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Why did Van Gogh sign his paintings as ‘Vincent’?

Art historian Julia Engelmayer has published a study titled 'Simply ‘Vincent’: An Overview of Van Gogh’s Signed Paintings' on the Van Gogh Museum's website, analyzing why and how Vincent van Gogh signed his works. The research reveals that only 133 of his 840 surviving paintings bear a signature (16%), an unusually low proportion for a 19th-century artist. Van Gogh signed with only his first name due to strained family relations and the difficulty non-Dutch speakers had pronouncing his surname. The study also highlights his predominant use of red signatures (on 75 works), angled signatures on over half of his signed pieces, and a distinctive horseshoe-shaped 'V' used during his Arles period.

Who Went to Venice Last Week? Jenny Saville, Glenn Lowry, Jewel, and Many Other Power Players

Artnet News reporter Katya Kazakina recounts her experience at the opening week of the 61st Venice Biennale, describing a whirlwind of art, parties, and chance encounters. Notable figures spotted include former MoMA director Glenn Lowry, singer-songwriter Jewel (who debuted her visual art show "Matriclysm: An Archaeology of Connections Lost"), and Japanese Nintendo heir and collector Banjo Yamauchi. High-profile events included Thaddaeus Ropac gallery's reception for Georg Baselitz's final paintings (priced up to $1.5 million) and François Pinault's annual party at Fondazione Giorgio Cini, attended by Selma Hayek, Lorna Simpson, and JR. The article also highlights the social dynamics of the biennale, where dealers, curators, and collectors network across historic palazzos and hotels.

Backflips, boulders and dancing dogs: the images that shaped art photography – in pictures

A new exhibition at the Princeton University Art Museum, titled "Photography as a Way of Life," celebrates the photographers who helped establish art photography as a serious movement from the 1940s to the 1970s. The show features works by Minor White, Aaron Siskind, Harry Callahan, and others, including images by Ming Smith, Donna-Lee Phillips, and Walter Chappell. The exhibition runs until September 7 and highlights how these educators and artists transformed photography's role in both the art world and higher education.

Rare early photographs reveal lost sites featured in Van Gogh’s paintings

Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.

Art Movements: New Museum Names Its First Artist Studio Residents

The New Museum has named Yun Choi, Alison Kuo, and Korakrit Arunanondchai as the first artists-in-residence for its new Artist Studio, a 730-square-foot space created by the museum's OMA-designed expansion. The residencies will run from spring 2025 through winter 2027, with each artist developing new work, onsite exhibitions, and public programs. Separately, Forge Project announced its 2026 fellows—six Indigenous artists including Jay Bellis, Heidi Brandow, and Tiare Ribeaux—who will each receive $25,000 and a three-week residency. In other news, the Robert Therrien Estate has left Gagosian for David Zwirner Gallery, Laurel Nakadate won the Maud Morgan Prize, and Frieze New York revealed a staff uniform designed by artist Reika Takebayashi.

Art Movements: Michelle Millar Fisher Heads to Cooper Hewitt

Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.

10 Must-See Shows During Paris Gallery Weekend 2026

Paris Gallery Weekend 2026 returns for its 14th edition from May 29th to 31st, organized by the Comité Professionnel des Galeries d’Art. The event features 73 galleries across the Marais and other districts, offering three days of programming with must-see exhibitions during the city's vibrant late spring season.

Mary Lovelace O’Neal, Author of Uncategorizable Abstractions, Dies at 84

Mary Lovelace O’Neal, an activist, educator, and artist known for her monumental lampblack paintings that expanded the possibilities of abstraction, died on May 10 in Mérida, Mexico, at age 84. Despite a six-decade career, she was long considered an "artist's artist" before gaining international acclaim in recent years, with major exhibitions at Mnuchin Gallery, Marianne Boesky Gallery, the San Francisco Museum of Modern Art, and inclusion in the 2024 Whitney Biennial and the 2025 group show "Paris Noir" at the Centre Pompidou.

