Under new ownership, Art Monte Carlo voices 'global ambitions'

The 10th edition of Art Monte Carlo took place from April 29 to May 1 in the Grimaldi Forum, featuring 26 exhibitors ranging from Old Master paintings to contemporary works by Picasso, Warhol, and Richter. The fair was acquired last year by Informa Prestige, a luxury offshoot of Informa, which also owns Miami's Untitled fair. Executive chair John Paton aims to grow the fair, nearly double its size within two years, and expand to another location, leveraging complementary audiences from yachting and supercars.

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The United Kingdom has imposed a temporary export bar on Sandro Botticelli's painting "The Virgin and Child Enthroned" (c. 1470), valued at £10.2 million ($13.5 million). The work was sold to a foreign buyer at Sotheby's London last fall for £8.6 million, but the export license deferral—recommended by the Reviewing Committee on the Export of Works of Art—gives British institutions until August 8 to express interest in acquiring it. The painting, previously attributed to Botticelli's workshop, was confirmed as an autograph work through new scientific analyses and has been in the private collection of Lady Wantage since 1904.

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Los Angeles-based artist Catherine Opie is in London for the opening of her solo exhibition "Portraits and Landscapes" at Thomas Dane Gallery, following the installation of her major survey "Keeping an Eye on the World" at the Henie Onstad Kunstsenter in Norway. The show features one large-scale abstracted portrait of the British coast and 13 Old Master-influenced portraits of renowned contemporary artists and figures, including David Hockney, Anish Kapoor, Duro Olowu, Thelma Golden, Gillian Wearing, Isaac Julien, and Lynette Yiadom-Boakye. In an interview, Opie discusses her choice of sitters, her formal portrait techniques, and the meta-portrait quality of riffing on the subjects' own artistic practices.

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Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.

Rare Portraits Reveal How Elizabeth I Turned Image Into Power

Philip Mould & Company in London is hosting a new exhibition titled "Elizabeth I: Queen and Court," featuring four rare portraits of the Tudor monarch alongside depictions of her closest advisors and political rivals. The show traces Elizabeth's visual evolution from a pious young princess to a formidable, iconographic ruler, highlighting how she utilized fashion and symbolism to solidify her authority and manage public perception during a period of immense political and religious transition.

AI Model Reveals New Information About Authorship of 17th-Century El Greco Altarpiece

A team of scientists from Case Western Reserve University has developed a new AI model named PATCH that analyzes tiny sections of paintings to identify the number of artists involved in their creation. The model was applied to two works by El Greco, suggesting that 'The Baptism of Christ,' long thought to be a collaborative workshop piece, may have been painted primarily by the master himself.

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The Smithsonian's National Portrait Gallery removed wall text referencing President Donald Trump's two impeachments from its "America's Presidents" exhibition after installing a new portrait of him. The original label had noted Trump's political accomplishments and his impeachments for abuse of power and inciting insurrection, which had reportedly been a sore point for the Trump administration. Separately, Colombian painter Beatriz González died at age 93; she was known for reworking Old Master paintings in garish colors and later addressing political upheaval in her country.

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The Städel Museum in Frankfurt, Germany, is undertaking a major conservation treatment of Rembrandt van Rijn's monumental painting *The Blinding of Samson* (1636). The project, expected to last three to four years, will address signs of aging and previous restorations, remove non-original paint, and create a historically accurate frame. The conservation follows a 2021 research seminar and technical studies published in the journal *ArtMatters*, which revealed previously unknown underdrawing techniques and adjustments to the artist's color palette and composition.

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A lost painting by 17th-century Flemish master Peter Paul Rubens has been discovered in France. The 1613 painting of Jesus on the cross was found in September 2024 by French auctioneer Jean-Pierre Osenat in a Paris mansion. Experts confirmed its authenticity via X-ray imaging and pigment analysis, with German art historian Nils Buttner delivering the news to Osenat. The painting will be offered for sale on November 30. Separately, the National Gallery in London has announced it will begin collecting art made after its long-held 1900 cut-off date, leading to concerns about renewed rivalry with the Tate, as the two institutions had previously maintained an agreement dividing which works went to which collection.

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On Wednesday in Paris, Sotheby's auctioned a collection of Napoleonic artifacts from the private collection of prominent French antiques dealer Pierre-Jean Chalençon, generating €8.7 million ($9.6 million) against a €6 million estimate. The 112-lot sale included imperial furniture, Old Master paintings, and personal relics such as Napoleon's worn stockings and a copy of his marriage certificate. Highlights included a portrait by Jean-Baptiste Mauzaisse that sold for €863,600 (20 times its estimate) and the only surviving remnant of Napoleon's first will, which fetched €482,600. However, Napoleon's bicorne hat underperformed, selling for €355,600 against a €600,000 low estimate, amid provenance questions raised by French newspaper Le Figaro.

