From Mother Mary to Foo Fighters: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights two exhibitions: "Handpicked: Painting Flowers from 1900 to Today" at Kettle's Yard in Cambridge, featuring artists like Henri Rousseau and Lubaina Himid; and a show of South African photographer George Hallett's work at the John Lennon School of Art and Design in Liverpool, documenting black resistance in 1970s Britain. It also mentions an open house for Lonnie Holley's new works at Edel Assanti gallery in London.

high art paris gallery closing

High Art, a Parisian gallery known for launching the careers of artists like Lucy Bull and Julien Creuzet, is closing its physical space after 12 years. The gallery announced on Instagram that its last exhibition closed in July and that it will transition toward collaborations, offsite exhibitions, and individual artworks. Founded in 2013 by Romain Chenais, Jason Hwang, and Philippe Joppin, High Art became a tastemaker in Paris's gallery scene, known for its challenging and often unconventional program. Many artists who showed there early, including Rachel Rose, Matt Copson, and Frieda Toranzo Jaeger, later achieved international recognition.

the mastermind film review kelly reichardt josh oconnor

Kelly Reichardt's new film *The Mastermind*, starring Josh O'Connor as a carpenter and family man who turns art thief, premiered at the Cannes Film Festival and will be released by Mubi. The film follows O'Connor's character, J.B., as he plots a heist inspired by a real 1972 robbery of the Worcester Art Museum, targeting paintings by American modernist Arthur Dove. The movie blends suspense, humor, and meticulous visual storytelling, with Reichardt drawing on the aesthetic of 1970s America and the work of photographers Stephen Shore and William Eggleston.

Art of Contemporary Africa Opens in San Francisco with Inaugural Exhibition ‘Afropop’

Art of Contemporary Africa (AOCA), described as San Francisco's first Pan-African contemporary art gallery, has opened a permanent space at the Minnesota Street Project. Founded by gallerist Craig Mark and photographer Clint Strydom, it operates as a sister space to The Melrose Gallery in Johannesburg and represents a broad roster of artists from across Africa and its diasporas, including the internationally recognized Dr Esther Mahlangu.

art heist genre film tv books guide

This article from Cultured explores the history and evolution of the art heist genre across film, television, and books. It traces the genre's origins from the 1911 theft of the Mona Lisa by Vincenzo Peruggia to its appearance in 19th-century detective serials by Agatha Christie and Arthur Conan Doyle, and later in French New Wave noirs and slick 1990s heist films. The piece highlights recent entries like Kelly Reichardt's film *The Mastermind* starring Josh O'Connor, and compiles a list of key works including *Animal Crackers* (1930), *How to Steal a Million* (1966), *The Thomas Crown Affair* (1968/1999), and *Hudson Hawk* (1991), noting how the genre reflects changing attitudes toward wealth, crime, and the sublime power of art.

amalia ulman film magic farm

Amalia Ulman's new film *Magic Farm* follows an American documentary crew that arrives in a rural Argentine town with a mandate to cover "crazy subcultures," only to find none. Led by a harried producer (Alex Wolff) and an anchor (Chloë Sevigny), the crew fabricates a zany trend while completely missing an environmental crisis affecting the village—no drinking water and widespread illness. Ulman describes the film as a critique of media bureaucracy, where content demands override actual news. The film continues her exploration of image-making and fiction, themes she previously investigated in her 2014 Instagram performance *Excellences & Perfections* and her 2021 debut feature *El Planeta*.

In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

William Kentridge's latest exhibition, 'A Natural History of the Studio,' at Hauser & Wirth in New York presents over 70 drawings from his nine-part film series 'Self-Portrait as a Coffee-Pot,' alongside new sculptures. The works, created during the pandemic, explore self-portraiture through charcoal, pastel, and collage, often featuring doppelgängers that argue and disagree, reflecting the artist's engagement with theater and the materiality of his forms.

The City’s only Pan-African contemporary art gallery opens soon

A new gallery called Art of Contemporary Africa (AOCA) will open on February 12, 2026, at San Francisco's Minnesota Street Project in the Dogpatch neighborhood. Founded by gallerist Craig Mark and artist Clint Strydom, it is the city's first and only gallery dedicated to contemporary Pan-African art. The inaugural exhibition, “Afropop,” will feature works by artists including Esther Mahlangu, Denis Mubiru, Ayanda Mabulu, Samuel Allerton, and Vusi Beauchamp. The gallery builds on the founders' decade of experience running The Melrose Gallery in South Africa, which will become AOCA's sister site.

On the MUBI platform arrives the story of the great New York photographer Peter Hujar

Sulla piattaforma Mubi arriva la storia del grande fotografo newyorchese Peter Hujar

MUBI has announced the exclusive streaming release of "Peter Hujar's Day," a film directed by Ira Sachs, set to premiere on May 22. The film is based on a 1974 conversation between photographer Peter Hujar and author Linda Rosenkrantz, and stars Ben Whishaw as Hujar and Rebecca Hall. It reconstructs a single day in Hujar's life, capturing the creative energy and precariousness of 1970s New York, with appearances from figures like Allen Ginsberg and Susan Sontag.