Bob Monk, a longtime director at Gagosian who worked closely with artists such as Ed Ruscha and Richard Artschwager, died on December 15 at age 75 due to complications from a heart condition. Monk spent over two decades at Gagosian, and his career also included stints at Leo Castelli Gallery, his own SoHo gallery Lorence-Monk Gallery, and Sotheby's, where he headed the contemporary prints and contemporary art departments.
The article reports on the Museum of Modern Art's retrospective "Jack Whitten: The Messenger," which runs through August 2 and features 175 works including paintings, sculpture, and archival materials. Curator Michelle Kuo describes Whitten's "endless innovation," noting that art handlers were astonished by his pioneering techniques. Whitten, who died in 2018 at age 78, moved from Alabama to New York in 1960, attended Cooper Union, and was influenced by jazz and figures like Willem de Kooning and Romare Bearden. The article also examines Whitten's art market, highlighting his auction record of $2.66 million for "Special Checking" (1974) at Sotheby's in 2019, and noting that while prices are rising, his work remains undervalued compared to peers like Gerhard Richter.
Marlene Dumas set a new auction record for the most expensive living female artist when her 1997 painting *Miss January* sold for $13.6 million at a Christie’s evening sale. The work, featuring a nude woman with a ghostly white face, was pre-sold with a third-party guarantee. Other women artists also broke personal records that night, including Simone Leigh (sculpture for $5.7 million) and Emma McIntyre (painting for $201,000). However, the top five priciest works of the week were all by men: Claude Monet, Pablo Picasso, Alberto Giacometti, René Magritte, and Piet Mondrian, with Mondrian’s *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* selling for $47.6 million.
The Museum of Modern Art has launched a massive retrospective of Marcel Duchamp, featuring over 300 works spanning the artist's career from the early 1900s to the late 1960s. Organized in collaboration with the Philadelphia Museum of Art, the exhibition eschews a heavy-handed narrative in favor of a methodical, factual presentation. Key highlights include the controversial "Genre Allegory" (1943) and his iconic readymades, alongside his early experiments in painting like "Nude Descending a Staircase (No. 2)."
The Museum of Modern Art (MoMA) has opened a major retrospective of Afro-Cuban Surrealist painter Wifredo Lam, featuring over 200 works. The exhibition highlights Lam's masterpiece *Grande Composition* (1949), a 14-foot-wide painting recently acquired by MoMA after years of negotiation with a Paris collector. Curated by MoMA's new director Christophe Cherix and Beverly Adams, the show reexamines Lam's career, emphasizing his Afro-Cuban heritage and his use of hybrid figures like the femme-cheval, which reference Lucumí spiritual traditions.
Marcel Duchamp remains one of the most influential figures in contemporary art, a century after his readymades like *Fountain* (1917) challenged definitions of art. MoMA is opening a major retrospective on April 9, co-organized by Ann Temkin and Michelle Kuo, exploring Duchamp's conceptual legacy. The article profiles four contemporary artists—including Cory Arcangel—who are extending Duchamp's ideas into digital and conceptual realms, such as Arcangel's modified Nintendo game *Super Mario Clouds* (2002).
New research by French collector and self-proclaimed 'art detective' Alain Moreau challenges the long-held belief that Pablo Picasso's groundbreaking painting *Les Demoiselles d'Avignon* (1907) was primarily inspired by African art. Moreau's paper, published in the *Bulletin of the Reial Acadèmia Catalana de Belles Arts Sant Jordi*, argues that the painting instead drew from Medieval church frescoes in the Spanish and French Pyrenees, such as those in the church of La Vella de Sant Cristòfol in Campdevànol and the Romanesque murals of Sant Martí de Fenollar. He retraced Picasso's travels and notes that the African mask exhibited alongside the painting in a 1939 MoMA retrospective did not arrive in Europe until 1935, decades after the work was completed.
Gagosian gallery has relocated to a new street-level space at 980 Madison Avenue in New York, opening on April 25, 2026. Designed by architect Jonathan Caplan of Caplan Colaku Architects, the 12,000-square-foot ground-floor gallery replaces the previous upstairs headquarters, offering direct public access from the street and featuring a restaurant, Kappo Masa, on the lower level. The inaugural exhibitions focus on Marcel Duchamp, including works from his 1960s readymades produced with Arturo Schwarz, and a selection of early Robert Rauschenberg pieces from the Cy Twombly Foundation.