A federal jury has found Daniel Sikkema guilty of orchestrating the murder-for-hire of his estranged husband, New York art dealer Brent Sikkema. The 75-year-old gallerist was stabbed 18 times in his Rio de Janeiro townhouse in January 2024, a crime that sent shockwaves through the art community. Senior editor Valentina Di Liscia reports on the verdict and the grim details of the case.
Tabish Khan, the @LondonArtCritic, selects five current exhibitions in London. These include Aleksandra Karpowicz's 'Remember What You Forgot' at Felstead Art, which transforms her cancer treatment into a powerful installation; Gabriel Abrantes' 'Bardo Loops' at Gasworks, featuring emotionally charged video works; Racheal Crowther's 'Liquid Trust' at Chisenhale Gallery, examining psychological manipulation through a militaristic structure; Eleanor May Watson's 'There is No Time Like Spring' at Soho Revue, capturing nostalgic domestic moments; and the group show 'South Open 4' at OHSH Projects, showcasing diverse works from an open call.
The article follows the author's undercover experience during New York Art Week, focusing on the simultaneous openings of Frieze New York and TEFAF New York in May. Frieze, held at The Shed in Hudson Yards, features contemporary galleries from 28 countries, while TEFAF at the Park Avenue Armory offers a mix of contemporary art, antiques, and Old Masters. The author highlights standout works, including Kelly Sinnapah Mary's solo presentation at James Cohan and Aki Goto's dental installation at Gallery G, and notes the packed schedule of talks, gallery openings, and museum galas.