I think I didn't understand many artists

"Ich glaube, ich habe viele Künstler nicht verstanden"

Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.

The Norton’s new public art park may feature piece by iconic sculptor

The Norton Museum of Art is in negotiations to acquire a monumental sculpture by the late Richard Serra to serve as the centerpiece of a new public art park in West Palm Beach. The proposed Norton Cultural Park would transform a two-acre waterfront site into a series of 14 landscaped "garden rooms" featuring world-class artworks. City commissioners have granted preliminary approval for a lease agreement that allows the museum to manage the land, which was formerly a pioneer cemetery.

Pulitzer Arts Foundation throws a 25th anniversary party — a show curated by founder Emily Pulitzer

The Pulitzer Arts Foundation is celebrating its 25th anniversary with a landmark exhibition titled “Dialogues and Conversations,” curated by its founder, Emily Rauh Pulitzer. The show features 70 works spanning from the late 19th century to the present, including pieces from Pulitzer’s personal collection, loans from the Museum of Modern Art, and works she previously handled during her tenure at the Fogg Art Museum and the St. Louis Art Museum. The exhibition juxtaposes familiar site-specific masterpieces by artists like Richard Serra and Ellsworth Kelly with unfamiliar works to spark new thematic connections.

high vat rates art sales spain protest reina sofia 1234774135

Hundreds of artists, gallery owners, and collectors staged coordinated sit-ins at major Spanish museums, including the Museo Reina Sofía, to protest the country's 21 percent Value Added Tax (VAT) on art sales. Demonstrators gathered around Richard Serra’s 'Equal-Parallel/Guernica-Bengasi'—a replica of a work that famously vanished from storage—to symbolize the potential disappearance of the Spanish art sector under current fiscal pressures. The protests included demands for the resignation of the culture and finance ministers and calls for tax parity with European neighbors.