10 Practical Reasons We Need to Defend the National Endowment for the Arts

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President Donald Trump's administration has renewed efforts to defund the National Endowment for the Arts (NEA), proposing for the fourth consecutive year a budget that would zero out the agency. The Heritage Foundation, a conservative think tank that has staffed the current administration, continues to promote its 1997 report 'Ten Good Reasons to Eliminate Funding for the National Endowment for the Arts' as a key reference in debates. This article, originally published in 2020 and republished in response to these developments, systematically rebuts each of the Heritage Foundation's arguments against the NEA, beginning with the claim that private support alone is sufficient.

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President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.

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President Donald Trump has initiated a controversial overhaul of the Kennedy Center in Washington, D.C., renaming it the 'Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts' and appointing himself chairman. Following the dismissal of long-time president Deborah Rutter and the installation of a board led by Richard Grenell, the institution has pivoted toward conservative programming, leading to a 93% to 57% drop in ticket sales and high-profile boycotts from artists like Philip Glass. The center is now slated for a two-year closure starting after July 4 for major renovations, a move that has sparked alarm among preservationists and political figures.

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Visual artist Dread Scott, playwright Lynn Nottage, and dozens of cultural figures have launched "Fall of Freedom," a nationwide weekend of creative demonstrations scheduled for November 21–22, 2025, to protest rising authoritarianism under the Trump administration. The project invites arts communities to organize independent actions—such as storefront readings, pop-up performances, exhibitions, and workshops—at museums, galleries, classrooms, comedy clubs, or any community gathering space. Participating institutions include the Institute of Contemporary Art, Los Angeles, which will host a "Wear Your Rights" silk-screening workshop, and New York's Leslie-Lohman Museum of Art, which will turn a gallery into a library of queer art activism books. Other notable participants include artists Marilyn Minter, Robert Longo, and Amy Sherald, who recently canceled a Smithsonian exhibition after concerns over her painting of a Black transgender Statue of Liberty.

Amy Sherald Withdrew 'American Sublime' Exhibition From Smithsonian National Portrait Gallery, Citing 'Culture of Censorship'

Amy Sherald has withdrawn her exhibition 'American Sublime' from the Smithsonian's National Portrait Gallery, citing a 'culture of censorship' after the museum raised concerns about including her painting 'Trans Forming Liberty' (2024), a portrait of a trans woman posed like the Statue of Liberty. The show, slated to open in September, would have been the first solo exhibition of a Black female artist at the museum since it opened in 1968. Sherald stated that institutional fear shaped by political hostility toward trans lives influenced the museum's request to remove the work, and she decided to cancel the show to preserve the integrity of her vision.

Post-Minimalist sculptor Joel Shapiro has died, aged 83

Post-Minimalist sculptor Joel Shapiro died on 14 June in Manhattan at age 83 from acute myeloid leukemia. Best known for vibrant, humanoid sculptures built from wooden beams that balance abstraction and figuration, Shapiro completed over 30 public commissions, including *Loss and Regeneration* (1993) at the United States Holocaust Memorial Museum. His career began with fingerprint drawings that caught gallerist Paula Cooper's attention, leading to a 1982 mid-career retrospective at the Whitney Museum of American Art. He later showed at Pace Gallery and other major venues, with his most recent solo exhibition at Pace in New York in September 2024.

Culture Type | The Month in Black Art: Here’s What Happened in May 2025

The May 2025 roundup of Black art news reports the deaths of two influential figures: international curator Koyo Kouoh and artist-curator Evangeline J. Montgomery, who died at 94. Montgomery's career spanned metalwork, fiber art, and photography, and she was a key advocate and mentor in the African American art community, later working at the U.S. Information Agency. Other highlights include historian Edda L. Fields-Black winning a Pulitzer Prize for her book on Harriet Tubman, the acquisition of Adam Pendleton's entire "Who is Queen" installation by MoMA, and Kapwani Kiwanga winning the Joan Miró Prize. The Met Gala also featured Black dandy style inspired by the Costume Institute's exhibition "Superfine: Tailoring Black Style."

40 Years Later, Houston's FotoFest Keeps Its Edge

Houston’s FotoFest is celebrating its 40th anniversary with a massive retrospective titled "Global Visions: FotoFest at 40," featuring over 450 artists from 58 countries. Founded by Wendy Watriss and Frederick Baldwin after a transformative trip to the Rencontres d'Arles, the biennial was established to combat American parochialism by introducing international photography to the U.S. The current iteration spans multiple venues, including the Sawyer Yards Galleries and Project Row Houses, showcasing the festival's history of thematic curation ranging from Russian Pictorialism to contemporary Arab media.

US National Gallery of Art receives trove of Modern and contemporary drawings

The National Gallery of Art in Washington, DC, has received a gift of more than 60 Modern and contemporary works on paper from longtime benefactors Lenore and Bernard Greenberg. The donation includes the first Bruce Nauman drawing to enter the collection, along with works by Susan Rothenberg, Philip Guston, Ed Ruscha, Vija Celmins, Alberto Giacometti, Franz Kline, Jasper Johns, Ellsworth Kelly, Willem de Kooning, Shahzia Sikander, Cy Twombly, and others. Photographs by Roni Horn, John Baldessari, Uta Barth, and Hiroshi Sugimoto, as well as a wire sculpture by Alexander Calder, are also included.

