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Six Artists Vie to Design Billie Holiday Monument in New York

Six artists have been selected as finalists to design a public monument honoring jazz singer Billie Holiday in Queens, New York, outside the Jamaica Performing Arts Center. The finalists—La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, Tanda Francis, Thomas J. Price, and Tavares Strachan—submitted proposals after an open call in late 2025, site visits, and discussions with Holiday scholars and family. The New York City Department of Cultural Affairs released the designs on May 19 for public feedback through the end of May, with a final selection expected later this year. Proposals range from abstract silhouettes and bronze beans to more representational figures, reflecting Holiday's legacy and her connection to Queens.

Thomas J. Price and Tavares Strachan Make Shortlist for Billie Holiday Monument Designs

The New York City Department of Cultural Affairs has announced a shortlist of six finalists for a public monument honoring jazz singer Billie Holiday, to be installed outside the Jamaica Performing Arts Center in Queens. Among the top contenders are British sculptor Thomas J. Price and Bahamian conceptual artist Tavares Strachan, whose proposals include abstract bronze forms and a mirrored column, respectively. Other finalists are La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, and Tanda Francis, all of whom consulted with Holiday scholars and family members to develop their designs.

The new London museum that looks like a ‘reconstructed Toblerone’

The V&A has opened a new outpost in east London's Lower Lea Valley, a former industrial area transformed into a cultural quarter after the 2012 Olympics. The museum, described as looking like a 'reconstructed Toblerone', is the latest addition to the 'Olympicopolis' vision, which aimed to create a cultural legacy akin to west London's Albertopolis. The article, written by Catherine Slessor in The Guardian, offers a mixed review: praising the beauty and craftsmanship of the galleries while criticizing overuse of trendy phrases like 'lived experience' and 'transcultural identities'.