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shanghai art week 2025 diary 2716632

Shanghai Art Week 2025 featured two major art fairs, West Bund Art and Design and Art021 Shanghai, alongside numerous satellite exhibitions and events across the city. The author navigated the sprawling metropolis by public bike, visiting highlights including “Artist’s Treat,” a cluster of 11 exhibitions organized by artist Xu Zhen in a repurposed French school, and Blunt Society, an artist-run space showing works by Ma Lingli and Alex Müller. The week was marked by a cautiously optimistic market mood, with dealers reporting better-than-expected sales and new initiatives like Art021’s SVIP preview for serious collectors.

The Permanence of Refusal: Interview with Ding Yi

Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.

Liu Wei’s "You Like Pork?" leads Poly Hong Kong modern and contemporary art sale at US$3.5m

Poly Auction Hong Kong concluded its modern and contemporary art sale on April 6, achieving a total of HK$76.4 million (US$9.8 million) with a 67% sell-through rate. The auction was headlined by Liu Wei’s 1995 masterpiece "You Like Pork?", which sold for HK$27.6 million (US$3.5 million) to a phone bidder. Other top performers included Zao Wou-Ki’s "15.07.67" from his Hurricane period and Wu Dayu’s "Rhymes of Beijing Opera," both of which surpassed the HK$10 million threshold.

shanghai art week 2025 2713268

Shanghai Art Week 2025 is underway, anchored by two major concurrent art fairs: Art021 Shanghai and West Bund Art and Design, running from November 13 to 16. West Bund has relocated to a new venue, the West Bund Convention Center designed by Skidmore, Owings, and Merrill, featuring over 200 participants including 106 galleries in its main sector. Art021 returns to the Shanghai Exhibition Center with 139 galleries from 22 countries, including 33 first-time participants. The Shanghai Biennale opened early at the Power Station of Art, curated by Kitty Scott under the title "Does the Flower Hear the Bee?" featuring 67 artists and collectives. Meanwhile, alternative events like "Artist's Treat," launched by Xu Zhen in collaboration with Hol Platform and ShanghArt Gallery, are drawing attention in repurposed local spaces.

ART SG and Singapore Art Week

ART SG, Southeast Asia's leading contemporary art fair, returns to the Sands Expo and Convention Centre at Marina Bay Sands from 23–25 January 2026, with previews on 22 January. The fair features three core sectors—Galleries, Focus, and Futures—and for the first time co-presents S.E.A. Focus, curated by John Z.W. Tung with artistic consultation by Emi Eu, themed 'The Humane Agency'. Highlights include Melati Suryodarmo's performance 'I Love You' (2007) from the UBS Art Collection, presented in the UBS Art Studio, with a re-performance and artist talk. Singapore Art Week runs concurrently from 22–31 January 2026, offering exhibitions, installations, and performances across the city, including a collaboration between Rockbund Art Museum and ART SG at The Warehouse Hotel.

Exhibition | Dai Chenlian, 'Waxing and Waning of the Augustness III' at ShanghART, M50, Shanghai, China

ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.