characterized by a high concentration of solo-artist presentations, featuring a diverse range of works including Milton Avery's paintings, Jasmin Sian's intricate paper deli bags, and Deborah Butterfield's bronze horse sculptures. Notable highlights include Maria Elena González’s player piano rolls based on birch bark patterns and a strong showing of female artists like Gillian Wearing and Mary Bauermeister.
On the 100th anniversary of Surrealism, the article highlights the belated recognition of Leonor Fini (1907–1996), a self-taught artist who rejected labels such as 'Surrealist' or 'woman artist.' Despite her insistence on being seen simply as an artist, her sensual, mythological paintings are gaining renewed attention. Fini debuted in 1929, was featured in the 2022 Venice Biennale, and had a solo exhibition at Kasmin gallery in New York. Her market high came in 2021 when a self-portrait sold for $2.3 million at Sotheby's, and her work is now included in the centennial surrealist show 'Imagine!' at the Royal Museum of Fine Arts in Belgium.
The Metropolitan Museum of Art has announced a major upcoming exhibition titled "Krasner and Pollock: Past Continuous," which aims to present Lee Krasner and Jackson Pollock as artistic equals. While the museum's narrative seeks to reframe Krasner as a formidable figure of the New York School on her own terms, the art market continues to reflect a significant valuation gap. Pollock’s auction record stands at over $61 million, while Krasner’s peak public sale remains just under $12 million, highlighting the persistent commercial struggle for female Abstract Expressionists.
Sculptor Alma Allen has officially joined Perrotin, a move that follows his high-profile departure from former galleries Mendes Wood DM and Olney Gleason. The transition comes as Allen prepares to represent the United States at the 2026 Venice Biennale with the exhibition "Alma Allen: Call Me the Breeze," curated by Jeffrey Uslip. The artist reportedly split with his previous representation after they opposed his acceptance of the Biennale commission under the current political climate.
The UK government has issued a temporary export ban on Howard Hodgkin’s painting "Mrs Acton in Delhi" (1967–71) following its record-breaking £1.7 million sale at Bonhams. The Department for Culture, Media, and Sport (DCMS) intervened after the buyer applied for an export license, triggering a deferral period that allows British museums or galleries until June 4 to match the auction price and keep the work within the country.
Alma Allen, a self-taught Utah-born sculptor based in Mexico, has been confirmed as the U.S. representative for the 61st Venice Biennale, opening in May. His pavilion exhibition, titled “Alma Allen: Call Me the Breeze,” will be curated by Jeffrey Uslip and commissioned by Jenni Parido of the American Arts Conservancy. Allen’s selection is notably unconventional: he has no major museum solo exhibitions and was dropped by his galleries, Mendes Wood and Olney Gleason, after accepting the commission. The U.S. State Department’s brief release frames the presentation as highlighting “alchemical transformation of matter” and “elevation,” aligning with the Trump Administration’s focus on “American excellence.”
Olney Gleason, a new gallery founded by former Kasmin senior staff Nick Olney and Eric Gleason, has been appointed as the exclusive representative for the estates of Jackson Pollock and Lee Krasner through the Pollock-Krasner Foundation. The gallery, which opened earlier this year, succeeds Kasmin in handling the artists' work; Kasmin had represented Pollock since 2024 and Krasner since 2017. Olney and Gleason previously organized multiple Krasner exhibitions at Kasmin and supported major museum shows, including a 2019 Krasner retrospective at the Barbican Centre and a 2024 Pollock exhibition at the Picasso Museum in Paris.
Cultured magazine has published a roundup of must-see summer gallery shows in New York, featuring exhibitions by Che Lovelace at Nicola Vassell, Seth Price at 15 Orient, Carrie Yamaoka at Anonymous Gallery, Kati Heck at Bortolami, Lutz Bacher at Galerie Buchholz, and Dustin Yellin at Almine Rech. The shows run through July and August 2025, highlighting a diverse range of media including painting, video collage, sculpture, and light installation, with themes spanning post-colonial identity, historical collage, reflective surfaces, mythological realism, and enigmatic legacy.