Sotheby’s $304M Modern Evening Auction Confirms the Market Has Found Its Footing

Sotheby's Modern Evening Auction on May 19 achieved $304 million with a 98% sell-through rate across 45 lots, more than doubling the total from the equivalent sale in November. The auction was anchored by fresh-to-market masterpieces, including Henri Matisse's "La Chaise Lorraine" from the Barbier-Müller collection, which sold for $48.4 million—the second-highest price for a Matisse painting at auction. Other highlights included works from the Enrico Donati collection, which generated a combined $58.9 million, and Pablo Picasso's "Arlequin (Buste)" (1909) selling for $42.6 million. The sale contributed to a running combined total of $839.6 million for Sotheby's marquee sales, following strong results from the Mnuchin collection and Contemporary Day Auction.

Rediscovered Rubens Notebook Page Goes on View for the First Time

A double-sided notebook page by Peter Paul Rubens, dated to September 1607, has gone on public display for the first time at the Rubens Experience in Antwerp. The sheet features a quill-testing squiggle, a sketch of three robed men thought to be apostles, and a draft letter on the reverse to the painter Cristoforo Roncalli. The letter, written on behalf of their patron Eleonora de' Medici, inquires about the progress of a painting for her private chapel. The page was acquired at TEFAF Maastricht by the King Baudouin Foundation for €110,000 ($121,100) and is on long-term loan to the Rubenshuis, where it will remain until renovations are completed around 2030.

Virginia Museum of Fine Arts Announces a Major Gift of Nearly 2000 Photographs

The Virginia Museum of Fine Arts (VMFA) has received a major donation of nearly 2,000 photographs from the Joy of Giving Something Inc. (JGS), a nonprofit dedicated to photographic arts. The gift, drawn from the collection of late financier Howard Stein, spans the 19th century to the present and includes works by over 450 artists, with highlights from Eugène Atget, Nadar, Alfred Stieglitz, Dora Maar, László Moholy-Nagy, Man Ray, Berenice Abbott, Walker Evans, Dorothea Lange, Mary Ellen Mark, and contemporary figures like Adam Fuss and Cindy Sherman. The donation also includes a grant for cataloging and housing, and comes as the VMFA plans five new photography galleries opening in 2027.

Claude Monet’s Market Triumph: 12 Record‑Smashing Paintings That Define an Era

Claude Monet's market dominance is analyzed through twelve record-breaking paintings sold at auction over the past decade, led by *Meules (Haystacks)* (1890), which achieved $110.7 million at Sotheby's New York in 2019—a record for any Impressionist work. The article highlights key sales including *Le Bassin aux Nymphéas* (1919) at $80.45 million, *Nymphéas* (1906) at $54 million, and *Le Pont du chemin de fer à Argenteuil* (1873–74) at $41.4 million, tracing how Monet's serene yet radical landscapes have consistently commanded top prices across Christie's and Sotheby's.

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

Il mitico artista-ceramista italiano Nanni Valentini torna negli Stati Uniti con una mostra sulla sua storia. Le immagini

The Everson Museum of Art in Syracuse, New York, is hosting "Interspaces," a retrospective exhibition dedicated to Italian artist Nanni Valentini (1932–1985), a pivotal figure in ceramic art. Curated by Garth Johnson of the Everson Museum and Luca Bochicchio of the Museo della Ceramica di Savona, with oversight by art historian Flaminio Gualdoni, the show runs until September 6, 2026. It traces Valentini's evolution from functional pottery to conceptual wall works, featuring pieces like "I segni della terra" (1981) and "Impronta-totem" (1979), on loan from ABC-ARTE gallery. The exhibition marks Valentini's return to the U.S., where he first gained international recognition at the museum's 1958 Ceramic International, introduced by Lucio Fontana.

At the Royal Museum of Fine Arts in Antwerp a major exhibition on Antony Gormley, with more than one hundred works

The Royal Museum of Fine Arts Antwerp (KMSKA) is hosting a major exhibition titled "Geestgrond" dedicated to British sculptor Antony Gormley, running from May 23 to September 20, 2026. Curated by Carolyn Christov-Bakargiev, the show features over 100 works made from diverse materials including clay, stone, wood, glass, bread, iron, lead, and steel. The exhibition places Gormley's sculptures in dialogue with the museum's historical collection, spanning from a 14th-century Flemish Crucifixion to works by James Ensor, Auguste Rodin, and Julio González. It also extends beyond the museum walls into the streets of Antwerp and along the Scheldt River, with works from the Domain and Weave Works series appearing in urban spaces.

