The article reflects on the conclusion of New York's spring art fair season, highlighting TEFAF New York at the Park Avenue Armory and the Independent Art Fair, which relocated to Pier 36. It notes the ongoing Focus fair for emerging Asian art and spotlights specific artists, including Taiwanese painter Tseng Chien-Ying at Kiang Malingue's booth and Frank Gaard at Post Times, describing their works and the fair's atmosphere of discovery.
The article highlights standout booths at the Independent Art Fair, newly relocated to Pier 36 in Manhattan's Lower East Side. With 76 exhibitors, 26 of whom are presenting an artist's New York debut, the fair features notable presentations including Sprüth Magers' restaging of Gretchen Bender's 'TV Text & Image (PEOPLE WITH AIDS)', Omar Mismar's debut with abstract paintings on salvaged PVC banners referencing Lebanese protests, Carrie Schneider's large-format photographs from the Venice Biennale, and works by Kim Stolz and Raphael Egil at YveYANG. The fair runs through Sunday and aims for greater attendance and institutional influence.
Shanghai-based artist Yu Ji presents her first solo exhibition in New York, "Origin of the Tiger," at P.P.O.W gallery from March 6 to April 11, 2026. The show features multimedia sculptures and installations made during a self-organized residency in Phnom Penh, Cambodia, where she collaborated with Khmer artisans and local children through the project PKA (PLAY KNOW ATTENTION). Works incorporate reed mats, concrete knees, snail shells, and modular furniture, emphasizing joints, fragmentation, and reassembly.
Artist Mark Milroy, an observational painter in his mid-50s who gained a following during the pandemic through Instagram and online shows at Nancy Margolis Gallery, is now holding his debut New York exhibition, "Jumbo," at JJ Murphy gallery through May 16. The show features 18 oil paintings and 12 colored pencil drawings, with subjects ranging from still lifes and portraits to a titular painting referencing the famous P.T. Barnum elephant killed in Milroy's hometown of St. Thomas, Ontario, in 1885. Milroy's work blends personal memory, art historical insight, and a deliberate gaze, drawing influences from Cedric Morris and 15th-century Florentine painting.
Fátima González, founder of Mexico City-based gallery Campeche, recounts her journey from working the front desk at Kurimanzutto to opening her own gallery. After earning a graduate degree at the School of Visual Arts in New York and returning to Kurimanzutto in sales, she left in February 2020, just before lockdown. During the pandemic, she planned her gallery, found a space in one day, and opened with a group show of all-women artists from Mexico City. Campeche is now making its Frieze New York debut.