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Your Australian art guide for May 2026 is here

May 2026 brings a packed calendar of art exhibitions across Australia, with highlights including Rone's 'Another TIME' at COMA Gallery in Sydney, the Archibald, Wynne and Sulman Prizes at the Art Gallery of NSW, and solo shows by Eleanor Louise Butt, Jordan Gogos, Natalya Hughes, Patricia Piccinini, and Michaela Gleave. Regional venues like Bundanon and Ngununggula also feature major exhibitions, including a posthumous show of Rosalie Gascoigne alongside new commissions by First Nations women artists.

bianca censori peformance art bio pop

Australian architect Bianca Censori, known globally for her fashion and marriage to rapper Kanye West, debuted her first performance art piece titled "BIO POP" in Seoul. The 14-minute silent performance, staged over two days, features Censori baking a cake in a kitchen before pushing it to a living room filled with contortionists resembling her. The work is the first of seven planned performances over seven years, with future installments including "CONFESSIONAL (THE WITNESS)" and "BIANCA IS MY DOLL BABY (THE IDOL)."

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.

Melbourne exhibition celebrates the long overlooked contributions of Indigenous Australian artists

An exhibition titled "65,000 Years: A Short History of Australian Art" opens at Melbourne University’s Potter Museum of Art on 30 May, celebrating the long-overlooked contributions of Indigenous Australian artists. Co-curated by Judith Ryan and Marcia Langton, the show argues that Indigenous art dates back millennia before European settlement but was only recognized as fine art from the 1980s, having been previously confined to ethnographic categories. It highlights frontier artists like Tommy McRae, William Barak, and Mickey of Ulladulla, as well as contemporary photographers Ricky Maynard, Naomi Hobson, and Destiny Deacon, while addressing the link between racist policies and the denial of Indigenous art's value.

Black.2; Family Values; Studio Exhibition

Amelia Winata reviews three concurrent group exhibitions in Melbourne galleries: 'Black.2' at Void_Melbourne (15 Nov–20 Dec 2025), 'Family Values' at Futures (6 Dec–20 Dec 2025), and 'Studio Exhibition' at Haydens (6 Dec 2025). The article opens with a metaphor comparing the gallery-goer's experience to the rescue ship Carpathia navigating icebergs, reflecting the glut of end-of-year group shows in Melbourne's commercial spaces. Winata visits each space, describing the deco-chic building housing Void_, the formalist black-themed works by artists like Nick Devlin, Elvis Richardson, Sarah Goffman, and Suzie Idiens, and the broader context of Melbourne's gallery scene.

New exhibition at Buxton reveals insights into Chinese conceptual art

The University of Melbourne's Buxton Contemporary has opened a new exhibition titled "Poetry goes no further than language," which examines the emergence of conceptual art in China during the mid-1980s and early 1990s. Featuring works by the Beijing collective New Measurement Group and Shanghai artist Qian Weikang, the show also includes a new commission by Victorian College of the Arts graduate Darcey Bella Arnold. Curated by Dr. Carol Yinghua Lu, Director of Beijing's Inside-Out Art Museum, together with artist Liu Ding, the exhibition brings previously inaccessible or little-known works to Australia for the first time.

Buxton Unveils Chinese Conceptual Art Exhibition

The University of Melbourne's Buxton Contemporary has opened "Poetry goes no further than language: A historical moment of art becoming art again," an exhibition examining the emergence of conceptual art in China during the mid-1980s and early 1990s. It features works by the Beijing collective New Measurement Group and Shanghai artist Qian Weikang, alongside a new commission by Victorian College of the Arts graduate Darcey Bella Arnold. The exhibition is curated by Dr. Carol Yinghua Lu, Director of Beijing's Inside-Out Art Museum, and artist Liu Ding.

How Australian Chefs and Farmers Are Rediscovering the Ingredients That Have Been There All Along

Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.