Burnaway has launched its fourth Artist Edition, a limited-run t-shirt titled 'Sweet Lilly-Marie' created by artist Marlos E'van. The design is inspired by a character from the film *La Strada* and represents themes of family, innocence, and joy during chaotic times. Preorders are open until April 10, with shirts being hand-printed in Nashville and shipped in late April.
Jackson Fine Art in Atlanta is hosting "Gordon Parks: The South in Colour," a major exhibition curated by photographer Dawoud Bey. The show features over 30 works from Parks’ seminal 1956 "Segregation Story" series, including several previously unshown images of the Thornton, Causey, and Tanner families in Alabama. The exhibition coincides with the 70th anniversary of the series' original publication in Life magazine and the 20th anniversary of The Gordon Parks Foundation.
Artist Megan Jenkinson presents her latest body of work, 'Secateur / Sequitur', at Two Rooms in Auckland. The exhibition features intricate photocollages that blend botanical elements with man-made materials like wire, drawing inspiration from classical philosophy and the Japanese art of ikebana. Jenkinson’s meticulously structured compositions explore the tension between the natural world and human systems of order.
The Virginia Tech Carilion School of Medicine is launching a dual exhibition featuring "From These Hills" and "Making it in America," opening April 14 in Roanoke. "From These Hills," on loan from the William King Museum of Art and curated by Kathy Foley, showcases contemporary Appalachian art across various media that explore regional identity and memory. Complementing this, photojournalist Heather Rousseau’s "Making it in America" documents the lived experiences of immigrants and refugees in Southwest Virginia, capturing the resilience of Afghan, Ukrainian, and Latino newcomers through five years of visual storytelling.
The new film *The Drama*, directed by Kristoffer Borgli and starring Zendaya and Robert Pattinson, features a central plot point involving a fictional photobook titled *Brainrot*. In the movie, Pattinson’s character, a museum curator, becomes obsessed with the book's provocative imagery of young women with firearms after learning of his fiancée’s past violent intentions. While *Brainrot* is a fictional creation, its aesthetic and subject matter draw significant parallels to Lindsay McCrum’s 2011 photography book, *Chicks with Guns*, which documented the diverse demographics of female gun owners in America.
LA CONSISTENCIA FORMAL DE MARCOS LÓPEZ
The Fundación Larivière in Buenos Aires is hosting a major retrospective of Argentine photographer Marcos López, featuring over 200 works spanning from 1975 to 2025. The exhibition highlights López’s distinct visual language, characterized by the high-saturation color palette of his 'Pop Latino' series and his rejection of traditional black-and-white documentary photography. His work is defined by deliberate staging, using artificial backdrops and theatrical props to create images that function as allegorical documents of Latin American identity.
The 2026 Sony World Photography Awards have announced their top honors across professional, open, student, and youth categories. Notable winners include Citlali Fabián for her series on Indigenous activists in Mexico, Seungho Kim for a project exploring the intersection of parenting and pet ownership in South Korea, and Dafna Talmor for her abstracted, collaged landscapes. The winning works span a diverse range of subjects, from the documentation of a fire at the Royal Academy of Fine Arts in Stockholm to intimate portraits of faith at the Vatican.
Pure i cataloghi delle mostre possono diventare manga. Il caso Yuko Mohri
The Pirelli HangarBicocca has released a unique exhibition catalogue for Japanese artist Yuko Mohri following her solo show, 'Entanglements,' in Milan. The publication distinguishes itself by including a 24-page manga titled 'Yuko and the Unnamed' by artist Ran Kurumi, tucked into the book's jacket. This graphic insert serves as a biographical narrative, tracing Mohri’s journey from her formative years in Tokyo’s Akihabara electronics district to her recent representation of Japan at the 2024 Venice Biennale.
The Oxford Community Arts Center recently hosted the opening of "Changing Climate, Changing Communities," an exhibition organized by Engaging for Climate in Oxford (ECO). The show features a diverse range of media, including paintings, sculptures, and graphic works created by professional artists, Miami University faculty, and local elementary students. Notable works include Tara Trueblood’s abstract painting "The Flood," which explores the tension between crisis and hope, and imaginative drawings of undiscovered animals by sixth-grade students from Ridgeway Elementary.
The Children’s Museum of Pittsburgh has launched a major interactive exhibition dedicated to the work of the late author and illustrator Eric Carle. The showcase features immersive environments based on five of Carle's most famous collage-based books, including "The Very Hungry Caterpillar," designed to engage young visitors through tactile and visual storytelling.
Chicago-based artist Brian Sykes returned to the Beverly Arts Center for the opening of his multimedia exhibition, “I Heard the City Breathe.” The event drew a significant crowd and featured a unique blend of visual art, film, and live vocal performances, including a set by Sykes himself. The project explores the emotional and cultural realities of Chicago’s Black experience, utilizing an intergenerational approach to discuss identity and memory.
The Gallery Lake Forest has unveiled "Wax Poetic," a solo exhibition featuring the encaustic works of Deerfield-based artist Karen Ross. This marks Ross’s first solo showcase in Lake Forest, highlighting her mastery of the ancient and technically demanding medium of encaustic painting, which involves using heated beeswax and pigments. The exhibition focuses on themes of emergence and the seasonal transition of spring, drawing parallels between the natural world and the physical process of layering and revealing wax.
