nada miami 2025 strong early sales

NADA Miami 2025 opened at Ice Palace Studios with strong early sales and a buoyant mood, as crowds streamed through the aisles on Tuesday morning. Dealers reported brisk business, with Polina Berlin selling multiple works by artists including Tamo Jugeli, Parmen Daushvili, and Casey Bolding, while Charles Moffett sold ten paintings by Kenny Rivero. The fair, hosting around 140 exhibitors, saw participation from galleries like Deanna Evans Projects, Alice Amati, and Gladwell Projects, with many dealers expressing relief and confidence after a multi-year contraction in the art market.

Exhibition | Sheroanawe Hakihiiwe, 'Thapiri/Sonho' at Fortes D'Aloia & Gabriel, São Paulo, Brazil

Fortes D'Aloia & Gabriel in São Paulo presents 'Thapiri/Sonho', the first gallery exhibition in the city by Yanomami artist Sheroanawe Hakihiiwe. The show features paintings and monotypes that translate daily encounters in the Venezuelan Amazon—animal traces, plant structures, and natural formations—into a graphic vocabulary of lines, dots, circles, and repeating patterns. Hakihiiwe's work draws on Yanomami oral traditions and mnemonic structures, linking observed reality with dream encounters. The exhibition follows his 2023 solo presentation at MASP and includes works previously shown at MAC Parque Forestal in Santiago, Chile, and Sala TAC in Caracas.

What to expect from Fondation Cartier's new Parisian home

Fondation Cartier pour l’art contemporain will open its highly anticipated new Paris gallery at Place du Palais-Royal, opposite the Louvre, on 25 October 2025. The inaugural exhibition, Exposition Générale (running until 23 August 2026), features over 600 works by more than 100 artists, drawn from the foundation's collection of around 4,500 pieces. Designed by Italian studio Formafantasma, the show is organized into four thematic sections—Machines d’architecture, Être nature, Making Things, and un monde réel—and includes works by Sarah Sze, Rinko Kawauchi, Patti Smith, James Turrell, Vija Celmins, Joan Mitchell, Damien Hirst, and others. The building, part of the former Louvre des Antiquaires complex, was reconfigured by architect Jean Nouvel, adding 6,500 sq. m of exhibition space with a library, auditorium, and restaurant.

Nightlife scenes and local lore abound at Nada Miami's busy opening

At the VIP preview of Nada Miami, dealers reported brisk sales of paintings, with galleries like Hawkins Headquarters, Shrine, Burnaway, the Locker Room, and Baker—Hall showing works by artists including Jackson Markovic, Angela China, Alex Hutton, Clare Torina, Eric Diehl, and Thomas Bils. Nightlife themes were prominent, with Markovic's fluorescent nightclub photographs and Raffi Kalenderian's painting of Mac's Club Deuce dive bar. The Pérez Art Museum Miami acquired works by Bils, Sheroanawe Hakihiiwe, and Pallavi Sen through its Nada Acquisition Gift programme.

Art Toronto reflects Canadian art scene’s emphasis on Indigenous representation

Art Toronto's 2025 edition, running until October 26 at the Metro Toronto Convention Centre, features Indigenous art prominently across more than half of its 121 exhibitors. The fair includes a new Latin American section, Arte Sur, curated by Karen Huber, showcasing artists like Natalia Montoya and Sheroanawe Hakihiiwe. Canadian galleries such as Feheley Fine Arts, Ceremonial Art, Fazakas Gallery, and Patel Brown highlight Indigenous artists, with works ranging from beadwork and performance to mixed-media pieces that challenge stereotypes. Notable presentations include Jordan Bennett's reworked motorcycle and Nadia Myre's ceramic beadwork landscapes.

Amazonia Açu

Americas Society in New York will present 'Amazonia Açu,' an exhibition opening September 3, 2025, that offers a kaleidoscopic view of Amazonian aesthetic, cultural, and material diversity. Curated by Keyna Eleison and a committee of representatives from all nine Amazonian states—Bolivia, Brazil, Colombia, Ecuador, French Guiana, Guyana, Peru, Suriname, and Venezuela—the show features over 50 works by 34 local artists and collectives, addressing themes such as artistic production, land rights, cultural heritage, and spirituality.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

Art Toronto gives Latin American artists pride of place with new curated section

Art Toronto, Canada’s largest art fair, returns for its 26th edition (23–26 October) at the Metro Toronto Convention Centre with over 100 galleries. It debuts Arte Sur, a new curated section focused on Latin American art, organized by Mexico City-based curator and gallerist Karen Huber. The section features 11 galleries from across the Americas, including first-time participants from New York, Mexico City, Argentina, and Chile, showcasing more than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile, and Peru.

Two Museum Exhibitions Reframe Amazon Civilizations

Two museum exhibitions, one at Americas Society in New York and another at the Musée du quai Branly – Jacques Chirac in Paris, are reframing perceptions of Amazon civilizations by centering the artistic and cultural traditions of the region's Indigenous peoples. The New York show, "Amazonia Açu" (on view through April 18, 2026), features works by artists including Sara Flores, Sheroanawe Hakihiiwe, PV Dias, and the film collective Colectivo Tawna, blending mediums and challenging Western distinctions between art and craft. The Paris exhibition, "Amazônia – Indigenous Creations and Futures" (through January 18), presents the Amazon as a culturally rich, inhabited ecosystem rather than a pristine wilderness.

WAYAMOU: LENGUAS DE LO COMÚN. LAURA ANDERSON BARBATA Y SHEROANAWE HAKIHIIWE

The exhibition "Wayamou: Lenguas de lo común" at the Museo Tamayo in Mexico City presents the collaborative work of artists Laura Anderson Barbata and Sheroanawe Hakihiiwe, whose artistic and political relationship spans over three decades. The show traces their shared history, beginning in the early 1990s when Barbata traveled to the Venezuelan Amazon and taught handmade papermaking using local plant fibers, introducing Hakihiiwe to a sustained visual exploration of Yanomami cosmology, oral tradition, and legacy. In 1992, they co-founded Yanomami Owë Mamotima ("Yanomami art of papermaking"), a project enabling the community to tell its own stories through its own visual and linguistic codes, exemplified by the handmade book "Shapono (Casa)" (1996).