The U.K. government has placed a temporary export bar on Howard Hodgkin’s painting "Mrs Acton in Delhi" (1967–71) following its record-breaking £1.7 million sale at Bonhams. The move by the Department for Culture, Media, and Sport is intended to provide British institutions or domestic collectors the opportunity to match the price and keep the work within the country. The painting is considered a national treasure due to its aesthetic importance and its role in documenting Hodgkin's transition from Pop art to his signature emotive abstraction.
A set of 15 bronze and copper mirrors by Claude Lalanne sold for $33.5 million at Sotheby's in New York, shattering the artist's previous auction record and surpassing the record price for works by her late husband and collaborator, François-Xavier Lalanne. The ensemble, which far exceeded its $15 million high estimate, drew fierce competition from five bidders over ten minutes.
New York's Kasmin gallery is closing after 35 years, transitioning into a new venture called Olney Gleason, led by Nick Olney (Kasmin's president since 2020) and Eric Gleason (senior director since 2013). The plan was discussed with founder Paul Kasmin before his death in 2020, and the estate is fully supportive. Olney Gleason will open its first exhibition this fall in Chelsea with a roster of about 25 artists and estates, around 80 percent of whom began working with Kasmin within the last five years.
A life-size bronze rhinoceros desk by François-Xavier Lalanne, titled *Grand Rhinocéros II* (2003), sold for $16.422 million at Sotheby’s Important Design day sale in New York on June 11. The piece, which measures over four feet wide and 8.5 feet long, had a pre-sale estimate of $3–5 million. After 45 bids over 13 minutes, it hammered at $13.75 million, with the final price including buyer’s premium. The sculpture was the first of eight editions and had been acquired from Galerie Mitterand in Paris in 2003.
In 2025, the art market faced significant challenges, including gallery closures and unfavorable auction results in the first three quarters, driven by geopolitical pressures such as US President Donald Trump's tariffs. However, a rebound occurred in autumn, with buoyant fairs like Frieze London and Art Basel Paris, and strong November auctions in New York totaling over USD 2 billion, carrying momentum to Art Basel Miami Beach. Key events included Gustav Klimt's *Portrait of Elisabeth Lederer* selling for USD 236.4 million at Sotheby's, a record for a Modern work, and a Frida Kahlo self-portrait setting a new record for a work by a woman. Meanwhile, several galleries closed, including Blum, Venus Over Manhattan, Clearing, Kasmin Gallery, Tilton Gallery, and Perrotin and Pace's Hong Kong outposts, while others expanded, such as Thaddaeus Ropac in Milan and Hauser & Wirth in Sicily.
The Eli and Edythe Broad Art Museum at Michigan State University is presenting a survey exhibition titled “unbecoming” by Syrian-American artist Diana Al-Hadid, curated by Dr. Rachel Winter. The show features Al-Hadid’s sculptural wall panels made from polymer gypsum, steel, plaster, metal leaf, and pigment, many of which break rectilinear forms and reveal their fragile internal structures. The works incorporate recognizable imagery—silhouettes, bodies, art-historical references—that dissolves into the surface, creating tension and inviting viewers to question fixed meanings. The article also recounts a personal encounter with the artist, highlighting the humor and resistance embedded in her practice.
Art X Lagos, the art fair founded by Tokini Peterside-Schwebig in 2016, opens for its tenth edition from November 6-9, anchoring Lagos Art Week. The fair features a group show at Kó Art Space spotlighting artists inspired by the Oshogbo School, a 1960s Nigerian movement, and Tiwani Contemporary presents sculptural works by Lagos-based designer Nifemi Marcus-Bello, his first exhibition in Nigeria. The Guest Artists Space (GAS) Foundation, established by British-Nigerian artist Yinka Shonibare, adds talks, workshops, and cultural exchange programs, contributing to a vibrant, sprawling art week across the city.
Kasmin gallery hosted its third annual benefit auction for Artistic Noise, a nonprofit supporting youth impacted by the juvenile justice, foster care, and mental health systems. The event honored artist Jordan Casteel as the inaugural featured artist, with over 40 donated works curated by Olivia Toups, including pieces by Lee Dawson, Julia Garciá, Ficus Interfaith, and Milly Skellington. The auction, which ended today, is projected to surpass its $100,000 goal, funding art therapy and resources for system-impacted young people.
This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.