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Ed Ruscha | Billy (1968) | Art & Prints

Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.

Shoot and branch: new photography book highlights the enduring majesty of trees

A new photography book, *Trees of Great Britain and Ireland*, reproduces over 60 photographs originally taken between 1906 and 1913 for Henry John Elwes and Augustine Henry's ambitious seven-volume catalogue of tree species. The images, mostly by uncredited photographers, were printed using a collotype process by the Autotype Company and are now newly lithoprinted to preserve their tonal subtlety. The book includes an introduction by Michael Pritchard and notes by photographic historian Björn Andersson, highlighting the historical and aesthetic significance of these botanical photographs.

At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

PinchukArtCentre opens new exhibition at the Venice Biennale

The PinchukArtCentre has opened a new exhibition titled "Still Joy — From Ukraine Into the World" as part of the official parallel program of the 61st Venice Biennale. The show, which opened on May 7 at Palazzo Contarini Polignac and runs through August 1, features works by over 20 international and Ukrainian artists exploring joy as an act of resilience and humanity. Central to the exhibition are testimonies from Hlib Stryzhko, a marine veteran who returned from Russian captivity, which are transformed into sculptural elements. Notable works include a protest performance by Yurii Hruzinov at the Russian pavilion, a video installation of Kyiv rave parties by Malashchuk and Khimei, and installations by Future Generation Art Prize laureates Ashfika Rahman and Zhanna Kadyrova.

Why artists’ love for opera will never die

This article explores the enduring fascination that visual artists have with opera, tracing a historical lineage from figures like Oskar Kokoschka and David Hockney to contemporary practitioners such as William Kentridge and Tacita Dean. It examines how opera's fusion of music, drama, and visual spectacle has inspired artists to create set designs, costumes, and even direct productions, often blurring the boundaries between fine art and performance.

Experience the Full Breadth of Morandi's Artistic Legacy

The Museum of Art Pudong (MAP) in Shanghai has announced "Giorgio Morandi. Solo," the largest and most comprehensive exhibition of Giorgio Morandi in the 21st century, opening June 17 and running through October 2026. Presented with the Museo Morandi in Bologna, the show brings together over 200 works from 39 institutions and private collections worldwide, including more than 140 original artworks by the Italian painter, with over 120 shown in China for the first time. Highlights include Morandi's only known seascape, one of seven self-portraits, a never-before-exhibited portrait of his sister, and his personal star-wheel etching press on loan from descendants of his friend Francesco Bagnaresi.