Art News. Vasari Codex

museum exhibitions schedule Jun 9, 2025 visibility 25 link 36 artists, 4 galleries

in the hamptons this summer catch a new art show every week

Cultured magazine's article rounds up seven new art exhibitions opening in the Hamptons this summer, each running for a limited time. Highlights include "Unbreakable" at Onna House featuring mother-daughter artist duos, Shirin Neshat's first New York-area museum show in two decades at the Parrish Art Museum, Almond Zigmund's immersive "Wading Room" at Guild Hall, a Rosalyn Drexler retrospective at the Pollock-Krasner House, and "The Ark" at The Church curated by Eric Fischl with animal sculptures by over 40 international artists. Other shows include "Veronica Veronica" at Hesse Flatow's former potato barn and a ceramic-focused exhibition at Onna House.

newspaper Cultured open_in_new Read original

museum exhibitions schedule Jun 9, 2025 visibility 18 link 5 artists

jennie c jones met roof commission

Artist Jennie C. Jones has unveiled "Ensemble" (2025), a rooftop commission at New York's Metropolitan Museum of Art featuring three monumental, wind-activated stringed instruments—an Aeolian harp, zither, and one-string—that visitors are asked not to touch. The sculptures, coated in deep red powdered aluminum and concrete panels, are designed to be played by the breeze, though wind did not cooperate during the press preview. Jones drew inspiration from the Met's collection of 5,000 musical instruments, African American folk instrument makers like Moses Williams and Louis Dotson, and Minimalist abstraction, creating a work that explores anticipation and the sonic potential of untouchable objects.

newspaper Artnet News open_in_new Read original

museum exhibitions schedule Oct 16, 2025 visibility 14 link 7 artists

art met roof garden jennie c jones

The Metropolitan Museum of Art has unveiled its 2025 Roof Garden Commission, titled *Ensemble*, by artist Jennie C. Jones. The installation features three upright sculptures made from concrete travertine and powder-coated steel, whose angular forms are inspired by musical instruments—a zither, an Aeolian harp, and a one-string instrument. A fourth red floor piece acts as a "conductor." The works are equipped with frets and strings that vibrate in the wind, inviting viewers to engage with them as both visual and sonic objects. The exhibition also includes collaborative programming, performances, and a publication with contributions from curator Lauren Rosati and artist Glenn Ligon.

newspaper Cultured open_in_new Read original