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mauritshuis museum rembrandt paintings copies 1234739388

The Mauritshuis museum in The Hague has reclassified three paintings previously attributed to Rembrandt as copies or studio works: *Portrait of Rembrandt with a Gorget* (ca. 1629), *Study of an Old Man* (ca. 1655–60), and *‘Tronie’ of an Old Man* (ca. 1630). The first was identified as a copy in 1999, the second was found to be by a student despite a genuine signature, and the third may have been painted by a student or Rembrandt himself. The museum now lists 11 works as authentic Rembrandts, including *The Anatomy Lesson of Dr. Nicolaes Tulp* (1632), and seven works whose authenticity has been questioned.

Scholar Attributes Long-Suspected ‘Workshop Copy’ Painting to Rembrandt

A painting in a private UK collection, long considered a workshop copy of Rembrandt's 'Old Man with a Gold Chain' at the Art Institute of Chicago, has been newly attributed to Rembrandt himself by scholar Gary Schwartz. Schwartz argues the quality and lack of corrections suggest Rembrandt, not a pupil, created the canvas replica while the original process was still fresh.

War in the Middle East, the Whitney Biennial, and a newly-discovered Rembrandt in Amsterdam—podcast

The Rijksmuseum in Amsterdam has officially authenticated a previously dismissed painting, 'The Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. Long considered a mere copy of a lost original, the piece has been upgraded following extensive research by the museum's scholarly team. Simultaneously, the 82nd Whitney Biennial has launched in New York, while the escalating conflict in the Middle East raises concerns regarding the stability of the burgeoning cultural tourism sector in the Persian Gulf.

Rembrandt works called into question by experts in the Netherlands

Conservators at the Mauritshuis gallery in The Hague have called into question the attribution of three paintings long believed to be by Rembrandt van Rijn. Technical analysis revealed an underdrawing beneath *Portrait of Rembrandt with a Gorget* (c. 1629), proving it is a copy and that the original is in Nuremberg. *Tronie of an Old Man* (c. 1630) may be by a student or employee, and *Study of an Old Man* (c. 1655), though signed by Rembrandt, shows less accomplished brushwork and a date applied later in different paint, suggesting studio production. All three works remain on view in the exhibition *Rembrandt?* (17 April–13 July).