You Can’t Drive It; You Can Only Look At It: A Conversation with Heidi Vaughan

Houston gallerist, secondary market art broker, and fine art appraiser Heidi Vaughan discusses her gallery Heidi Vaughan Fine Art (HVFA), the recent opening of McKay Otto's show 'GOLD,' and her multifaceted role in the art world. Vaughan represents established Houston artists like McKay Otto and Thedra Cullar-Ledford, as well as emerging painter Afi Lane, and offers services ranging from valuation and authentication to collection management and liquidation. She also hosts a radio show, 'The Houston Hour,' on 90.1 KPFT HD2, and is a prominent advocate for the arts in Houston.

Dallas Museum of Art acquires six works at 2026 Dallas Art Fair

The Dallas Museum of Art acquired six works from the 2026 Dallas Art Fair, held April 16–19 at the Fashion Industry Gallery in the Dallas Arts District. The acquisitions, made possible by the Dallas Art Fair Foundation + Dallas Museum of Art Acquisition Fund, include pieces by Nicole Eisenman, Gloria Klein, Caroline Monnet, Hasani Sahlehe, and Raymond Saunders. Selections were made by DMA curators including Dr. Vivian Li, Ade Omotosho, Dr. Emily Friedman, Dr. Nicole R. Myers, and director Brian Ferriso. This marks the tenth year of the fund, which has added 78 works to the museum's permanent collection since 2016 through over $1 million in donations.

Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks

Boston Art Review (BAR) has published a guide titled "Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks," highlighting a curated selection of ten spring exhibitions in the Boston area and beyond. The article provides a concise overview of each show, including opening and closing dates, venues, and featured artists, aimed at helping readers plan their art-viewing schedules during a compressed six-week window.

MFAH's blockbuster modern art exhibit and 7 more openings in Houston this month

The article highlights eight major art exhibitions and events opening in Houston in May 2025, including the U.S. debut of "Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen" at the Museum of Fine Arts, Houston (MFAH), which features works by Picasso, Klee, Matisse, and Giacometti. Other notable events include the "Freedom Plane National Tour" of founding-era documents at the Houston Museum of Natural Science, the 20th Annual Empty Bowls fundraiser at Silver Street Studios, and "No Longer, Not Yet" by Marisol Valencia at Art League, which uses materials from a migrant shelter. The article also mentions shows at CAMH, Moody Art Center, and Sawyer Yards.

Giant Buddha Lands in New York

Artist Xandra Ibarra staged a nude performance titled "Nude Laughing" at the Museum of Fine Arts, Boston, walking through the contemporary galleries to challenge viewer etiquette and spark conversations about consent, art history, and the human body. Separately, a 27-foot-tall Buddha sculpture has been installed on the High Line in New York, serving as a resurrection of the destroyed Bamiyan Buddhas and a critical piece of cultural heritage.

Brush to canvas: News from the art community

This article from the St. Pete Catalyst rounds up several visual art events in the St. Petersburg, Florida area. Highlights include the debut of Nate Jessup's first gallery exhibition, "Peonies in Winter," at Soft Water Gallery; the upcoming exhibition "Faces of Inequality: Depression Era Photography" at the Museum of the American Arts and Crafts Movement (MAACM), curated by museum owner Rudy Ciccarello; and a new photography show at the University of South Florida Contemporary Arts Museum featuring work by military veterans. It also notes a concert inspired by artist Ali Banisadr at the Museum of Fine Arts St. Petersburg, a piano recital at the Dali Museum, and two photography exhibitions by Benjamin Dimmitt at Wild Space Gallery, including "An Unflinching Look: Elegy for a Landscape."

Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen

The Museum of Fine Arts, Houston will host the U.S. debut of "Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features over 95 works by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other postwar European avant-garde artists, drawn from the collection assembled by famed gallerist and collector Heinz Berggruen. It explores Berggruen's relationships with artists and his Paris gallery, Berggruen & Cie, and includes thematic galleries on still life, portraits, and the human figure, as well as a dedicated space on Berggruen's life story.

MFA's Nude Exhibition Challenges Art History's Gender Norms

The Museum of Fine Arts, Boston, has opened a new exhibition that challenges traditional gender norms in art history, featuring a dozen artists who disrupt the conventional nude. The show includes Xandra Ibarra's performance "Nude Laughing," where she paraded naked through the museum's European galleries, and works by Betty Tompkins, whose "Fuck Paintings" and "Women Words Painting" series confront misogyny and the male gaze. The exhibition juxtaposes these contemporary pieces with historical works like Jean-Léon Gérôme's "Moorish Bath" to highlight entrenched racial and gender hierarchies in art.

As old HQ comes down, Best Products’ design legacy is highlighted in Branch Museum exhibit

The Branch Museum of Design in Richmond has opened 'Imagining Best Products,' an exhibition exploring the architectural and graphic design legacy of the former retailer Best Products. The show, curated by architect Don O’Keefe with Harvard Graduate School of Design students, features original drawings by James Wines, items from a 1979 MoMA exhibition, and building models. It coincides with the demolition of Best Products' old headquarters in Henrico, which is being razed for a new arena-anchored development, though the timing is coincidental.

Gladstone now represent The Estate of Anna Zemánková

Gladstone Gallery has announced its representation of The Estate of Anna Zemánková, a self-taught Czech artist known for her influential abstract works that explore psychological and spiritual realms. The gallery will collaborate with Cavin-Morris Gallery and plans to present a solo booth of Zemánková's work at TEFAF New York from May 14–19, 2026, following a spring 2025 exhibition in New York featuring her botanical drawings and works on paper. Zemánková, a key figure in Art Brut, created untitled, biomorphic works rooted in the subconscious, often compared to artists like Kunz and Hilma af Klint.

6 Black-owned Galleries Placing Artists in Major Museum Collections

Six Black-owned galleries—Mariane Ibrahim Gallery, Gallery Guichard, Galerie Myrtis, Richard Beavers Gallery, and Jenkins Johnson Gallery—are profiled for their success in placing artists into major museum collections. Each gallery has built institutional relationships that lead to acquisitions by museums such as the Baltimore Museum of Art, the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, and the Bronx Museum, often retaining artists through the placement stage to capture long-term market value.

« Les artistes sont des fous, des enfants » : rencontre avec Annette Messager au cœur du bric-à-brac poétique de son atelier

French artist Annette Messager, 82, welcomes Beaux Arts Magazine into her Malakoff studio and home ahead of her exhibition at the Musée de la Chasse et de la Nature in Paris. The studio is a chaotic, poetic bric-à-brac filled with hybrid creatures, stuffed toys, anatomical objects, and textile works, including her iconic piece "Les Piques" (1992–1993). Messager, who won the Golden Lion at the Venice Biennale in 2005, discusses her playful yet serious approach to art, describing artists as "mad, like children" who play constantly, sometimes very seriously. Her upcoming shows include presentations at Centre Pompidou Málaga, Galería Albarrán Bourdais in Madrid, the National Taiwan Museum of Fine Arts, and the Kunsthalle Prague.

A Culture Lover’s Guide to Northwest Arkansas, a Land of Contradictions

This travel guide explores the cultural landscape of Northwest Arkansas, focusing on the upcoming 114,000-square-foot expansion of the Crystal Bridges Museum of American Art in Bentonville, set to open June 6, 2026. The author recounts a road trip from Little Rock to the Ozarks, visiting the Arkansas Museum of Fine Arts (with its new Studio Gang-designed building), dining at Coursey's Smoked Meats, and encountering a white supremacist billboard in Harrison, while also highlighting Thorncrown Chapel by E. Fay Jones as a transcendent architectural stop.

Simply divine: the extraordinary supernatural visions of Francisco de Zurbarán

Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.