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amy sherald talks canceled smithsonian show 60 minutes 1234757994

Painter Amy Sherald has revealed in a "60 Minutes" interview with Anderson Cooper that she pulled out of her solo exhibition at the Smithsonian's National Portrait Gallery because the museum considered removing her painting of a Black transgender Statue of Liberty, titled "Trans Forming Liberty." Sherald stated that the Smithsonian secretary, Lonnie G. Bunch III, proposed replacing the painting with a video discussing trans issues that would include anti-trans views, which she deemed unacceptable censorship. The exhibition, "American Sublime," was originally organized by the San Francisco Museum of Modern Art and last shown at the Whitney Museum; it is now expected to open at the Baltimore Museum of Art on November 2.

leading artists call for nationwide resistance against authoritarian forces 1234757308

Visual artist Dread Scott, playwright Lynn Nottage, and dozens of cultural figures have launched "Fall of Freedom," a nationwide weekend of creative demonstrations scheduled for November 21–22, 2025, to protest rising authoritarianism under the Trump administration. The project invites arts communities to organize independent actions—such as storefront readings, pop-up performances, exhibitions, and workshops—at museums, galleries, classrooms, comedy clubs, or any community gathering space. Participating institutions include the Institute of Contemporary Art, Los Angeles, which will host a "Wear Your Rights" silk-screening workshop, and New York's Leslie-Lohman Museum of Art, which will turn a gallery into a library of queer art activism books. Other notable participants include artists Marilyn Minter, Robert Longo, and Amy Sherald, who recently canceled a Smithsonian exhibition after concerns over her painting of a Black transgender Statue of Liberty.

amy sherald american sublime the baltimore museum of art 1234750817

Amy Sherald's exhibition "American Sublime" will now open at the Baltimore Museum of Art (BMA) in November, after the artist canceled its planned iteration at the Smithsonian's National Portrait Gallery in July over censorship concerns. The show, which features some 50 works and is one of the largest presentations of Sherald's work, was originally organized by the San Francisco Museum of Modern Art and is currently on view at the Whitney Museum through August 10. Sherald, who attended the Maryland Institute College of Art and previously served on the BMA's board, called the BMA presentation a homecoming.

amy sherald cancels smithsonian exhibition amid censorship concerns 1234748194

Painter Amy Sherald has canceled her upcoming solo exhibition “American Sublime” at the Smithsonian’s National Portrait Gallery after the museum considered removing her painting *Trans Forming Liberty* (2024), which depicts a Black transgender Statue of Liberty. The show was scheduled to open in September. Sherald stated she was informed of internal concerns about the painting and that discussions arose about replacing it with a video featuring reactions and discussion of trans issues, which she opposed over fears it would include anti-trans views. She wrote to Smithsonian Secretary Lonnie G. Bunch III that institutional fear shaped by political hostility toward trans lives compromised the integrity of her work.

craft state fairs white house saam renwick smithsonian 1234766482

The Smithsonian American Art Museum's Renwick Gallery has opened "State Fairs: Growing American Craft," the first exhibition since the Trump administration's August 2025 audit of all Smithsonian exhibitions, didactics, and collections. The audit, based on an executive order to "restore truth and sanity to American history," condemned discussions of racism, sexism, and oppression as revisionist history. The exhibition features over 250 works from across the United States, spanning the 19th century to the present, arguing that regional state and tribal fairs are essential sites for the development of American craft. It includes spectacular pieces like a 12-foot pair of Lucchese boots, a life-size butter sculpture, and works by artists such as Morgan Hill, Kelly Bohnenkamp, Betty Spindler, Linda Nez, Kaye D. Miller, and Peggie Hartwell.

Washington, D.C., Museums are Showcasing African American Art, Exhibitions Focus on Photography and the Black Arts Movement, Vivian Browne, Adam Pendleton & More

Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."

smithsonian drops wall text mentioning trumps double impeachment 1234769438

The Smithsonian’s National Portrait Gallery has removed wall text referencing President Trump’s two impeachments from its “America’s Presidents” exhibition after installing a new black-and-white portrait of him by White House photographer Daniel Torok. The original label noted Trump’s impeachments for abuse of power and inciting insurrection, but the revised text now identifies him only as the 45th and 47th president and his birth year. The change follows years of contention from the Trump administration, which compiled a list of complaints accusing former director Kim Sajet of political bias; Sajet resigned, and Elliot Gruber now serves as acting director.

Smithsonian’s First Major Exhibit Of African LGBTQ+ Art On Display Through August

The National Museum of African Art, part of the Smithsonian Institution, has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ art. Featuring 60 works by artists from over a dozen countries across Africa and its diaspora, the show includes paintings, sculptures, textiles, photography, film, and video. Co-curated by Serubiri Moses and Kevin D. Dumouchelle, the exhibition highlights collaboration, joy, and lived experience, with artists such as Zanele Muholi, Toyin Ojih Odutola, Rotimi Fani-Kayode, Jim Chuchu, Ṣọlá Olúlòde, and Leilah Babirye. Originally scheduled to open in May 2025 to coincide with WorldPride in Washington, the exhibition was postponed to January 2026 due to a Smithsonian budget situation, but ultimately opened as planned.

