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Philippe Parreno: Film, the Digital, and the City Beyond

Renowned artist Philippe Parreno joined Hans Ulrich Obrist for an artist talk at the Mori Art Museum in Tokyo, hosted by Fondation Beyeler and UBS. The conversation spanned Parreno's career, from his early projects like the manga-inspired 'Annlee' to his current role as Artistic Director of the 2025 Okayama Art Summit. Parreno detailed his shift into filmmaking, including a new project featuring Jennifer Lawrence, and his use of AI and technology to create 'living' art installations.

Inside the star-studded party celebrating 30 years of Fondazione Sandretto Re Rebaudengo

Fondazione Sandretto Re Rebaudengo celebrated its 30th anniversary with a star-studded dinner in Turin, attended by over 500 leading artists, curators, collectors, and gallerists. The event, held at the National Automobile Museum, honored founder Patrizia Sandretto Re Rebaudengo, who received a cultural medal from the mayor. Artists including Philippe Parreno, Doug Aitken, and Glenn Brown joined the festivities, which coincided with Turin art week and the Artissima art fair. The foundation also opened an anniversary exhibition, 'News from the Near Future,' featuring around 150 works from its collection.

1+1. Relational Art: at MAXXI a major exhibition reflects on the legacy of Nicolas Bourriaud's critical revolution

The MAXXI museum in Rome has opened a major exhibition titled "1+1. Relational Art," which examines the legacy of Nicolas Bourriaud's influential 1998 book "Relational Aesthetics." The show brings together works by artists from the 1990s generation—including Maurizio Cattelan, Douglas Gordon, Pierre Huyghe, Philippe Parreno, Liam Gillick, and Dominique González-Foerster—who pioneered art based on human interactions and social contexts rather than traditional autonomous objects. The exhibition reflects on how Bourriaud's theory, developed from studio visits with these young artists, redefined art criticism by proposing that artworks be judged by the interhuman relations they produce or evoke.

The Year AI Captured Art

The article surveys the visual art landscape of 2025, arguing that the year's defining throughline is the increasing centrality of artificial intelligence—a technological revolution most people didn't ask for but cannot escape. It highlights several exhibitions and works that engage with AI in different ways: Seth Price's show at Isabella Bortolozzi in Berlin, which uses generative images from the pandemic era overlaid with gestural paint strokes; Charmaine Poh's video "GOOD MORNING YOUNG BODY" (2023) at Palais Populaire, where she deploys deepfake technology to have her twelve-year-old self speak back to internet trolls; and Philippe Parreno's show at Haus der Kunst, which poeticizes how generative technologies interact with humans and nature. The article also notes the rise of AI-generated "slop" online and its incursion into the physical art world, as well as market shifts where larger galleries are increasingly acquiring Instagram-friendly emerging artists directly.