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museum exhibitions schedule Nov 17, 2025 visibility 4 link 2 artists, 3 galleries

alfonso artiaco liam gillick alan charlton 2713185

Naples-based gallery Alfonso Artiaco has opened a dual exhibition pairing British artists Liam Gillick and Alan Charlton for the first time. Gillick, a former Young British Artist associated with relational aesthetics, presents three new aluminum and Plexiglas "elevation" sculptures plus a wall piece titled *Euphoric Production Cycle* (2025). Charlton, known for his lifelong dedication to grey monochrome painting, contributes three works—a circle, square, and triangle—that anchor the show. The exhibition runs through January 10, 2025.

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museum exhibitions schedule Nov 17, 2025 visibility 3 link 2 artists, 3 galleries

alfonso artiaco liam gillick alan charlton 2713185

Liam Gillick and Alan Charlton, two British artists with deep ties to Modernism, are paired for the first time in a dual exhibition at Alfonso Artiaco in Naples. Gillick, a former Young British Artist associated with relational aesthetics, presents new aluminum and Plexiglas sculptures including "Euphoric Production Cycle" (2025), while Charlton, known for his lifelong dedication to grey monochromes, contributes three works featuring circles, squares, and triangles. The show runs through January 10, 2025.

newspaper Artnet News open_in_new Read original
museum exhibitions schedule Dec 29, 2025 visibility 3 link 40 artists, 1 gallery

1+1. Relational Art: at MAXXI a major exhibition reflects on the legacy of Nicolas Bourriaud's critical revolution

The MAXXI museum in Rome has opened a major exhibition titled "1+1. Relational Art," which examines the legacy of Nicolas Bourriaud's influential 1998 book "Relational Aesthetics." The show brings together works by artists from the 1990s generation—including Maurizio Cattelan, Douglas Gordon, Pierre Huyghe, Philippe Parreno, Liam Gillick, and Dominique González-Foerster—who pioneered art based on human interactions and social contexts rather than traditional autonomous objects. The exhibition reflects on how Bourriaud's theory, developed from studio visits with these young artists, redefined art criticism by proposing that artworks be judged by the interhuman relations they produce or evoke.

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