An exhibition in New York City takes on censorship in the art world

Art at a Time Like This, a non-profit organization, has opened the exhibition 'Don’t Look Now' in New York City's Nolita neighborhood (October 10–25), featuring 24 contemporary artists whose work has been censored or blacklisted. Participants include Marilyn Minter, Shepard Fairey, Dread Scott, Danielle SeeWalker, and Yvonne Iten-Scott, whose pieces were removed from shows, rescinded from residencies, or targeted by officials due to political content. The exhibition responds to the Trump administration's crackdown on free speech in the culture sector, including mass layoffs at the NEA and NEH, proposed funding cuts, and canceled shows at institutions like the Smithsonian.

New Smithsonian exhibit highlights American fairs, including crop art, butter from Minnesota

A new exhibition at the Smithsonian Institution spotlights the history and artistry of American state and county fairs, featuring unusual exhibits such as crop art and butter sculptures from Minnesota. The show explores how these community events have long served as platforms for creative expression, agricultural pride, and local tradition.

Tsedaye Makonnen’s ‘Sanctuary’ at the Smithsonian’s National Museum of African Art, United States

The Smithsonian's National Museum of African Art opened 'Tsedaye Makonnen — Sanctuary' on December 13, 2024, featuring towering light sculptures by Ethiopian American artist Tsedaye Makonnen. The central installation, 'Senait & Nahom: The Peacemaker & The Comforter', comprises 50 illuminated boxes named for individuals lost to violence, transforming grief into remembrance and hope. The exhibition also includes works from the museum's permanent collection by artists such as Alexander 'Skunder' Boghossian and Aïda Muluneh, and aligns with the museum's mission of cross-cultural understanding.

Professors share art, science, culture via Smithsonian exhibits

Two East Carolina University professors have contributed to Smithsonian museum exhibits this summer. Photography professor Daniel Kariko from the School of Art and Design has a photograph titled "Last Camp on Isle Dernieres" (2017) on display in the Art x Climate exhibition at the Smithsonian National Museum of Natural History. The image documents a recreational fishing camp in South Louisiana that was completely gone by 2019, part of Kariko's ongoing 25-year project "Impermanence" capturing landscape changes in the Barataria-Terrebonne region. Additionally, Dr. Aleia Brown from the Thomas Harriot College of Arts and Sciences curated a collection of quilts by Black artists at the Smithsonian American Art Museum.

house democrats urge jd vance to stop smithsonian 1234739198

Four Democratic members of the U.S. House of Representatives—Joseph Morelle, Terri Sewell, Norma Torres, and Julie Johnson—sent a letter to Vice President J.D. Vance on Thursday urging him to reject an overhaul of the Smithsonian Institution. The letter responds to President Donald Trump's March 27 executive order, "Restoring Truth and Sanity to American History," which aims to eliminate "divisive" and "anti-American" content from Smithsonian exhibitions and restore removed monuments. The lawmakers argue that the order threatens the curatorial independence that has made the Smithsonian a globally respected cultural institution.

Column | The Smithsonian’s most contested exhibition is back on view, mostly intact

Columnist Philip Kennicott reports that the Smithsonian's most contested exhibition has returned to public view, largely intact, despite ongoing culture war attacks from the Trump administration. Since Donald Trump returned to office in January 2025, the Smithsonian has been a primary target for the administration's campaign against diversity and inclusion initiatives, as well as historical narratives that address slavery, Native American genocide, and the struggles of marginalized communities.

Smithsonian Exhibition Spotlights Pahari Painting Traditions From The Himalayan Kingdoms

The Smithsonian’s National Museum of Asian Art in Washington, D.C., has opened "Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms," an exhibition featuring 48 paintings and colored drawings that trace the evolution of Pahari painting across three key periods between 1620 and 1830. The show highlights the genre’s ties to the region’s landscapes, courtly life, and devotional practices, with works created using opaque watercolors, beetle wings, and gold, many of which have not been publicly displayed before. The exhibition runs until July 26.

Rare Pahari Paintings Go On Display In Washington Exhibition

An exhibition titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery, part of the Smithsonian Institution’s National Museum of Asian Art in Washington, D.C., running through July 26. The show features 48 rare paintings created for Hindu kings in the Pahari region of northern India between the 1620s and 1830s, highlighting diverse styles from lyrical and naturalistic to boldly colored and abstracted. Key works include pieces acquired from art historian Catherine Glynn Benkaim and collector Ralph Benkaim, some never publicly exhibited before, along with loans from the Cleveland Museum of Art.

Smithsonian exhibit features Minnesota State Fair artists, churns controversy

The Smithsonian Institution is hosting an exhibition featuring artists from the Minnesota State Fair, showcasing works that celebrate the fair's tradition of competitive art displays. The show has sparked controversy, with critics questioning the inclusion of amateur and fairground art in a national museum setting, while supporters argue it democratizes fine art and honors regional cultural heritage.