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Manetti Shrem Museum Fall 2025 Exhibitions Explore the Borderlands; Environmental Justice

The Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis presents two fall 2025 exhibitions: “OJO” Julio César Morales, a midcareer survey exploring the U.S.-Mexico border as a lived human experience through over 50 works in various media, and “Breath(e): Toward Climate and Social Justice,” a group exhibition from the Hammer Museum at UCLA that connects environmental and social injustice. The exhibitions run through Nov. 29, with a free public opening celebration on Sept. 28 featuring artists, curators, art making, and music. Morales’ show marks his California homecoming after a decade in Arizona as a senior curator and museum director, and includes an outdoor neon commission, “tomorrow is for those who can hear it coming” (2025).

The 10 Exhibitions to See in May 2025

The article highlights ten exhibitions to see in May 2025, including the Venice Architecture Biennale curated by Carlo Ratti, which explores intelligence in natural, artificial, and collective forms, alongside a parallel show by AMO/OMA at Fondazione Prada. It also covers Gallery Weekend Berlin, featuring Sky Hopinka's new film and photographs at Tanya Leighton, an exhibition by exiled Russian journalists Meduza at Kunstraum Kreuzberg, and a study group on Palestinian agrarian initiatives at Spore Initiative.

mexico city museum guide 2739921

Mexico City is renowned for its immense concentration of museums, with estimates ranging from 150 to 200 institutions. The city's art scene has been further amplified by the rise of Zona Maco, which has established a major international Art Week each February, drawing collectors and galleries. The article highlights five must-see museums, beginning with the Museo Anahuacalli, a unique museum built by Diego Rivera and architect Juan O'Gorman to house Rivera's vast collection of pre-Hispanic artifacts.

sculptor petrit halilaj wins 2027 nasher prize 1234755167

The Nasher Sculpture Center in Dallas has awarded its 2027 Nasher Prize to Petrit Halilaj, a Kosovo-born sculptor known for works addressing his country's history and sociopolitical realities. At 40, Halilaj is the youngest recipient of the prize since its 2015 inception. The award, now given biannually, includes $100,000 and a future exhibition at the Nasher. In an unusual gesture, Halilaj will donate the entire prize purse to the Hajde! Foundation, a Kosovo-based nonprofit he co-founded in 2014 to support Kosovar artists.

25 of 2025: 5 Sculptors to Watch

Artnet News has published the latest installment of its '25 of 2025' series, spotlighting five sculptors to watch. The article profiles Lotus L. Kang, a Canadian artist who had a solo show at 52 Walker in New York, was recently picked up by Esther Schipper, and has appeared in group exhibitions at MoMA, Jeffrey Deitch, and the Hessel Museum. It also features Raven Halfmoon, a Caddo Nation artist whose totemic ceramic works draw on Indigenous traditions and folklore, and who had her major institutional debut at the Aldrich Contemporary Art Museum in 2023. The series aims to highlight emerging talents shaping contemporary art.

Exhibition | Sheroanawe Hakihiiwe, 'Thapiri/Sonho' at Fortes D'Aloia & Gabriel, São Paulo, Brazil

Fortes D'Aloia & Gabriel in São Paulo presents 'Thapiri/Sonho', the first gallery exhibition in the city by Yanomami artist Sheroanawe Hakihiiwe. The show features paintings and monotypes that translate daily encounters in the Venezuelan Amazon—animal traces, plant structures, and natural formations—into a graphic vocabulary of lines, dots, circles, and repeating patterns. Hakihiiwe's work draws on Yanomami oral traditions and mnemonic structures, linking observed reality with dream encounters. The exhibition follows his 2023 solo presentation at MASP and includes works previously shown at MAC Parque Forestal in Santiago, Chile, and Sala TAC in Caracas.

10 Exhibitions Not to Miss During Mexico City Art Week 2026

Mexico City Art Week 2026 is set to begin, featuring a dense schedule of exhibitions and art fairs. The event, anchored by the ZONAMACO fair, includes satellite fairs like Feria MATERIAL and SALÓN ACME, and is supported by a robust ecosystem of galleries and museums. The week is a key destination for international collectors and curators seeking to discover emerging artistic voices from Central and South America.

art humberto moro dia foundation interview

Humberto Moro, deputy director of program at the Dia Art Foundation, discusses his role in expanding the institution's focus to include Latin American artists such as Liliana Porter, Delcy Morelos, and David Lamelas, whose major survey he curated. The interview, published by Cultured, covers Moro's career path from his early painting pursuits to positions at Museo Tamayo, Museo Jumex, SCAD's Museum of Art, and the Park Avenue Armory, and his current work at Dia alongside director Jessica Morgan. Moro also shares his personal interests in science fiction and literature, citing authors Ted Chiang, Cixin Liu, and Mariana Enriquez.

A new art foundation in Uruguay highlights Latin American artists and curators

Fundación Cervieri Monsuárez (FCM), a contemporary-art space designed by the late Uruguayan architect Rafael Viñoly, has opened in the exclusive coastal village of José Ignacio, Uruguay. The foundation aims to become a year-round hub for Latin American art, launching with a reinstallation of the Uruguay Pavilion from the 2024 Venice Biennale, featuring artist Eduardo Cardozo's work "Latente." FCM presents three exhibitions per year, giving curators carte blanche, and has already hosted shows by Vivian Suter, Claudia Casarino, and Gabriel Chaile, with upcoming exhibitions by Chonon Bensho and Ana Segovia.

Humid Traces

Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.

WAYAMOU: LENGUAS DE LO COMÚN. LAURA ANDERSON BARBATA Y SHEROANAWE HAKIHIIWE

The exhibition "Wayamou: Lenguas de lo común" at the Museo Tamayo in Mexico City presents the collaborative work of artists Laura Anderson Barbata and Sheroanawe Hakihiiwe, whose artistic and political relationship spans over three decades. The show traces their shared history, beginning in the early 1990s when Barbata traveled to the Venezuelan Amazon and taught handmade papermaking using local plant fibers, introducing Hakihiiwe to a sustained visual exploration of Yanomami cosmology, oral tradition, and legacy. In 1992, they co-founded Yanomami Owë Mamotima ("Yanomami art of papermaking"), a project enabling the community to tell its own stories through its own visual and linguistic codes, exemplified by the handmade book "Shapono (Casa)" (1996).