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On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.

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Sotheby's London will auction a rare set of all four Shakespeare Folios—the First (1623), Second (1632), Third (1663), and Fourth (1685)—as a single lot on May 23, with a presale estimate of £3.5–4.5 million ($4.7–5.99 million). The set, assembled in 2016, is led by the First Folio, which preserved 18 of Shakespeare's plays that might otherwise have been lost. The sale marks the first time all four volumes have been offered together since a 1989 Sotheby's New York auction, which was canceled after a private offer was accepted.

Palace of Holyroodhouse to Open Queen Elizabeth's Private Apartments for Limited Tour

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The Royal Collection Trust has announced that Queen Elizabeth II’s private apartments at the Palace of Holyroodhouse in Edinburgh will open to the public for the first time. This limited 100-day engagement, running from May 21 to September 10, commemorates what would have been the late monarch’s 100th birthday. Visitors will gain access to the Breakfast Room, Dressing Room, and Sitting Room, which feature a mix of historic Flemish tapestries, Qing dynasty decorative arts, and personal clothing ensembles.

New catalogues reveal Royal Collection's vast sculpture holdings—and Queen Victoria's acquisition spree

A new four-volume catalogue, authored by former royal surveyor Jonathan Marsden, documents approximately 1,800 sculptures in the Royal Collection. The publication reveals the unsystematic nature of the collection's growth, driven by royal tastes and historical opportunities, and highlights significant discoveries like a previously unknown bronze satyr by Benvenuto Cellini.

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Thieves broke into the Louvre Museum in Paris and stole several pieces of the French Crown Jewels from the Galerie d'Apollon, including a diadem, necklace, earrings, and brooches from the parures of Queen Marie-Amélie, Queen Hortense, Empress Marie-Louise, and Empress Eugénie. Two items—the reliquary brooch and the corsage bow—were dropped and recovered, and a ninth item, Empress Eugénie's crown, was also taken but later recovered. The thieves triggered alarms and fled after a fast, violent break-in, leaving behind a cherry picker; no injuries were reported.

Rarely seen Walter Sickert painting to go on sale in London

A rarely seen Walter Sickert painting, *Ennui* (1913), will be offered for sale in a selling exhibition at Piano Nobile gallery in London on 26 September. The work, once owned by Hollywood actor Edward G. Robinson and later by collectors Herbert and Ann Lucas, has not been publicly exhibited since 2001. Priced around £750,000, it is one of five versions Sickert painted in the 1910s depicting a pub landlord and his wife; three are held by British institutions including the Royal Collection and the Ashmolean Museum. The sale also includes a Sickert pastel of a sex worker unseen since 1908, plus works from his Dieppe period.

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The Prado Museum in Madrid has launched the third installment of its "The Female Perspective" series, a self-guided thematic route highlighting the collection of Queen Isabella Farnese. The route, running through May 2026, features 45 works from the queen's 1,000-piece collection, including five pieces newly out of storage and a Murillo sketch stolen in 1897 recently recovered from France's Musée de Pau. This is the first edition focused on a single woman, showcasing Farnese's role as the Royal Collection's most significant donor.

Dresden museum wins Tefaf award for Rubens restoration

The Gemäldegalerie Alte Meister in Dresden has received the Tefaf Museum Restoration Fund award for its ongoing restoration of Peter Paul Rubens's 17th-century painting 'The Boar Hunt'. The project involves removing discolored 19th-century varnish and undoing damaging 19th-century stabilization attempts that caused cracks in the wooden panel, aiming to reveal the work's original dynamism and palette.

Snuffboxes stolen in Paris daylight robbery to go on display at V&A

Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.

Carmen Reviriego on Art Patronage in Spain and the Callia Foundation

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Carmen Reviriego, founder and president of the Callia Foundation, recently hosted the 11th edition of the International Patronage Awards at Madrid’s Royal Collections Gallery. The event honored significant figures in the art world, including ARTnews Top 200 collector Batia Ofer, while highlighting the foundation's broader mission of funding restorations and fostering collaboration between private donors and Spain’s public institutions. Reviriego, who transitioned from a career in finance to art philanthropy, utilizes a business-minded approach to advocate for a more balanced model of cultural funding in Spain.

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Five of seven valuable 18th-century snuffboxes stolen from Paris’s Cognacq-Jay Museum in November 2024 have been recovered. Paris Musées announced the return, crediting a police investigation with assistance from the Paris Criminal Investigation Department. The boxes were taken by masked thieves during a daylight robbery from the exhibition “Pocket Luxury.” Two of the recovered boxes were on loan from the Louvre, two from the British royal family’s Royal Collection Trust, and one from the Victoria and Albert Museum. Two more boxes, one from the V&A and one from the Royal Collection, remain missing. The stolen items, decorated with gold, precious stones, mother-of-pearl, or enamel, are estimated to be worth at least €1 million ($1.16 million).

Museum: Art, Collections, and Exhibits

Museum - Art, Collections, Exhibits

This comprehensive overview traces the historical evolution of the museum from its origins as private royal collections and 'cabinets of curiosities' to the modern public institutions of the 21st century. It details the emergence of landmark spaces like the Ashmolean, the British Museum, and the Louvre, while examining how the 'museum boom' of the 20th century expanded these institutions globally across the United States, Asia, and Africa.

Right royal style: 90 years of Queen Elizabeth II’s fashion to go on show at Buckingham Palace

The Royal Collection Trust will mount an exhibition titled "Queen Elizabeth II: Her Life in Style" at the King's Gallery at Buckingham Palace in London in spring 2026, marking the centenary of the late monarch's birth. The show will feature around 200 pieces, including the dresses she wore at her 1947 wedding and 1953 coronation, both designed by Norman Hartnell, along with diplomatically significant gowns, everyday attire, and never-before-exhibited colorful prints from the 1970s by Ian Thomas. Sketches and correspondence with her couturiers will also be on display.

Mystery sitter in Holbein portrait could be Anne Boleyn, AI analysis finds

Researchers using AI have analyzed two Renaissance sketches by Hans Holbein from the Royal Collection, known as the Windsor sketch and the Unidentified Woman. The AI model, developed by Professor Hassan Ugail at the University of Bradford, compared the entire Holbein corpus and found that the Unidentified Woman may actually be Anne Boleyn, while the Windsor sketch—long thought to depict Boleyn—may instead show her mother, Elizabeth Howard. The study suggests the works were incorrectly inscribed in the 1700s, leading to centuries of misidentification.