filter_list Showing 3 results for "rajan bijlani" close Clear
dashboard All 3 article culture 2person people 1
date_range Range Today This Week This Month All
Subscribe

top collectors best advice

Cultured magazine presents advice from ten acclaimed art collectors for newcomers navigating the art world. The collectors—including Will Bennett, Laurent Asscher, Chad Leat, Rob Thomas-Suwall, and Kelly Williams—share tips on trusting one's instincts, focusing on quality over price, visiting museums and galleries, and taking risks. They emphasize that building a collection is a personal journey, not a prestige-driven pursuit, and encourage beginners to ask questions, use tools like the See Saw app, and support local institutions.

'I want to show the real deal': property developer Rajan Bijlani on his Modernist design collection

Property developer Rajan Bijlani, based in north London, has turned his home Fonthill Pottery—formerly the residence and studio of ceramicist Emmanuel Cooper—into a showcase for his collection of 20th-century design, sculpture, and paintings. His focus is Modernist furniture, particularly works by Pierre Jeanneret, one of the architects of Chandigarh, India. Bijlani owns over 500 pieces, including Jeanneret's 1960 Dining Table and Easy Chairs (1956), as well as works by Le Corbusier and George Nakashima. He staged his first home exhibition last year featuring South Asian diaspora artists, and this year presents 'Electric Kiln,' pairing Jeanneret and Le Corbusier pieces with works by Cooper, Lucie Rie, and Frank Auerbach. Some works are for sale to fund future shows, including a Japan-themed exhibition and one timed to London Gallery Weekend.

Who’s The Next Obsession? 12 European Collectors Reveal How They Discover New Talent

Cultured magazine asked 12 European collectors how they discover new talent, timed to the 61st Venice Biennale. Collectors like Nicole Saikalis Bay, Amélie du Chalard, Belma Gaudio, and Laurent Asscher share their personal approaches—ranging from emotional resonance and dialogue with existing works to long-term obsession with an artist before acquiring a piece. The responses reveal a diversity of methods, from instinct-driven buying to conceptual and technical evaluation.