Flemish Baroque painter Michaelina Wautier is receiving renewed critical attention as scholars work to correct centuries of misattributions. Despite achieving significant success and recognition during her lifetime, her oeuvre was largely subsumed into the names of male contemporaries until recent research restored her identity to her masterpieces.
The Royal Academy of Arts in London has launched a monographic exhibition dedicated to Michaelina Wautier, a 17th-century Brussels-based painter whose work was misattributed to male contemporaries for centuries. Despite her mastery across diverse genres—including portraiture, floral still lifes, and large-scale history paintings typically reserved for men—her identity was obscured by patriarchal societal norms and a lack of biographical documentation. The show highlights her technical brilliance, notably in works like "The Triumph of Bacchus," which was long credited to male artists due to the era's restrictions on women studying nude models.