Smithsonian Magazine has announced the winners of its 23rd annual photography contest, selecting top honors from over 17,000 submissions spanning 108 countries. The Grand Prize was awarded to Jacqueline Burke, a veterinarian and photographer, for her image "The Punk Rockers," which captures three egret chicks with mohawk-like plumage at a New Jersey rookery. Other category winners highlighted diverse subjects, including an abstract portrait by Irina Denisova and a spiritual scene of a devotee in Varanasi by Arun Kumar Nalimela.
The 23rd Annual Smithsonian Magazine Photo Contest has announced its 60 finalists, selected from over 17,000 submissions. The images span six categories: American Experience, Artistic, Drone/Aerial, People, Travel, and Wildlife. The magazine is now inviting the public to vote for a Readers' Choice award winner, with polls open through March 30.
Ten prominent artists and designers have curated a selection of cinematic flora that has significantly influenced their creative practices. From the surreal, hand-shaped topiaries in *Edward Scissorhands* to the symbolic, scene-setting bouquets in *The Age of Innocence*, these creators analyze how botanical elements on screen transcend mere decoration to become vital narrative and aesthetic tools.
The Walters Art Museum in Baltimore has debuted "Douriean Fletcher: Jewelry of the Afrofuture," a major exhibition dedicated to the self-taught metalsmith known for her costume designs in the film Black Panther. The showcase features large-scale gold and brass pieces alongside a recreation of Fletcher’s original workbench and personal ephemera, such as family photos and her mother’s Bible. The exhibition highlights her journey from working at a social justice nonprofit to becoming an international figure in narrative jewelry.
The international juried art exhibition "Embracing Our Differences" is concluding its current run in St. Petersburg’s Poynter Park this weekend. The outdoor showcase features 50 billboard-sized artworks created by artists and students globally, each paired with an inspirational quote centered on themes of inclusion, kindness, and respect. The event, which attracted over 400,000 visitors last year, also maintains a concurrent presence in Sarasota’s Bayfront Park through mid-April.
Learners from the Milton Keynes charity MK Snap have launched a new community art exhibition at Unity Place. The showcase features seven selected artworks that explore themes of individuality, inclusion, and local identity, with several pieces referencing iconic landmarks like the Concrete Cows and the Whispering Statue. The project was developed through the charity’s canvas art sessions, which provide creative outlets for adults with learning disabilities.
The Mather Art Gallery at Trinity College is hosting an exhibition showcasing the work of the Hartford Environmental Justice Research Partnership. The display highlights community-based research and collaborative solutions designed by student-led teams to address local environmental challenges in the Hartford area.
The 345 Art Gallery in Chicago’s East Garfield Park hosted "Vinyl Queens! Black Women in the DJ Scene," a photography exhibition by Yolanda Chioma Richards of Imagery By Chioma LLC. The exhibit features visual storytelling portraits that document the artistry and cultural impact of Black women DJs, coinciding with Women’s History Month. The event included a 30-minute panel discussion and live performances, highlighting the intersection of music culture and professional photography.
Orange County Arts and Cultural Affairs is presenting "Mass Mixed Media," a solo exhibition by multidisciplinary artist Achille “A.J.” Barbel at the Orange County Multicultural Center Art Gallery. On display through April 14, the free exhibition showcases Barbel’s exploration of Afro-surrealism and cultural identity through a variety of mediums including murals, installations, and animation.
Aardman Animations is set to celebrate its 50th anniversary with a major immersive exhibition titled "Larger Than Life: Starring Wallace & Gromit, Shaun and More" at London’s Lightroom venue. Opening in October 2026, the 50-minute experience will utilize 36-foot-high projections to showcase the studio's claymation legacy, featuring archival footage, original sets, puppets, and newly created animation sequences. The show will be narrated by co-founders Peter Lord and David Sproxton alongside various voice actors, tracing the studio's history from its school-day origins to its status as an employee-owned powerhouse.
The Kniznick Gallery at Brandeis University has opened "Who Will Draw Our History? Women’s Graphic Narratives of the Holocaust, 1944-1949," an exhibition curated by Rachel E. Perry. The show features the work of ten female survivors who utilized visual storytelling—including handmade albums, pictorial diaries, and wordless novels—to document their experiences in concentration camps like Auschwitz-Birkenau and Ravensbrück. These "graphic narratives" serve as early visual testimonies, often created as a "call to duty" immediately following the liberation.
/https://tf-cmsv2-smithsonianmag-media.s3.amazonaws.com/filer_public/3c/2c/3c2c924a-1e79-4d51-af7a-17a229d6d223/nausicaa_of_the_valley_of_the_wind_christies_anime_starts_here_march_26.jpeg)
Christie’s is set to host a landmark auction in New York titled “Anime Starts Here: Japanese Subculture Imagines Tradition,” marking the first sale of its kind dedicated to the intersection of anime, manga, and traditional Japanese art. The auction features a diverse range of items, from Katsushika Hokusai’s iconic 19th-century woodblock print "The Great Wave" to original production materials and posters from modern masterpieces like Studio Ghibli’s "My Neighbor Totoro" and Osamu Tezuka’s "Astro Boy."
The Milton Rhodes Center for the Arts in Winston-Salem is set to debut "By Any Means Necessary," a collaborative exhibition featuring local artists Owens Daniels, Leo Rucker, and Affee Vickers. Opening February 27, 2026, the show integrates digital photography, traditional portraiture, and mixed-media sculpture to explore themes of activism, personal identity, and community history. Each artist utilizes a distinct medium—from Daniels’ layered digital canvases to Rucker’s historical murals and Vickers’ engineered material studies—to address the central question of what causes individuals are willing to pursue at any cost.