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Serpentine to stage major solo exhibition by Amar Kanwar

Serpentine has announced a major solo exhibition by Amar Kanwar, opening at Serpentine North on 23 September 2026 and running until 31 January 2027. The show will feature landmark works from Kanwar's career, including the feature-length film *Such a Morning* (2017), the seven-screen installation *The Peacock's Graveyard* (2023), and the world premiere of a new multi-screen work, *The Charcoal Man* (2026), commissioned by Serpentine. Kanwar, based in New Delhi, is known for poetic, politically charged moving-image works that explore decolonisation, the Partition of India and Pakistan, displacement, violence, justice, ecology, and memory.

A brush with… Peter Doig—podcast

The article is a podcast interview with renowned painter Peter Doig, who discusses his upcoming exhibition "House of Music" at Serpentine South in London, running from October 10, 2025, to February 8, 2026. Doig reflects on his career, his evolving body of work informed by memory, personal photographs, art history, and music, as well as his time living in Trinidad and Canada. He delves into specific paintings in the show, his influences including Edward Burra, Henri Matisse, and Caravaggio, his collaboration with poet Derek Walcott, and the repertory cinema he founded in Port of Spain.

Lots to play for: Serpentine exhibition explores censorship and connection through video games

Danielle Brathwaite-Shirley's exhibition *The Delusion* opens today at Serpentine North in London, running until 18 January 2026. The Berlin-based artist and video game designer presents a series of multiplayer video games that challenge players to confront ethical, political, and moral choices. Games like *The Unifier* require collaborative problem-solving while prompting reflection on censorship, and *The Validators* transforms an arcade shooter into a contemplative experience addressing censorship, dehumanisation, and hope. The exhibition was developed with a team of artists, researchers, technologists, and members of Brathwaite-Shirley's Black trans and queer community, and builds on the artist's ongoing work archiving Black trans histories.