Before He Stole the Oscars, Timothée Chalamet Stole Ballet and Opera

Actor Timothée Chalamet sparked controversy by stating in an interview that he doesn't want to work in ballet or opera, describing them as artforms where the goal is to "keep this thing alive." The comment prompted swift backlash from the dance community, with institutions extending personal invitations and op-eds criticizing his remarks.

5 Artists to See at Converge 45

New York curator Lumi Tan has organized the 2026 Converge 45 triennial in Portland, Oregon, titled "Here, To You, Now." Running from August 27 across more than 15 venues, the triennial prioritizes performances and time-based artworks over traditional gallery exhibitions, featuring both local and visiting artists. Tan, whose background includes stints at the Kitchen, Luna Luna, and Frieze New York, selected five standout artists: Lex Brown (presenting an operatic video and installation), Trisha Baga (a 3D video installation about AI and parenting), Rose Salane (archival works involving Princess Diana’s shoes), and Linda K. Johnson (a choreographer mapping Portland’s dance network).

At the Venice Biennale, the Cuba Pavilion presents "Hombres Libres" by Roberto Diago

The Republic of Cuba has announced its participation in the 61st Venice Biennale with a solo exhibition by artist Roberto Diago titled "Hombres Libres" (Free Man). Curated by Nelson Ramirez de Arellano Conde and located at Il Giardino Bianco, the installation features a series of sculptural heads crafted from salvaged materials like oxidized metal, wood, and plastic. These works, characterized by prominent surface scars, are designed to confront viewers and provoke a dialogue about the enduring nature of memory and dignity.

Amy Sherald's canceled Smithsonian art show comes to Baltimore

Artist Amy Sherald has canceled her scheduled exhibition at the Smithsonian's National Portrait Gallery in Washington, D.C., due to censorship concerns over her painting "Trans Forming Liberty," which depicts the Statue of Liberty as a Black trans woman. The exhibition, titled "Amy Sherald: American Sublime," will instead travel to the Baltimore Museum of Art (BMA), where it will run from November 2, 2025, to April 5, 2026. Sherald will also receive one of the museum's "Artist Who Inspires" awards at its 2025 BMA Ball on November 22. The show is a mid-career survey of Sherald's work, previously shown at the San Francisco Museum of Modern Art and the Whitney Museum of American Art.

Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025

Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.

Trump claims he has fired director of US National Portrait Gallery

US President Donald Trump claimed on his Truth Social platform that he has fired Kim Sajet, director of the National Portrait Gallery (NPG), alleging she is a "highly partisan person" and a supporter of diversity, equity, and inclusion programs. Sajet, who became the first woman to lead the NPG in 2013, has not commented, and the Smithsonian declined to comment. It remains unclear whether Trump has the legal authority to fire Smithsonian employees, as the institution is governed by a board of regents and receives partial federal funding.

‘Degenerate’ or ‘woke,’ Paris museum exhibit shows what happens to art in the crosshairs of politics

The Picasso Museum in Paris has opened an exhibition titled "Degenerate Art: Modern Art on Trial Under the Nazis," the first such show in France, running until May 25. It features works by Van Gogh, Klee, Picasso, Kandinsky, Chagall, and others that were condemned by Hitler and the Third Reich as "degenerate" — targeted for destruction, sale, or concealment. The exhibition is organized thematically around Nazi persecution, including sections on race, museum purges, and the art trade, and highlights the fates of artists like Ernst Ludwig Kirchner, who died by suicide, and Otto Freundlich, who was murdered in a concentration camp.

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Eight preservation societies have filed a lawsuit against the Trump administration to halt a planned two-year closure and renovation of the Kennedy Center in Washington, D.C. The legal action alleges that the administration is bypassing federal historic preservation and environmental laws, as well as necessary Congressional approval, to fundamentally alter the modernist landmark. The suit specifically targets the administration's lack of transparency regarding the extent of the work, which plaintiffs fear could include demolition and reconstruction.

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President Donald Trump announced the planned closure of the John F. Kennedy Center for the Performing Arts for up to two years, starting July 4, as part of a major renovation project. The closure, pending board approval, aims to transform what Trump called a "tired, broken, and dilapidated" facility into the "finest Performing Arts Facility of its kind."

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Composer Philip Glass has withdrawn his Symphony No. 15, a commissioned work honoring Abraham Lincoln, from the John F. Kennedy Center for the Performing Arts ahead of its scheduled premiere by the National Symphony Orchestra in June. Glass informed the center in a letter on Tuesday, stating that the Kennedy Center's current values are in direct conflict with the symphony's message, calling the decision an obligation. He joins soprano Renée Fleming in severing ties, while the Washington National Opera has already relocated due to low attendance. The center's board voted to add President Donald Trump's name to the institution in December, a move questioned for its legality and opposed by Kennedy family members and Democratic Representative Joyce Beatty.