Michaelina Wautier Market Appraisal

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The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

Your Go-To Guide to All the Art Fairs in Paris This Week

Paris is hosting a busy week of art fairs, headlined by Art Basel Paris returning to the Grand Palais from October 24–26, 2025, under outgoing director Clément Delépine. The fair features 206 galleries across three sections, public programs at nine iconic venues including an inflatable Kermit the Frog by Alex Da Corte and a participatory installation by Harry Nuriev, and a talks series hosted by Edward Enninful. Satellite fairs include Design Miami Paris at L’Hôtel de Maisons, the dealer-run 7 Rue Froissart co-founded by Brigitte Mulholland and Sara Maria Salamone, and others like Paris Internationale and Asia Now.

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A new catalogue raisonné by scholar Christof Metzger argues that a painting in London's National Gallery, long considered a copy, is an authentic work by Albrecht Dürer. Metzger, a curator at Vienna's Albertina Museum, contends that the 1497 portrait of Dürer's father shows masterful technique that distinguishes it from known copies.

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A Madrid court has ruled that Fernando Ramírez de Haro, 10th Marquess of Villanueva del Duero, must pay his brother Íñigo Ramirez de Haro, Marquis de Cazaza in Africa, €853,732 from the proceeds of the 2012 sale of Francisco de Goya's portrait *Portrait of Valentín Belvís de Moncada* (ca. 1795–1800). The painting, inherited from their father, was sold for €5.8 million to billionaire Juan Miguel Villar Mir via Sotheby's. Íñigo sued Fernando for failing to distribute shares of the sale to siblings as agreed in a 2014 family settlement, alleging fraud, document falsification, and that Fernando's wife, former Spanish minister Esperanza Aguirre, abused her office by not registering the work as national heritage.

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London's National Gallery has acquired a $20 million altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels* (1500-10), by an unknown artist. The purchase, funded by the American Friends of the National Gallery of London and brokered by Sotheby's, was made from a private collection to celebrate the museum's bicentenary. The painting, first documented in 1602 in Ghent, Belgium, features iconographical oddities including a unique dragon and a bawdy scene, and is painted on Baltic oak, suggesting a Netherlandish origin despite French elements like the fleur-de-lis.

Artemisia Gentileschi Masterpiece Goes to Auction—Without Its Face

The Dorotheum auction house in Vienna is set to auction a rare, autograph replica of Artemisia Gentileschi’s 'St. Mary Magdalen' (c. 1620) that is missing its central focus: the saint's face. Discovered in a private German cellar in 2011 and likely mutilated during the looting of postwar Berlin, the fragment has been authenticated by experts Roberto Contini and Riccardo Lattuada. Despite the missing section, infrared analysis confirms Gentileschi’s hand, and the work is estimated to fetch between $120,000 and $170,000.

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A Swiss artificial intelligence firm, Art Recognition, has claimed with high certainty that two versions of the painting 'Saint Francis of Assisi Receiving the Stigmata' (ca. 1428-32), held by the Royal Museums of Turin and the Philadelphia Museum of Art, are not by the hand of Northern Renaissance master Jan van Eyck. The company's CEO, Carina Popovici, stated the A.I. model determined the works were not authentic with 91% and 86% certainty, respectively, though the museums involved have not officially commented.

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A new study published in *Psychology of Aesthetics, Creativity, and the Arts* by French researcher Temenuzhka Dimova uses eye-tracking technology to examine how pointing fingers in Old Master paintings affect viewer attention. Conducted through the University of Vienna’s Laboratory for Cognitive Research in Art History (CReA), the study compared participants' eye movements when viewing original paintings—such as Theodor Rombouts's *The Card Players*—and digitally altered versions where the pointing gestures were removed. Results showed that viewers focused more on the faces of pointing figures and the narrative context, not just the target of the gesture, and that removing the finger fundamentally changed how the story was perceived.

tefaf maastricht art fair museum collection

TEFAF Maastricht, the European Fine Art Fair, returns to the Maastricht Exhibition & Conference Centre from March 14 through 19, 2025. The fair spans Dutch Old Master paintings, contemporary textiles, antiques, jewelry, and design, with a Focus section that juxtaposes canonical figures like Gerrit Rietveld with emerging artists such as Ladi Kwali. Last year, major museums including the Met, the Museum of Fine Arts, Boston, and the Art Institute of Chicago acquired works at the fair, highlighting its role as a key acquisition venue for public collections.

Introducing Julia Day, the Frick’s new chief conservator

The Frick Collection in New York has appointed Julia Day as its new chief conservator, a role she assumed upon the retirement of Joseph Godla, who had held the position since 2005. Day, a Frick veteran who left in 2022 to become a senior conservator at the Guggenheim Abu Dhabi, returned this spring to lead the museum's expanded conservation efforts. Her appointment coincides with the reopening of the Frick's renovated 1914 mansion, which now features a new 1,200-square-foot conservation studio—the Sherman Fairchild Center for Art Conservation—designed by Samuel Anderson Architects, along with a radiography room and exhibition preparation spaces.

