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Ornamental Carpets Release Wild Animals in Debbie Lawson’s Provocative Sculptures

Debbie Lawson presents a solo exhibition, "In a Cowslip's Bell I Lie," at Sargent's Daughters in New York, featuring her signature large-scale sculptures of life-size animals cloaked in ornamental Persian carpets. Using wire mesh, masking tape, and Jesmonite resin, she meticulously wraps each limb in carpet, creating the illusion that the animals have emerged from the textiles themselves. The show includes works such as "Wild Dog Sundown" (2025), "Red Eagle" (2026), and "Black Cougar" (2025), and draws its title from Shakespeare's *The Tempest*.

nathan myhrvold modernist cuisine 2663678

Nathan Myhrvold, the former Microsoft CTO, chef, author, and photographer, has released his first series of safari photographs taken in Africa. The collection, titled 'Resting Leopard' (2025) and 'The Young King' (2025), marks a shift from his meticulously staged food and beverage photography to wildlife portraiture. In an interview, Myhrvold discusses how the project reconnects with humanity's place in the natural world, contrasting the controlled environment of studio work with the unpredictability of photographing wild animals.

Young artist honours Pekan Nenas’ pineapple farmers

Young Malaysian artist Lee Wei Heng, 22, has opened his first solo exhibition titled "Ananas" at Artas Gallery in Petaling Jaya. The show features 17 oil paintings that document the grueling lives of pineapple farmers in Pekan Nenas, Johor, where his grandparents worked as laborers. Lee, who studied fine arts and worked part-time in the plantations during school holidays, captures the farmers' daily struggles—from cutting thorny fruit under the sun to praying for protection against wild animals. His works, such as the monochromatic "Old Farmer," use motifs like the parang (machete) to symbolize both the farmers' hidden identities and their pain.

No Regrets: Artists Decide To Sell Buffalo’s Legendary Hitching Post Gallery

Father-and-son artists William and Hugh Jennings have closed the Hitching Post Gallery in Buffalo, Wyoming, after 30 years of operation. The gallery, which opened in November 1993 on Main Street, was a longstanding fixture in the community, showcasing works from many area artists alongside gifts, books, and tobacco products. William stepped away about seven years ago, and Hugh recently decided to retire, locking the doors for the last time at the beginning of May. Hugh expressed no regrets, saying he wanted to focus more on his own art.