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Betye Saar’s Birthday Present

Betye Saar, the iconic assemblage artist, is donating her collection of Black dolls to the New York Historical on the occasion of her 100th birthday. The article also covers strong performance art at the Venice Biennale, including works by Florentina Holzinger and Miet Warlop at the Austrian and Belgian pavilions, amidst a fraught edition marked by the death of artistic director Koyo Kouoh, canceled pavilions, and protests. Additional features include a review of Ceija Stojka's exhibition at the Drawing Center and a profile of sculptor Edmonia Lewis.

Alma Allen on Representing the US at the 61st Venice Biennale

ArtReview published a questionnaire sent to artists and curators participating in the 61st Venice Biennale (2026), featuring responses from Alma Allen, who is representing the United States at the Giardini pavilion. Allen gave cryptic, philosophical answers, declined to answer several questions, and criticized the art world establishment, calling outsider artists the most important and refusing to provide a framework for interpreting her work. The article includes details about her bronze sculpture "Not Yet Titled" (2023) and her reflections on US identity, violence, and bureaucracy.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

JUNKANOO EN VENECIA ARTE MEMORIA Y COLABORACION POSTUMA EN EL PABELLON DE BAHAMAS

The Bahamas presents its second pavilion at the Venice Biennale after a 13-year hiatus, featuring the exhibition "In Another Man's Yard" curated by Dr. Krista Thompson. The show brings together the late John Beadle (1964–2024) and Lavar Munroe in an intergenerational dialogue rooted in the Junkanoo festival tradition, exploring themes of collaboration, commemoration, and material transformation through discarded materials like cardboard and salvaged objects.

JUNKANOO IN VENICE ART MEMORY AND POSTHUMOUS COLLABORATION AT THE BAHAMAS PAVILION

The Bahamas Pavilion at the 2026 Venice Biennale presents "In Another Man's Yard," an intergenerational exhibition curated by Dr. Krista Thompson featuring works by the late John Beadle (1964–2024) and Lavar Munroe. The show explores Junkanoo, the biannual Bahamian festival, through collaborative artmaking, discarded materials, and posthumous collaboration—including Munroe's monumental 11-panel painting based on photographs by Jackson Petit and works incorporating materials from Beadle's studio.

‘It’s Been a Long Journey’: Lebanese-Australian Artist Khaled Sabsabi on His Difficult Path to Venice

Lebanese-Australian artist Khaled Sabsabi reflects on his challenging journey to representing Australia at the Venice Biennale. The article details his personal and professional struggles, including his background as a refugee and the political controversies surrounding his work, which have shaped his path to one of the art world's most prestigious international exhibitions.