The Bass Museum of Art in Miami Beach has appointed the Los Angeles-based architecture firm Johnston Marklee to design a new 22,000-square-foot pavilion. The expansion, funded in part by a $20.1 million municipal bond, will occupy a site currently used for parking and will feature an elevated gallery designed to withstand South Florida’s environmental challenges, alongside an outdoor patio and performance stage.
The Hammer Museum in Los Angeles has appointed Michael Wellen as its new chief curator and Regan Pro as chief of learning, engagement, and research. Wellen joins from Tate Modern, while Pro was previously at the Lucas Museum of Narrative Art. The appointments fill key leadership roles that had been vacant, with the chief curator position open since 2023.
Helen Legg has been appointed as the new artistic director of the Royal Academy of Arts in London, transitioning from her current role as director of Tate Liverpool. Starting in June, Legg will oversee the institution’s exhibitions, collections, and public programming, succeeding a period of leadership that saw her manage a major $46 million renovation project at Tate's northern outpost.
The Gochman Family Collection, a significant patron of Indigenous art, has announced plans to open two new exhibition spaces totaling 10,000 square feet in Katonah, New York. Scheduled to debut this fall, the venues will showcase selections from a rapidly growing collection of over 750 works by Native artists from the U.S. and Canada. To lead this expansion, the organization has appointed Laura Phipps, a former associate curator at the Whitney Museum of American Art, as its inaugural director.
ART SG, Southeast Asia's leading contemporary art fair, returns to the Sands Expo and Convention Centre at Marina Bay Sands from 23–25 January 2026, with previews on 22 January. The fair features three core sectors—Galleries, Focus, and Futures—and for the first time co-presents S.E.A. Focus, curated by John Z.W. Tung with artistic consultation by Emi Eu, themed 'The Humane Agency'. Highlights include Melati Suryodarmo's performance 'I Love You' (2007) from the UBS Art Collection, presented in the UBS Art Studio, with a re-performance and artist talk. Singapore Art Week runs concurrently from 22–31 January 2026, offering exhibitions, installations, and performances across the city, including a collaboration between Rockbund Art Museum and ART SG at The Warehouse Hotel.
Paris is hosting a busy week of art fairs, headlined by Art Basel Paris returning to the Grand Palais from October 24–26, 2025, under outgoing director Clément Delépine. The fair features 206 galleries across three sections, public programs at nine iconic venues including an inflatable Kermit the Frog by Alex Da Corte and a participatory installation by Harry Nuriev, and a talks series hosted by Edward Enninful. Satellite fairs include Design Miami Paris at L’Hôtel de Maisons, the dealer-run 7 Rue Froissart co-founded by Brigitte Mulholland and Sara Maria Salamone, and others like Paris Internationale and Asia Now.
Sundaram Tagore Gallery is expanding its international footprint with the opening of a new 310-square-meter flagship space in London’s St James’s district this May. Located in a renovated Edwardian building on Pall Mall, the multi-level gallery will feature exhibition areas, a private viewing room, and dedicated spaces for live performances and screenings. The inaugural exhibition, titled "Hybridity and Belonging in Contemporary Art," will showcase a diverse roster of artists including Hiroshi Senju, Tayeba Lipi, and Sohan Qadri, focusing on themes of displacement and cross-cultural identity.
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The Smithsonian's National Museum of African Art has opened "Here: Pride and Belonging in African Art," the largest-ever exhibition dedicated to LGBTQ+ African art. The show, curated by Kevin Dumouchelle and Serubiri Moses, features nearly 60 works by 30 artists from across Africa and its diasporas, spanning photography, painting, tapestry, collage, and sculpture.
The National Gallery in London has successfully reached a target of £2 million in annual savings following a voluntary redundancy program and a recruitment freeze. Initiated in February to address a projected £8.2 million deficit, the voluntary exit scheme allowed the institution to avoid compulsory redundancies among its nearly 500 employees. While the gallery has met its initial savings goal, it must still find ways to bridge a remaining multi-million pound shortfall through non-staff cost reductions.
Three UC Davis scholars, including artist and professor Margaret Laurena Kemp, toured the 'Breath(e): Toward Climate and Social Justice' exhibition at the Jan Shrem and Maria Manetti Shrem Museum of Art. The show, curated by Glenn Kaino and Mika Yoshitake, features works like Jin-me Yoon's 18-channel video installation 'Turning Time (Pacific Flyways), 2022' and explores intersections of climate change and social justice through themes of connection, contamination, catastrophe, and hope. Kemp is incorporating the exhibit into her course 'Page, Pen, Image — Performance, Black World Literature,' using breathwork and student-created dance performances to engage with the art.
NADA Miami has announced its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, will be organized by Vancouver-based curator Kate Wong, who selected seven galleries and artists—including Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano—to present works exploring power structures, identity, and collective histories. The fair will also host the ECOLOGIES public programming series.
