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Blak Douglas is an Archibald winner. He says the art prize needs to change

Blak Douglas, a four-time Archibald Prize finalist and winner of the 2022 competition, has opened a new exhibition titled *Home Flown* at NSW Parliament House. The show challenges perceptions of Aboriginal art by parodying the dominance of dot painting and the co-opting of Aboriginal iconography, such as the boomerang, in Australian commercial culture. Douglas uses roundels, laser-cut boomerangs, and killer boomerangs to critique the tax system, colonial structures, and the pressure on Indigenous artists to produce work that is 'identifiably Aboriginal'.

Artist appointed, axed then reinstated from Venice Biennale triumphs

Khaled Sabsabi, a Lebanese Australian artist, presents his installation 'conference of one's self' at the Australia Pavilion of the Venice Biennale, alongside a second work 'khalil' in the main exhibition 'In Minor Keys' curated by Koyo Kouoh. His participation follows a tumultuous period in February 2025 when he was initially appointed to represent Australia, then controversially sacked by Creative Australia's board after a political dispute triggered by Senator Claire Chandler's comments, and later reinstated. Sabsabi is now one of only three artists in the Biennale's 131-year history to show in both a national pavilion and the main exhibition.

'Do or die': Flick's journey from jail to artist and First Nations mentor

Flick Chafer-Smith, a First Nations artist, turned her life around after being incarcerated on her 18th birthday and spending six years in and out of prison due to drug addiction. Through the Victorian Indigenous arts program The Torch, she discovered painting as a means of expression and healing. She is now among 424 artists featured in Confined 17, an annual exhibition at Glen Eira Town Hall showcasing works by First Nations artists with lived experience of incarceration in Victoria. The exhibition includes paintings, weavings, ceramics, and carved emu eggs, with sales proceeds going directly to the artists.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

Meet the artist turning Venezuelan protest music into art

Nadia Hernández, a Venezuelan-born artist now based in Melbourne, has created a multidisciplinary installation titled "Para verte mejor, en todo tiempo" (To see you better, at all times) currently on view at the Art Gallery of New South Wales. The work traces the history of Venezuelan protest music, incorporating a textile collage, a soundscape, and a site-specific mural. Hernández, who won the Grace Cossington Smith Art Award in 2021 and was a finalist for the Ramsay Art Prize and Sulman Prize in 2023, began this project two years ago as an evolving archive of protest songs, building on earlier iterations shown at the Oslo Freedom Forum, TarraWarra Biennial, and Art Basel Hong Kong.

Emerging Indigenous artists reveal their stories in major showcase

Four emerging Indigenous artists from Nagula Jarndu, a women's art centre in Broome, have been selected to present their work at Revealed, an annual Perth showcase of new and emerging Western Australian Aboriginal artists. The artists—including Ebony Pierik—created large-scale silk pieces using hand-carved linocut blocks, now displayed in the main gallery of the Perth Institute of Contemporary Art (PICA). The exhibition, curated by Whadjuk, Balladong and Wilman Noongar artist Zali Morgan, also features a large-scale art market where thousands of works are sold directly to buyers, with 100% of proceeds going to the artists.

'We matter; we're important': Disabled artists centrestage in new show

The Bathurst Regional Art Gallery has launched "Acts of Inheritance," a major exhibition featuring 17 disabled artists from the Western Sydney collective We Are Studios. Curated by Jordan Valageorgiou, the show presents a diverse array of mediums—including music videos, installations, and interactive paper dolls—to explore themes of identity, wrestling culture, and the nuances of living with invisible illnesses.

'Epic in scale': APY Lands exhibition opens at NGA after three-year delay

The National Gallery of Australia has officially opened 'Ngura Puḻka — Epic Country,' a landmark exhibition featuring 30 large-scale paintings by 49 First Nations artists from the APY Lands. The show, which features works predominantly measuring three-by-three meters, highlights the Tjukurpa (lore and ceremony) of the Aṉangu Pitjantjatjara Yankunytjatjara regions. The opening follows a significant three-year delay caused by an independent investigation into allegations of improper interference by non-Indigenous staff.

Award-winning artist on how she paints in miniature

Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.

Lily's grandmother defied 50s' social norms to be both an artist and a mother

The article profiles an unnamed Australian artist who, in the 1950s, pursued a career in art while raising a family, challenging the era's restrictive social expectations for women. Her story, shared by her granddaughter Lily, highlights the personal and societal barriers faced by women artists of that generation.

