Remembering Glen Baxter, Pat Steir, Melvin Edwards

The art world mourns the recent deaths of several significant figures. British absurdist cartoonist Glen Baxter, known for his work in The New Yorker and exhibitions at Flowers Gallery, has died. American sculptor Melvin Edwards, renowned for his welded steel Lynch Fragments addressing racist violence, and pioneering feminist painter Pat Steir, celebrated for her conceptual, process-based works, have also passed. The article additionally notes the deaths of Lebanese painter Ali Sbeity, killed in an airstrike; Mexican folk artist Josefina Aguilar; British heritage leader Neil Cossons; British painter Charles Debenham; and Cypriot painter Andreas Karayian.

Manitoba Anishinaabe Artist Designs Moon Patch; Uffizi Targeted by Cyberattack

manitoba anishinaabe artists design moon uffizi cyberattack

Anishinaabe artist Henry Guimond has designed a mission patch for Canadian astronaut Jeremy Hansen to wear during the Artemis II lunar mission. The artwork features seven symbolic animals representing the Seven Sacred Laws of Anishinaabe custom, intended as a universal message for humanity that will literally travel beyond Earth's orbit.

Museum Exhibitions Coming to East & South Texas in Spring 2026

Several museums in East and South Texas have announced their spring 2026 exhibition schedules. The Beeville Art Museum will open a solo show of landscape painter William Anzalone in January. The Art Museum of South Texas in Corpus Christi will present 'In Nature’s Studio: Two Centuries of American Landscape Painting,' a traveling exhibition from the Reading Public Museum. The Longview Museum of Fine Arts will host a retrospective of photographer Frank Armstrong. The International Museum of Art and Science in McAllen will open three shows: 'Piñatabstract' by Josuè Rawmirez, 'Voces del Arte Popular' featuring Mexican folk art, and 'Aviary,' a bird-themed exhibition. South Texas College will also present two exhibitions in January and February, including Leila Hernández's 'The Lessons of the Empress.'

“It’s All in the Details” at the Art Museum of Southeast Texas

The Art Museum of Southeast Texas (AMSET) has opened a new exhibition titled “It’s All in the Details,” featuring approximately 50 works from its permanent collection, many of which have never been exhibited before. The show spans contemporary fine art and Mexican folk art, highlighting intricate techniques and the need for close viewing. Key works include Shawne Major’s mixed-media piece “Syzygy” (2022), Marcelino Eduardo Sánchez Rodriguez’s feather-based “Viva Mexico” (2009), and Mary McCleary’s densely layered collage “The Clouds Grew So Dense, She Couldn’t See” (2015), which had been hanging in the museum’s intern office for years.

Above & Beyond, Wisconsin folk artist will explore Mexican immigrant experience in next cultural exhibit

Above & Beyond Children's Museum (ABCM) in Sheboygan, Wisconsin, will host a listening session on May 4, 2025, as it prepares the second iteration of its Culture Exchange Exhibit, this time focusing on the Mexican immigrant experience. The museum is partnering with Gabriela Marván, a Mexican artist from Viroqua and co-founder of the Mexican Folk Art Collective, who specializes in cartonería (paper sculpture). Marván will create monumental alebrijes, an ofrenda altar, and papel picado for the exhibit, which will be installed in November. The project also includes workshops, Aztec dance, bilingual story times, and loteria games, aiming to engage visitors in Mexican folk traditions over several years.

Welcome Home: A Pop-up Art Exhibition

A pop-up art exhibition in Philadelphia explores the dismantling of Isaiah Zagar's public mural *Skin of the Bride* (c. 1990-2001), a ceramic-and-tile mosaic originally housed in a community arts center. The building was sold in 2017, purchased by a real estate developer in 2023, and despite efforts to protect the mural as a historic site, it is slated for demolition. The Magic Gardens team selectively removed certain tiles, including Mexican folk art, while leaving others behind, altering the artwork's visual integrity. The exhibition presents fragments of Zagar's work alongside a video installation and a multimedia piece reflecting on memory and placemaking.