NADA Miami has announced details for its 23rd edition, taking place December 2–6, 2025, at Ice Palace Studios. The fair will feature 140 exhibitors from 30 countries and 65 cities, including 47 first-time participants such as Foundry Seoul, Post Times, and Brigitte Mulholland. The Curated Spotlight program, now in its sixth year and supported by TD Bank, is organized this year by Vancouver-based curator Kate Wong, who selected galleries and artists taking nontraditional approaches to supporting artistic practice. Participants include Devin N. Morris, Ana Alenso, Alessandro Balteo-Yazbeck, Faith Icecold, Huey Lightbody, Mahari Chabwera, and Marissa Delano, presented by spaces like EFA Robert Blackburn Printmaking Workshop, El Consulado, Romance, Southside Contemporary Art Gallery, and Spill 180.
MEGA Art Fair held its third edition in Milan, transforming a former perfume factory into a social and exhibition hub during Milan Art Week and Design Week. The fair, which ran from midday to midnight over an extended period, positioned itself as an alternative to traditional art fairs by prioritizing relaxed social connection, community engagement, and public programming over a purely commercial atmosphere.
The Ayala Foundation has announced the development of the Kontempo Center for Contemporary Art in Manila, appointing Reuben Keehan as its inaugural artistic director. Designed by architect Kulapat Yantrasast of WHY Architecture in collaboration with Lor Calma & Partners, the center will be located on the site of a former racetrack in Circuit Makati. The facility will prioritize exhibitions, commissions, and public programming over a permanent collection, featuring three large galleries and extensive green space for public art installations.
The University of Kentucky Art Museum has announced its Spring 2026 exhibition lineup, running from February 3 to June 27, alongside the first Robert C. May Endowed Photography Lecture of the semester. The season features two main exhibitions: "Ecstatic Personas," a group show exploring joy as a radical force with works by Carlos Rosales-Silva and Shannon Alonzo, and "Harry Gamboa Jr.: The Early, The Late, The Lost," a career-spanning survey of the artist's photography, performance, and writing. Gamboa, a co-founder of the influential collective Asco, will also deliver a lecture on March 27 as part of the photography lecture series.
Liz Munsell has been appointed Vice President of Curatorial Arts and Programs at Brooklyn's Powerhouse Arts, a creative nonprofit in Gowanus. She will develop public programming, exhibitions, and community engagement, while overseeing artist residencies and art fairs, including the upcoming Brooklyn Fine Art Print Fair. She succeeds Diya Vij, who left to become New York City's cultural affairs commissioner.
The Orlando Museum of Art has unveiled the artist lineup for the 2026 Florida Prize in Contemporary Art, scheduled to run from May 30 through August 23. This 12th edition marks the largest in the program's history, featuring 12 artists including Maria Theresa Barbist, Jason Hackenwerth, and the duo We Are Nice’n Easy. The exhibition will culminate in a $20,000 grand prize awarded by juror Jade Powers, alongside a $2,500 People’s Choice Award.
Frieze Los Angeles 2025 is showcasing a diverse array of sculptural works that emphasize tactile materials and bodily forms. Highlights from the fair include Vincent Pocsik’s architectural mirrors at Nazarian Curcio, Shana Hoehn’s public installation featuring human limbs emerging from a fallen tree, and Alejandro García Contreras’s intricate ceramic spiderwebs. The presentation underscores a trend toward figurative sculpture that blends personal symbolism with physical presence, with several works already finding buyers among notable collectors.
The Albuquerque Museum will present "Cara and Diego Romero: Tales of Futures Past" from November 1, 2025, through February 8, 2026. This is the first national traveling exhibition to bring together the work of acclaimed contemporary artists Cara Romero (Chemehuevi) and Diego Romero (Cochiti), featuring 40 works including Diego’s pottery and lithographs and Cara’s photographs from her Indigenous Futurism series. The exhibition, organized by the Figge Art Museum in Davenport, Iowa, includes the debut of Cara Romero’s large-scale photographs "Four Horsewomen I and II" and a documentary by Kaela Waldstein. Public events include an opening panel moderated by artist and scholar Deborah Jojola.
Taiwanese artist Val Lee presents her first solo exhibition in the United Kingdom, titled *Val Lee: The Presence of Solitude*, at the HENI Project Space within the Hayward Gallery in London. The exhibition, organized in partnership with the RC Foundation, Taiwan, runs from October 7, 2025, to January 11, 2026, and features film, photography, and costume works that explore themes of isolation and solitude. Key works include *Valley in the Minibus* (2024), which examines 'non-places' through a masked figure traveling with strangers, and *The Sorrowful Football Team* (2025), a slide projection depicting a blind football team in Japan as a metaphor for political repression under Taiwan's White Terror rule.
