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‘Radical Clay’ ceramics are more than vessels

The Ackland Art Museum at the University of North Carolina-Chapel Hill has opened 'Radical Clay: Contemporary Women Artists From Japan,' an exhibition featuring sculptural ceramics by 36 contemporary female Japanese artists. The works, drawn from the collection of noted art collector Carol Horvitz, honor centuries-old Japanese ceramic traditions while employing modern techniques to push beyond conventional vessel forms. Highlights include Kawaura Saki and Tanaka Yu, whose piece 'Bag Work' exemplifies the shift from functional pottery to purely sculptural expression. The exhibition runs through August 31 and is only the third U.S. museum to host it.

6 Must-See Exhibitions at Phoenix Art Museum this Fall

Phoenix Art Museum has announced six must-see exhibitions opening this fall, showcasing a diverse range of works from emerging Arizona artists to international contemporary clay pieces. Highlights include the 2024 Arizona Artist Awards featuring Safwat Saleem, Elizabeth Z. Pineda, and Omar Soto; "Radical Clay: Contemporary Women Artists From Japan" with 36 Japanese women artists; "Funny Business: Photography and Humor" spanning the history of the medium; and the ongoing "The Collection 1960-now" highlighting overlooked artists. The museum also offers Pay What You Wish Wednesdays for free admission after 3 p.m.

'Radical' female ceramicists share their stories at the Ackland Art Museum

On August 27, the Ackland Art Museum at the University of North Carolina hosted a panel titled "Artist Conversation: Radical Ceramicists in North Carolina," featuring three female ceramicists: Hitomi Shibata, Isys Hennigar, and Jessica Dupuis. The event was part of programming around the museum's exhibition "Radical Clay," which highlights work by female Japanese ceramicists. Panelists discussed the historical marginalization of women in ceramics—Shibata noted that in 1990s Japan, studios refused to hire women, while Hennigar explained that until the early 20th century in North Carolina, female artists were only allowed to be decorators, not master ceramicists. The conversation also explored how ceramic pieces reflect their geographic origins and the importance of local artistic communities, such as Seagrove, N.C., which has the largest community of potters in the U.S.