Scholar Attributes Long-Suspected ‘Workshop Copy’ Painting to Rembrandt

A painting in a private UK collection, long considered a workshop copy of Rembrandt's 'Old Man with a Gold Chain' at the Art Institute of Chicago, has been newly attributed to Rembrandt himself by scholar Gary Schwartz. Schwartz argues the quality and lack of corrections suggest Rembrandt, not a pupil, created the canvas replica while the original process was still fresh.

Berlin Museum Oversees Digital Resurrection of Hundreds of Paintings Destroyed During World War II

Berlin's Gemäldegalerie is digitally reconstructing hundreds of Old Master paintings by artists like Rubens, Veronese, van Dyck, and Caravaggio that were destroyed in fires near the end of World War II. The project uses high-resolution scans of glass negatives, primarily photographed by Gustav Schwarz between 1925 and 1944, to create detailed online renderings that will be publicly accessible for viewing and download later this year.

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Sotheby's London has announced the full lineup for its Old Master and 19th century evening sale on December 3, featuring 31 works defined by exceptional scholarly significance and rare discoveries. Half of the lots have been hidden from public view for over a century, and 12 have not appeared on the secondary market in 40 years. Top lots include Hans Eworth's portrait of Thomas Howard (estimate £3 million), Pieter Brueghel the Younger's The Census at Bethlehem (£5 million), a rediscovered Peter Paul Rubens oil sketch (£3 million), and a Rembrandt portrait of Saint John on Patmos (£7 million). The sale also includes works from the collection of Dr Hinrich Bischoff, such as Lucas van Valckenborch's Autumn: Landscape with Archduke Matthias of Austria (£800,000).

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A long-lost painting of Jesus Christ's crucifixion by 17th-century Flemish master Peter Paul Rubens, titled *Christ on the Cross* (1613), was discovered in a Parisian mansion by auctioneer Jean-Pierre Osenat last September. The large Baroque work, measuring 42 by 29 inches, was authenticated by German curator and art historian Nils Buttner, chairman of the Centrum Rubenianum, through X-ray imaging and pigment analysis. It will be auctioned by Osenat's auction house in Fontainebleau on November 30, with no estimate yet released.

Caravaggio and Rubens works destroyed by fire in Second World War are brought back to (digital) life

The Gemäldegalerie in Berlin has completed the digitization of its high-resolution glass-negative archive, which documents hundreds of Old Master paintings destroyed in a fire at the end of the Second World War. The collection includes lost works by Caravaggio, Peter Paul Rubens, Anthony van Dyck, and Paolo Veronese, which were stored in a flak tower for protection and burned in May 1945.

Who Were the Best-Selling Old Masters at Auction in 2025?

The article reports on the best-selling Old Master paintings at auction in 2025, highlighting Canaletto's *Venice, the Return of the Bucintoro on Ascension Day*, which sold for $43.8 million at Christie's—three times the next-highest Old Master price. Other notable sales include a $7.55 million triptych of Jesus performing miracles by an unknown 15th-century artist, noted for its exceptional condition and quality.

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Spanish artist Nieves González, born in 1996 and based in Granada, has gained widespread attention for her time-warping portraits of women that blend Old Master influences—such as José de Ribera, Francisco de Zurbarán, and Diego Velázquez—with contemporary details like colorful puffer coats. Her recent commission for the cover of Lily Allen's album *West End Girl* went viral on social media, and she has just opened her debut solo exhibition, “Sacred Hair,” at T293 Gallery in Rome, focusing on the figure of Mary Magdalene as a powerful, autonomous woman.

Today in History March 17 | Opening of the National Gallery of Art

On March 17, 1941, President Franklin D. Roosevelt officially dedicated the National Gallery of Art in Washington, D.C. The museum was established through the massive bequest of industrialist Andrew Mellon, who donated his world-class art collection, the funds for the building's construction, and a significant endowment. The opening marked a milestone in American cultural history, providing the public with access to a premier national collection of Old Master paintings.

Turner painting bought last year for £500 sells for almost £2m at Sotheby's

At Sotheby's Old Master paintings evening sale in London on July 2, a Turner painting purchased last year for £500 sold for nearly £2 million, highlighting the sector's resilience. The auction achieved £11.5 million hammer total (£14.5m with fees), with 81% of lots sold, including a rediscovered 14th-century Byzantine icon that far exceeded estimates and three new artist records for Lorenzo di Credi, Corneille de Lyon, and others. The sale contrasted with Christie's previous evening's £46.2 million total driven by a record Canaletto.

Rembrandt works called into question by experts in the Netherlands

Conservators at the Mauritshuis gallery in The Hague have called into question the attribution of three paintings long believed to be by Rembrandt van Rijn. Technical analysis revealed an underdrawing beneath *Portrait of Rembrandt with a Gorget* (c. 1629), proving it is a copy and that the original is in Nuremberg. *Tronie of an Old Man* (c. 1630) may be by a student or employee, and *Study of an Old Man* (c. 1655), though signed by Rembrandt, shows less accomplished brushwork and a date applied later in different paint, suggesting studio production. All three works remain on view in the exhibition *Rembrandt?* (17 April–13 July).