The Trenton City Museum at Ellarslie has launched "African American Abstractions," a major exhibition featuring the works of James E. Dupree, Femi J. Johnson, and Kenneth J. Lewis. Curated by Janis Purcell, the showcase spans three galleries and explores the intersection of vibrant color, form, and cultural narrative. The exhibition is supported by public programming, including an abstract art workshop and an artists' roundtable discussion.
The McMichael Canadian Art Collection in Kleinburg, Ontario, has selected Toronto-based Hariri Pontarini Architects (HPA) to lead a transformative redevelopment of its campus, the first major investment in the museum in over 40 years. The announcement was made during the opening night of the Art Toronto fair, where the museum hosted a fundraiser. The project, which includes expanded exhibition, education, and public programming spaces, is backed by up to C$50 million from the Ontario government (contingent on matching funds) and a previous C$25 million federal investment, though additional funding is still being sought.
The Dorset Museum & Art Gallery in Dorchester has opened a major exhibition titled 'People Watching,' which explores portraiture in modern British art. The show features around 50 works from over 40 artists, spanning from 1915 to the present day, and combines pieces from The Ingram Collection with the museum's own holdings, including several never-before-seen works.
Washington and Lee University's Art Museum and Galleries is hosting five temporary exhibitions through Winter Term 2026, including "Edward Burtynsky: Taking Place" at the Reeves Museum of Ceramics, "Moffat Takadiwa: Recoded Memories" at the Watson Galleries, and "Luminous Layers: Glazed Surfaces and the Art of Reflection" alongside "Points of Exchange: Asian Ceramics in the Reeves Collection" at the Reeves Museum, plus "Expressions of Color: Paintings by Evelyn Dawson" at the McCarthy Gallery. The museum is also offering free public programming such as Artful Yoga sessions and an MLK Week Open House featuring artworks connected to the Civil Rights movement.
The University of California, Irvine (UCI) has acquired the Orange County Museum of Art (OCMA) and will merge it with the UC Irvine Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA). The combined institution will be renamed the UC Irvine Langson Orange County Museum of Art. UCI will oversee OCMA's 53,000-square-foot, $98 million facility in Costa Mesa, California, and integrate its 4,500-object collection with approximately 9,000 works from the Irvine Museum Collection and the Gerald Buck Collection. Previously planned programming at both venues is expected to continue through 2026, and a national search is underway for an executive director to lead the new museum.
The Denver Art Museum hosted "Untitled: Artist Takeover Oct 2025," a Halloween-themed evening event featuring performances, art installations, and interactive activities across its Hamilton Building, Martin Building, and Sturm Grand Pavilion. Highlights included a memorial installation series "Death of Baddy" by artist Moe Gram, classic horror film screenings, tarot readings, shadow puppet theater, mask-making, and a dance party with DJ 2AND2. Participating artists and performers included Justy Robinson, Miguel Garcia, Kendall Bennett, Patty McCrystal, Zora Beglarian, Lisa Frank 666, Karma Leigh, Joe Oliver, Medicine Mama Kia, Shaunie Berry, Elle Hong, and Rafael & Kristina Maldonado Bad Hand.
The Museum of Fine Arts, Boston, has laid off 33 employees and eliminated 23 vacant positions, a 10% overall staff reduction, to address a projected $13 million budget deficit. The cuts affect a range of roles, including three endowed curatorial positions, and have sparked renewed tensions with the museum's unionized workforce, which is seeking to bargain over the decision.
The Henry Art Gallery hosted its fall opening celebration on October 3, transforming the museum into a lively social event with a DJ set by KEXP’s Diana Ratsamee and an open bar. The evening featured four exhibitions: “Spirit House,” a group show of 34 Asian diasporic artists exploring life and death; Charlene Liu’s single painting “Scallion”; Rodney McMillian’s “Neighbors,” a multimedia installation addressing social and civic violence; and Kameelah Janan Rasheed’s “we leak, we exceed,” a text-based installation about Black excess and information theory. The event drew crowds of stylish attendees who filled the galleries with conversation, offering a vibrant counterpoint to the museum’s usual quiet atmosphere.
Birmingham Museum & Art Gallery has launched a community-led exhibition exploring the universal experiences of death, dying, and grief. Curated in partnership with the local collective BrumYODO, the showcase features traditional mourning rituals alongside contemporary inquiries into how artificial intelligence might manage bereavement. The exhibition serves as the centerpiece for the annual "A Matter of Life and Death" festival, incorporating interactive workshops, clay-making sessions, and even a themed comedy night to engage the public with a typically taboo subject.
Birmingham Museum & Art Gallery has launched a community-led exhibition exploring the universal themes of death, grief, and mourning rituals. Part of the annual "A Matter of Life and Death Festival 2026," the showcase combines historical artworks from the museum’s permanent collection with contemporary perspectives, including the role of artificial intelligence in grief management. The program features interactive workshops led by artists Bianca Beneduzi and Jemma Mellor, as well as a comedy night designed to spark open dialogue about mortality.