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rose art museum gala exhibition fund

The Rose Art Museum held its first-ever New York benefit gala, marking its return to the fundraising circuit after two decades. Co-chaired by advisor Abigail Ross Goodman and Christie’s Sara Friedlander, the event honored sculptor Hugh Hayden and philanthropist Lizbeth Krupp, the longtime chair of the museum’s board of advisors. The evening raised $900,000 toward a new $2 million Exhibition Endowment Fund, with Krupp making the first gift. Guests included artists Salman Toor, Leilah Babirye, Ali Banisadr, and Ilana Savdie, as well as gallerist Jeanne Greenberg Rohatyn and Public Art Fund’s Nicholas Baume.

Christian Marclay's ‘Doors’ marks opening of Brooklyn Museum's new video art gallery

Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.

julia stoschek foundation los angeles show

The Julia Stoschek Foundation, one of the world's largest collections of video art, will present its first major U.S. exhibition at the Variety Arts Theater in downtown Los Angeles. Titled "What a Wonderful World: An Audiovisual Poem" and curated by Udo Kittelmann, the show opens February 6, 2026, pairing contemporary video works by artists such as Marina Abramović, Dara Birnbaum, Cyprien Gaillard, Arthur Jafa, Jesper Just, and Lu Yang with historic films by Luis Buñuel, Walt Disney, Alice Guy-Blaché, Winsor McCay, and Georges Méliès. The exhibition spans 120 years of filmmaking and will occupy a historic 1920s Venetian-style landmark that once housed L.A.'s first women's clubhouse and a vaudeville theater.

Francis Alÿs at MAMU: A Global Portrait of Childhood Through Play

The Banco de la República has opened a new exhibition at the Museo de Arte Miguel Urrutia (MAMU) in Bogotá titled "Francis Alÿs, juegxs de niñxs 1999–2025." Featuring 27 video works from the Belgian-born, Mexico-based artist's long-running series documenting children's games worldwide, the show opened on April 23 at El Parqueadero and the second floor of MAMU. Curated by Cuauhtémoc Medina and Virginia Roy, the exhibition includes footage from Afghanistan, India, Mexico, the Democratic Republic of the Congo, and Colombia, where a new work filmed in the Amazon with the Arara community is featured.

Closed for decades, a historic L.A. theater reopens for an ambitious late-night video art experience

The historic Variety Arts Theater in downtown Los Angeles is reopening after decades for a six-week exhibition titled "What a Wonderful World: An Audiovisual Poem." The show, running through March 20, presents a non-linear, late-night experience featuring over 120 years of moving images, from early cinema to contemporary video art, allowing visitors to wander freely from 5 p.m. to midnight.

Two New Exhibitions Will Open At Brno House of Arts Next Week

Two new exhibitions will open at the Brno House of Arts on Tuesday, 28 April, with a public vernissage at 6pm. The first, 'Distorted Image: Chapters from the Beginnings of Video Art', is an international show examining how artists in Czechoslovakia, Poland, and Hungary from the 1960s to the 1990s manipulated analogue and digital images to question truth in media, featuring experimental films, early animations, and independent video magazines. The second, 'Words of Dalibor Chatrný', is a retrospective marking the centenary of the Czech artist's birth, focusing on his 'word works' that explore language and the interplay between reading and seeing, while retaining painterly qualities.

Peer Bode’s video art exhibition at VSW recalls the 1970s and ‘80s

Artist Peer Bode’s experimental video works from the 1970s and 1980s are currently on display at the Visual Studies Workshop (VSW) in the exhibition "Signal into Memory." The show features twelve screens and two digital prints, showcasing Bode’s "Process Tapes" created during his time at the Experimental Television Center (ETC). The works utilize analog technology, such as Portapak cameras and cathode ray tube televisions, to explore the nature of video signals, temporal dissonance, and the physical process of image-making.