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Memory, Migration, Materiality: 12 Artists to Watch During Alserkal Art Month

Alserkal Art Month (April 18–May 18, 2026) in Dubai features a district-wide initiative of exhibitions and events, anchored by the group show "Déjà Vu" at Concrete, Alserkal Avenue (April 25–May 8). Curated by Kevin Jones, Nada Raza, and Zaina Zaarour, the exhibition brings together over 50 artists from 20 UAE-based galleries, centering on themes of memory, displacement, and cultural inheritance. The article profiles 12 standout artists, including Shahpour Pouyan and Juma Al Haj, whose works translate these tensions into materially inventive and conceptually rigorous practices.

8 New Art Exhibitions You Cannot Miss This May

This May, galleries across India are presenting a diverse array of new art exhibitions, ranging from postcolonial installations and forgotten print histories to deeply personal paintings and sculptural storytelling. Highlights include Sri Lankan artist Shanaka Kulathunga's solo show 'Silent Stories' at Bikaner House, exploring memory and displacement; the group exhibition 'In the Telling' at Chemould Prescott Road in Mumbai, focusing on narrative-making and fragmented memory; and 'An Ancient Ballad' at Emami Art in Kolkata, drawing from mythology and folklore. Other notable shows include a retrospective of modernist A. A. Raiba at Thapar Gallery, the politically charged 'The Architecture Of The Void' at Gallery Dotwalk, and Navjot Altaf's 'Waste Archives as Landscape' at CSMVS museum in Mumbai.

Milwaukee Art Museum to Present Widline Cadet’s First U.S. Museum Solo Exhibition

The Milwaukee Art Museum has announced "Currents 40: Widline Cadet," the first U.S. museum solo exhibition for the Haitian-born artist. Running from May 8 through August 9, 2026, the show features the debut of her decade-long project, "Seremoni Disparisyon (Ritual [Dis]Appearance)." The exhibition utilizes photography, video, and installation to explore themes of Black diasporic life, migration, and the creation of a "living archive" through staged imagery and autobiographical details.

‘Painting continues to be viable’: Enrique Martínez Celaya on his sugar-coated show at the Wende Museum

Enrique Martínez Celaya has unveiled "The Sextant" at the Wende Museum in Culver City, marking the final installment of a decade-long trilogy exploring his Cuban childhood. The immersive installation features a full-scale recreation of his family’s Modernist home, entirely coated in 6,500 pounds of sugar to symbolize the industrial history of his hometown. Accompanied by paintings and sculptures, the exhibition uses personal artifacts, such as letters to his exiled father, to navigate themes of memory and displacement.

TROPICAL HYPERSTITION A SPACE OF MEMORY AND RESISTANCE AT THE BIENNALE DI VENEZIA 2026

Panama will present its second National Pavilion at the 2026 Venice Biennale, featuring a large-scale installation and performance titled 'Tropical Hyperstition' by the artistic duo Antonio José Guzmán and Iva Jankovic (Mensajeros del Sol). The project, curated by Ana Elizabeth González and Mónica Kupfer, is organized by Panama's Ministry of Culture and several cultural foundations.