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Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.

Up Close: Liang Yuanwei

Liang Yuanwei's latest painting cycle, "Pluviophile," culminated in the work "im Kugelhagel Wh·YeGrUm·Br-" (2025), exhibited at Beijing Commune in 2026. The large oil-on-linen piece, tucked at the far end of the gallery, features a burnt reddish-brown field scarred with gouged arcs and scraped-away paint that reveals a gold underlayer, creating an effect of violent impact and luminous aftermath.

'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern, Taipei, Taiwan on 25 Apr–6 Jun 2026

The group exhibition 'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern in Taipei explores the cognitive processes behind artistic creation. Featuring works by DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu, the show examines how human thought remains distinct from artificial intelligence by focusing on the 'neural algorithms' of the brain. The curatorial framework breaks down the creative act into three stages: the initial sensory trigger, the critical judgment between experience and transcendence, and the final decision that collapses multiple possibilities into a singular work.