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ICOM Exhibitions opens registrations and call for proposals for Momentum 2026

ICOM Exhibitions has opened registrations and a call for proposals for its 2026 annual conference, Momentum 2026, titled "Museums, Exhibitions, and Disruptions – How Far Dare We Go?" The event will take place from October 4 to 8 at the Musée de la civilisation in Québec City, Canada, and will gather around 150 museum professionals globally. The programme includes keynote presentations, workshops, visits to local cultural institutions such as the Monastère des Augustines and the Musée national des beaux-arts du Québec, and a behind-the-scenes look at a new pavilion dedicated to artist Jean Paul Riopelle. Proposals are due by May 22, with formats ranging from roundtables to lightning presentations.

Art Basel gets go-going at Hauser & Wirth’s stand

At Art Basel's Unlimited section, Hauser & Wirth is presenting Felix Gonzalez-Torres's 1991 performance work "Untitled" (Go-Go Dancing Platform), in which a local go-go dancer performs a silent disco atop a small lit stage for five minutes at unspecified times. The piece, created shortly after the deaths of the artist's partner and father, explores themes of renewal, rebirth, and masculinity, according to Hauser & Wirth partner Cristopher Canizares.

Echoes of Memory and Quiet Revolutions

The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.

Urban Reflections, Daniel Melim on the City as Studio, Archive and Collective Space

Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.