Five must-see works from Newcastle Art Gallery's $145 million collection

Newcastle Art Gallery has officially reopened following a four-year, $48 million expansion that more than doubles its exhibition space. The upgraded facility now features 13 galleries, allowing the institution to maintain a permanent display of its $145 million collection for the first time in its history. The reopening was marked by a massive community response, with 28,000 visitors attending the inaugural weekend festivities and the debut exhibition, "Iconic Loved Unexpected."

Gallery no longer a 'waste of time' as $145m of art goes on display

The Newcastle Art Gallery in New South Wales is set to open its $48 million expansion this Saturday, concluding a turbulent development process that spanned over two decades. The upgrade adds 1,600 square metres of exhibition space and 13 new galleries, transforming the facility into the largest public art institution in the state outside of Sydney and allowing its $145 million permanent collection to be displayed at scale for the first time.

The unstoppable creativity of ceramicist Pippin Drysdale

At 82, ceramicist Pippin Drysdale is the subject of a major retrospective, "Infinite Terrain," which opened in December at the Art Gallery of Western Australia (AGWA). The exhibition, curated by Isobel Wise, spans Drysdale's prolific 40-year career and was sparked by a chance, spirited encounter with AGWA director Colin Walker. Drysdale, who began ceramics in 1981 after earlier ventures in herbs and paper flowers, studied at Perth Tech, Anderson Ranch in Colorado, and Curtin University, and her work has been deeply influenced by travels to Italy, Siberia, and Russia.

Gold toilet, Klimt portrait sell for millions at Sotheby’s

A portrait by Gustav Klimt, *Portrait of Elisabeth Lederer* (1914–1916), sold for $236 million at Sotheby's in New York, setting a record for the auction house. The painting, depicting the daughter of Klimt's patron, was part of the collection of late billionaire Leonard A. Lauder. In the same sale, Maurizio Cattelan's solid gold toilet *America* (2016) fetched $12.1 million, with the piece satirizing superwealth. The toilet had previously been exhibited at the Guggenheim Museum and was stolen from Blenheim Palace in 2019; its current whereabouts remain unknown.

Mona has lost $408m but David Walsh is 'completely happy'

Mona (Museum of Old and New Art) in Hobart, Tasmania, has accumulated $408 million in losses since opening in 2011, with $63 million lost in 2023-24 alone. Founder David Walsh, who is completing a $100 million expansion, stated he is "completely happy with the finances" and never intended the museum to be profitable. Walsh outlined potential cost-saving measures like raising ticket prices and scaling back festivals, but said he won't implement them himself, leaving that to future leadership.

Leading art critic labels NT government gallery plan 'pure madness'

The Northern Territory government is considering partial occupancy or lease-splitting for the near-complete State Square Gallery building in Darwin, after a cost blowout of $100 million. The government has opened expressions of interest for the facility, originally intended for the Museum and Art Gallery of the NT (MAGNT), and told bidders they can propose using single floors or galleries. Leading art critic John McDonald, former head of Australian art at the National Gallery of Australia, has called the plan 'pure madness' and accused the government of 'vandalising' a major cultural asset.

New National Centre for Environmental Art opens near Grampians

A new Wama Foundation has opened near the Grampians (Gariwerd) mountain range in Pomonal, western Victoria, Australia, featuring the National Centre for Environmental Art and a native Australian botanical garden. The 16-hectare project, 14 years in the making, launched on July 5 with an exhibition titled 'End & Being' by Jacobus Capone, which uses pre-recorded performance art filmed on Mont Blanc glaciers to address climate change. The site also includes a feral-proof endemic plant garden serving as a seed bank for post-bushfire revegetation.

Whiteley showcase reveals struggles with addiction and pursuit of beauty

A touring exhibition from the Brett Whiteley studio in New South Wales, titled *Inside The Studio*, has arrived at the Shepparton Art Museum in Victoria—its final stop and only Victorian venue. The show features drawings, ceramics, sketchbooks, photographs, Whiteley's iconic Sydney Harbour painting, and his 1976 Archibald Prize-winning self-portrait. Wendy Whiteley, the artist's former wife and an artist herself, shares memories of their turbulent marriage, including his struggles with addiction and his intense dedication to his craft. She has also repurchased several of her favorite sketches of her in the bathtub, which had been auctioned off over the years.