James Hayward, a West Coast painter known for his thickly applied monochrome abstractions, died on April 16 at the age of 82. His work, which developed a dedicated following among fellow artists, was characterized by a deliberate, eccentric process that set it apart from other minimalist painting of his era.
Consuelo Jimenez Underwood, a textile artist born in 1949 in Sacramento, has spent decades creating works that confront the US-Mexico border. In 2009, she was invited to participate in the group exhibition “Xicana: Spiritual Reflections/Reflexiones Espirituales” at the Triton Museum of Art in Santa Clara, California. Faced with a blank museum wall, she decided to “blow up the border,” creating her first large-scale installation, *Undocumented Border Flowers* (2010), which features a red gash representing the border surrounded by paper flowers of the four border states. This work launched her ongoing “BORDERLINES” series, which she has produced some 15 times across the country, often collaborating with schoolchildren or recently incarcerated women. Her practice is deeply personal: her father was an undocumented immigrant from Mexico of Huichol ancestry, and she spent her childhood as a migrant farmworker, following harvests along Highway 99. Her first woven artwork, *C.C. Huelga* (1974), was inspired by the United Farm Workers flag and leader César Chávez.
Mark Bauerlein, a conservative professor and contributing editor to First Things, published an op-ed in the New York Times arguing against cuts to government arts funding while simultaneously attacking progressive scholars and NEH grants he deems wasteful. He suggests that instead of slashing the National Endowment for the Humanities, the Trump administration should repurpose it to promote conservative cultural values, citing examples like funding for a curriculum on race and comics or a database of a historic gay travel guide as wasteful.
Simon Silva, a renowned artist and author, delivered a passionate call for a return to creativity during the opening of his exhibition at the Imperial Valley College (IVC) gallery. The event showcased his vibrant works, which draw heavily on his Mexican-American heritage and the agricultural landscapes of the Imperial Valley, and drew a large crowd of students, faculty, and community members.
The Athenaeum Art Center in San Diego is hosting the 21st Annual SDSU Art Council Scholarship Exhibition from May 16 to July 3, 2026, with an opening reception on May 16. The exhibition features new work by five graduate and undergraduate students from San Diego State University's School of Art and Design: Andrea Mendoza, Tina Mardan, Todd Bradley, Ana Saad, and Isa Ybarra. Their works explore themes of the body as a site of history, resistance, and reinvention, addressing chronic pain, immigrant memory, queerness, and colonial boundaries through diverse media including painting, metalsmithing, photography, installation, clay, fiber, and printmaking.
The Feminist Image Group (FIG), a local feminist art coalition, is opening a new exhibition titled "In the Land of…" at the San Diego Central Library on Sunday, running through Oct. 12. Originally invited to exhibit before the pandemic, the group shifted focus to address censorship after facing criticism directed at libraries and books. The show features 15 members' works in various media, including paintings, sculpture, fabric art, embroidery, and collage, confronting banned books, silenced histories, and the fight for free expression. Member Jennifer Spencer, a local photographer and painter, helped organize the exhibition and contributed an accordion-fold book piece inspired by Project 2025.
The Oceanside Museum of Art (OMA) and the California Surf Museum (CSM) are partnering for the first time to host a dual-venue exhibition titled “Surf Art: Exploring California’s Coastal Culture.” OMA’s exhibit opens August 23 and CSM’s on September 13, featuring works including Kevin Short’s 2004 oil painting “Crosstown Traffic.” The collaboration aims to merge OMA’s art expertise with CSM’s deep surf history, with OMA investing about $25,000 and CSM about $10,000. The project has been in development for a year and includes a themed popup in OMA’s gift store.