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President Donald Trump was booed while attending a fundraiser for the musical *Les Misérables* at the John F. Kennedy Center for the Performing Arts. He arrived with Melania Trump to support the center, but faced a mixed reception of boos and chants of 'U-S-A.' The event followed Trump's controversial takeover of the Kennedy Center, where he fired the board of trustees appointed by Joe Biden and George W. Bush, installed himself as chair, and replaced longtime president Deborah Rutter. Several artists, including Ben Folds, Renée Fleming, Shonda Rhimes, Issa Rae, and Rhiannon Giddens, resigned in protest, and the center has seen program cancellations such as *Hamilton* and Pride events.

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A national survey commissioned by the Mellon Foundation and conducted by NORC at the University of Chicago has produced a 102-page report on the livelihoods of 2,618 US artists across five disciplines—performing arts, visual arts, writing, craft arts, and other arts—broken into 37 subdisciplines. Key findings reveal that 34% of artists are fully self-employed, 50% are self-employed in their primary job, and 11% hold three or more jobs. More than 57% of artists report being worried about financial vulnerabilities, including food (22%), housing, medical costs (32%), or utilities, while 28% provide unpaid care for a loved one and 8% have served in the military.

‘It’s much more extreme’: US institutions and artists enter a new culture war

Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.

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This episode of the Art Angle podcast, co-hosted by Ben Davis, features art critic and journalist Brian Boucher discussing the impact of Donald Trump's return to office on American culture. Since January, Trump has launched a cultural offensive through executive orders and policies, including canceling humanities grants to fund a 'heroes' sculpture garden, targeting the Institute of Museum and Library Services, taking personal control of the Kennedy Center, and shuttering DEI offices nationwide. Boucher, who has extensively covered these developments for Artnet, joins the podcast to analyze the administration's first 100 days and the risks posed to the arts.

Institute of Museum and Library Services Allowed to Operate: Settlement

The Institute of Museum and Library Services (IMLS) has reached a legal settlement allowing it to resume full operations after being targeted for dismantling by a presidential executive order. The agreement, facilitated by a lawsuit from the American Federation of State, County and Municipal Employees, reverses planned mass layoffs and the termination of federal grants that support thousands of institutions across the United States.

Meet the Woman Who Made Museums More Accessible

Lorena Bradford, the first head of Accessible Programs at the National Gallery of Art, has left the institution after pioneering numerous initiatives to make museums more inclusive. Her work included launching American Sign Language tours, creating programs for individuals with memory loss, and spearheading the Short Description Project to provide detailed online artwork descriptions.

More than 150 US arts organisations pledge to resist political pressure

More than 150 US arts organizations and over 320 artists and cultural workers have signed a public statement affirming their commitment to resisting political pressure. Organized by the National Coalition Against Censorship (NCAC) and the Vera List Center for Art and Politics (VLC) at the New School, the statement does not explicitly name President Donald Trump or his administration's actions, but was precipitated by Trump's pressure campaigns against the Smithsonian Institution and the Kennedy Center, as well as deep cuts to the NEA, NEH, and IMLS. Signatories include institutions from both Democratic- and Republican-controlled states, such as the Museum of Contemporary African Diasporan Arts in New York and Diverseworks in Houston, Texas.

Comment | Trump's 100 days should remind us to be brave—because in an autocracy there is no safety

The article examines the impact of the first 100 days of Donald Trump's second term on the U.S. cultural sector, detailing executive actions that force museums, libraries, and arts institutions into ideological conformity. Orders targeting diversity, equity, inclusion, and gender threaten funding from the National Endowment for the Arts and the National Endowment for the Humanities, while the Smithsonian Institution and Kennedy Center face direct political oversight. The administration also redirects funds toward patriotic projects like a sculpture garden of 'American Heroes,' and private institutions such as the Rhode Island School of Design and Creative Capital face pressure over pro-Palestinian expression and diversity-focused programs.

Kennedy Center Board Votes to Close for 2-Year Renovation Project

The John F. Kennedy Center for the Performing Arts board has approved a plan to close the institution for a two-year, comprehensive renovation project. The decision follows public criticism from former President Donald Trump regarding the center's physical state and past financial management.

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The board of trustees of the John F. Kennedy Center for the Performing Arts voted on Thursday to add President Donald Trump's name to the institution, renaming it "The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts." The vote was described as unanimous by spokeswoman Roma Daravi, but Democratic Representative Joyce Beatty, an ex-officio board member, disputed this, claiming she was muted when trying to voice opposition. The move has been met with disapproval from members of the Kennedy family and legal experts who argue it violates a federal stipulation from 1963. The name change has already been reflected on the institution's website and façade, following a year of turmoil that included Trump being booed at a performance and a Washington Post exposé on staff turmoil and declining ticket sales.

Spirit Halloween to Temporarily Take Over Kennedy Center

The Kennedy Center for the Performing Arts has signed a temporary lease with seasonal retailer Spirit Halloween to occupy its space, aiming to generate alternative revenue. This move is intended to supplement funding for a $250 million renovation project, as federal funds originally earmarked for the capital project were reportedly reallocated to the Department of War.