Musician Thom Yorke and artist Stanley Donwood will present a new exhibition titled “No Go Elevator (not without no keycard)” in a small gallery in Venice next month, coinciding with the Venice Biennale. The show marks their first showcase outside the U.K. and features a mix of drawings and a large painting created in London this year, with cryptic textual components and no unifying theme, according to the artists.
Harrison Kinnane Smith's exhibition "Tracings and Arrangements" is on view at Emmelines, a small gallery tucked inside a former newsstand in the Fifth Avenue & 53rd Street MTA station in New York, directly beneath the Museum of Modern Art and the building formerly known as 666 Fifth Avenue. The show features two works by Louise Lawler on consignment from Sprüth Magers—"Bulbs (traced), 2005/06/19" and "(Bunny) Sculpture and Painting (traced), 1999/2019"—which are black-and-white traced decals of her earlier photographs, displayed in the gritty, fluorescent-lit subway mezzanine. Kinnane Smith, at 28, frames Lawler's works as his opening gesture in a conceptually recursive chain that extends her critique of art's circulation through commerce, collecting, and institutional contexts.
Pace Prints is expanding its operations to Los Angeles, with plans to open a new production facility and small gallery space this fall. Unlike a standard gallery expansion, the Hollywood location will prioritize providing West Coast artists with a dedicated environment for long-term experimentation in printmaking. The move coincides with the publisher's debut at Frieze Los Angeles, featuring a roster of local and international artists including Jonas Wood and Hilary Pecis.
Jonny Tanna, founder of the London gallery Harlesden High Street, has launched a pop-up project in Mayfair during Frieze Week, in collaboration with Düsseldorf- and Berlin-based gallery Setareh. The inaugural exhibition, “Forces of Nature,” features London-based artists Abbas Zahedi and Jamiu Agboke, presenting conceptual installation and atmospheric painting. Tanna emphasizes that this is not a permanent relocation but an itinerant extension of his gallery, which exclusively shows artists of color and is known for its community-focused, unvarnished approach.
Artsy's monthly roundup highlights five notable exhibitions at small and rising galleries for April. The featured shows include Ramón Enrich's architectural paintings "Dos Verds | Un Blau" at London's Cadogan Gallery, which present mysterious, geometric landscapes with surreal doorways.
Beirut gallery Marfa' Projects celebrates its tenth anniversary, a milestone founder Joumana Asseily never expected to reach given the immense challenges faced since opening in 2015. The gallery, located in the city's port district, survived widespread civil protests, Lebanon's economic crisis, and the devastating 2020 Port of Beirut explosion that destroyed its premises. Asseily rebuilt within a year, supported by a global network of fellow dealers who inspired her with virtual shows and offered solidarity during Israel's 2024 bombardment. The anniversary group exhibition features works consigned by partner galleries including Sadie Coles HQ, Experimenter, and Emalin, alongside Marfa' Projects artists like Mohamad Abdouni and Stéphanie Saadé, both of whom won major art fair prizes last year.
Dr. Celeste Hart, a Tallahassee endocrinologist and daughter of the late Dr. A.D. Brickler, is closing the Anderson-Brickler Gallery after nine years on Adams Street. Opened in 2016, the gallery focused on Modern and Contemporary artists of the African Diaspora, hosting exhibitions by artists such as Joe Roache, Romare Bearden, and Kabuya Bowens-Saffo, as well as lectures, workshops, and thesis shows for Florida State University fine arts students. The space will be taken over by Stan J. Johnson, a professional photographer and FAMU professor, who plans to rename the gallery and continue exhibiting paintings while expanding into spoken word and music.
Coumba Samba, an artist born in Harlem and raised in Senegal, presented a 2024 exhibition titled "Dress Code" at Empire, a small gallery near the United Nations in New York. The show featured painted poles referencing national flags, green carpeting, and livestreams of UN General Assembly meetings, exploring how color and power intersect in international diplomacy. Samba also exhibited works at Arcadia Missa in London, including painted radiators that evoke Russian Suprematism while commenting on global energy politics and supply chains.
The article offers practical advice from emerging gallerists on how to exhibit at Miami Art Week on a tight budget. Dealers like Margot Samel, Alex Nazari, Marina Vranopoulou, and Cole Solinger share cost-saving strategies: booking hotels early, flying into Fort Lauderdale, renting cars through Costco, shipping art in cardboard bins, bringing their own chairs, and staffing booths themselves. The piece highlights the financial strain of booth fees, shipping, and add-on costs, with Untitled Art founder Jeffrey Lawson even shrinking booth sizes to accommodate struggling galleries.
A tiny art gallery in downtown Hammond is drawing attention by showcasing miniature artworks, attracting both local artists and visitors. The gallery, which operates on a small scale, has become a hub for tiny art pieces, including paintings, sculptures, and mixed-media works, all created to fit the compact space. The initiative aims to make art accessible and engaging in a unique, intimate setting.
Art Garden, a combination art gallery and plant shop in Asheville, North Carolina, reopens on May 7, 2025, at a new downtown location at 98 N. Lexington Ave. The business was displaced after its former home in Riverview Station was flooded by over 25 feet of water during Tropical Storm Helene in September 2024. The reopening includes a preview party for the ReRoot art exhibit, a fundraising gala, a theatre performance, and a Mother's Day plant sale, celebrating community support that helped rebuild the space.
The Bardo Arts Center at Western Carolina University recently celebrated its 20th anniversary with a reception for a dynamic retrospective exhibition. The show features a timeline of the WCU Fine Art Museum’s growth, showcasing a diverse range of works including paintings, glass, and ceramics dating from 1969 to the present. Founding director Martin DeWitt and current executive director Denise Drury Homewood highlighted the institution's evolution from a small gallery space to a nationally accredited museum housing over 2,000 objects.
The Okotoks Art Gallery recently launched two solo exhibitions by artists Neil McClelland and Beany Dootjes, marked by an opening reception on April 11. McClelland’s exhibition, "Earthly Delights," utilizes a multi-layered process of photography, digitization, and painting to personify plants as characters. In the adjacent small gallery, Dootjes presents "Ruin & Reclamation: Re-iterated," featuring oversized sculptures of insects like lice and bed bugs meticulously crafted from repurposed men’s business attire.