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Exhibition | Jorge Molder, 'Lusco-fusco' at Galerie Bernard Bouche, Paris, France

Galerie Bernard Bouche in Paris is presenting 'Lusco-fusco', a new exhibition by Portuguese photographer Jorge Molder, opening March 28. The show features two interrelated photographic series, 'Dorothy' (black and white) and 'Cesare' (color), which extract and rework still images from Robert Wiene's 'The Cabinet of Dr. Caligari' (1920) and Victor Fleming's 'The Wizard of Oz' (1939). Molder halts the cinematic narrative to explore stillness, ambiguity, and the motifs of masks, dreams, and multiple identities through self-portraiture.

Grimes joining LinkedIn is artwashing at its most brazen. I should know – I released my new film on there

Artist Alan Warburton critiques the migration of creative professionals to LinkedIn, sparked by musician Grimes' recent pivot to the platform to promote her appearance at an Nvidia tech conference. Warburton, who recently released his AI-focused film 'Image Empire' on the site, describes the move as a desperate response to the 'enshittification' of traditional creative platforms like Twitter and Vimeo, which have been overrun by bots and AI-generated content.

From DJing club nights to gallery walls, Scots artist returns home for major show

Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.