WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

Frist Art Museum Presents Exhibition Spanning 100 Years of Contemporary Indigenous Art, Highlighting a Continuum of Elders and Emerging Makers

The Frist Art Museum is presenting a new exhibition that spans 100 years of contemporary Indigenous art, featuring works from both established elders and emerging makers. The show aims to highlight the continuity and evolution of Indigenous artistic practices across generations.

Frist Art Museum Will Present 100 Years of Contemporary Indigenous Art

The Frist Art Museum in Nashville will present "An Indigenous Present," an exhibition spanning 100 years of modern and contemporary Indigenous art, from June 26 to September 27, 2026. Co-curated by artist Jeffrey Gibson and independent curator Jenelle Porter, the show features 15 artists who use abstraction as a tool for liberated expression, including Teresa Baker, Raven Chacon, Kimowan Metchewais, Caroline Monnet, George Morrison, Mary Sully, Jaune Quick-to-See Smith, and Kay WalkingStick. Organized by the Institute of Contemporary Art/Boston, the exhibition draws from Gibson and Porter's landmark 2023 publication of the same title and is structured into five thematic sections that place emerging artists in dialogue with established makers.