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The Robots Were Never the Problem

The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.

llyn foulkes obituary 1234762894

American artist Llyn Foulkes has died at age 91, as confirmed by Kent Fine Art. Known for defying stylistic categorization, Foulkes was an early pioneer of Pop art, showing at Fergus Gallery in the mid-1960s ahead of Andy Warhol. He won the painting prize at the Paris Biennale in 1967 and represented the United States at the IX São Paulo Art Biennial that same year. His work incorporated collaged elements and explored themes of photography, Americana, and commercial pop culture. Foulkes was also a jazz musician, performing with R. Crumb and forming the Rubber Band, which appeared on Johnny Carson's Tonight Show. He invented a one-man-band instrument called the Machine and participated in Documenta 13 in 2012, with a retrospective at the Hammer Museum in 2013.

pascaline early arithmetic machine christies sale 2687208

Christie’s has halted the sale of a rare 17th-century Pascaline arithmetic machine, originally scheduled for auction on November 19, after the Administrative Tribunal of Paris suspended its export license. The machine, invented by Blaise Pascal and estimated at €2–3 million, was pulled from sale at the consignor’s request following pressure from French cultural campaigners who argue it should be classified as a National Treasure to prevent its departure from France.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

A century of Art Deco celebrated at Sarasota Art Museum

Sarasota Art Museum will present "Art Deco: The Golden Age of Illustration" from August 31, 2025, through March 29, 2026, celebrating the 100th anniversary of the style's debut at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris. The exhibition features 100 rare posters from the 1920s and 1930s drawn from the William W. Crouse Collection, one of the world's most important private collections of Art Deco posters, with works by artists including A. M. Cassandre, Leonetto Cappiello, and Paul Colin. Alongside the posters, the show includes sculptural pieces, vintage cocktail shakers, and furniture from The Wolfsonian-Florida International University, highlighting the luxurious materials and modern design of the Machine Age.

How to Survive AI

Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.

“What Can A.I. Not Take from Us?”: An Interview With the Curators of Local Exhibition 'Against the Machine'

An exhibition titled 'Against the Machine: art in the age of A.I., fascism, and climate disaster' is on view at the People's Solidarity Hub campus in Durham, North Carolina, curated by local artists Cassandra Rowe and charla rios. The show features works by ten multi-disciplinary artists, including Hiva Kadivar's piece incorporating ink and natural fibers, Derrick Beasley's sculpture 'Conduit,' and Rowe's painting 'the wayback machine / you can't take my memories.' The exhibition opened in May and runs through August 22, with an artist talk scheduled for July 16. The curators were inspired by connections between A.I., fascism, and climate disaster, particularly after Hurricane Helene and the Los Angeles wildfires.