Vasari Art Codex

trending_up market schedule May 6, 2026 visibility 5 link 39 artists, 19 galleries

Ceramics Are Everywhere, in Museums, Galleries, and Fairs—Has the Market Caught Up?

Ceramics are experiencing a surge in visibility across museums, galleries, and art fairs in major US cities. The article catalogs numerous recent and upcoming exhibitions, including Kathy Butterly's sold-out show at James Cohan with pieces at $45,000 each, Nicole Cherubini's nearly sold-out show at Friedman Benda with prices up to $65,000, and Ruby Neri's work at Salon 94 peaking at $75,000. Other highlights include Ron Nagle at Matthew Marks, Theaster Gates' Gagosian show celebrating David Drake, NADA Ceramics in Tribeca, and ceramic presentations at Frieze Los Angeles, Post-Fair, Expo Chicago, and David Zwirner. Institutional shows include Toshiko Takaezu at Princeton University Art Museum and a ceramic collection at RISD Museum.

newspaper ARTnews open_in_new Read original

museum exhibitions schedule May 5, 2026 source 2 sources visibility 2 link 8 artists, 1 gallery

How Tony Albert’s childhood instinct became a radical art practice

Tony Albert, a Girramay/Yidinji/Kuku-Yalanji artist, has spent his life collecting Aboriginalia—kitsch household items from the mid-20th century that feature naive or racist depictions of Indigenous culture. These objects, including ashtrays, velvet paintings, and figurines, form the basis of his upcoming exhibition *Tony Albert: Not A Souvenir* at the Museum of Contemporary Art, curated by Bruce Johnson McClean. Albert's practice transforms these mass-produced artifacts into a powerful critique of colonization, displacement, and erasure.

newspaper WAtoday open_in_new Read original

museum exhibitions schedule May 6, 2026 link 1 artist

Sorcières !

The article previews an upcoming exhibition titled "Sorcières !" at the Château des ducs de Bretagne – Musée d'histoire de Nantes, running from February 7 to June 28, 2026. It traces the historical debate around witchcraft in 16th-century Europe, focusing on key figures such as Heinrich Kramer, author of the *Malleus maleficarum* (1486), who argued that witchcraft was a female-specific evil requiring extermination, and Jean Bodin, who supported this view. In contrast, Johann Weyer and Michel de Montaigne challenged the persecution, suggesting accused women were mentally ill or elderly and deserved humane treatment rather than execution.

newspaper La Tribune de l Art open_in_new Read original