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Ten Boston-Area Gallery Shows to Catch This Summer

Boston Art Review (BAR) has published a curated list of ten gallery shows in the Boston area that are recommended for viewing during the summer season. The article highlights exhibitions across various commercial and non-profit spaces, offering a guide to the region's contemporary art scene during the warmer months.

Maine Institutions Dissect the American Semiquincentennial

Boston Art Review (BAR) has published an article examining how Maine-based cultural institutions are approaching the American Semiquincentennial, the 250th anniversary of the United States in 2026. The piece explores the programming, exhibitions, and institutional strategies being developed by museums and art centers across Maine to mark this milestone, focusing on how they interpret American history and identity through contemporary art.

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.

“Persona” Crafts a Lineage of Performed Identity

Boston Art Review (BAR) has published an article titled “Persona” Crafts a Lineage of Performed Identity, exploring how contemporary artists use persona and self-performance to trace a lineage of identity construction. The piece examines works by artists who adopt alter egos or theatrical roles to challenge fixed notions of selfhood, drawing connections to historical precedents in art and culture.

Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks

Boston Art Review (BAR) has published a guide titled "Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks," highlighting a curated selection of ten spring exhibitions in the Boston area and beyond. The article provides a concise overview of each show, including opening and closing dates, venues, and featured artists, aimed at helping readers plan their art-viewing schedules during a compressed six-week window.

ArtWonk: Budgets, Brouhahas, and Beowolff

Boston Art Review (BAR), an independent publication focused on contemporary art in Boston, has published an article titled 'ArtWonk: Budgets, Brouhahas, and Beowolff' that appears to cover a mix of art-world financial issues, controversies, and a reference to a figure or concept named 'Beowolff.' The piece is part of BAR's ongoing coverage of the local and broader art scene, including weekly happenings and programs.

Jennie Jieun Lee Transforms Community-Sourced Kilns into Sculptural Installations

Artist Jennie Jieun Lee has unveiled a series of new sculptural installations that utilize community-sourced kilns as their primary medium. By repurposing these industrial tools into expressive, ceramic-based works, Lee explores the intersection of domestic labor, communal history, and the physical transformation of clay.

Fifteen Standout Exhibitions to Catch This Winter

Boston Art Review (BAR) has published a curated list of fifteen standout exhibitions to visit this winter, highlighting a diverse range of contemporary art shows across Boston and beyond. The selection includes both local gallery presentations and major museum exhibitions, offering readers a guide to the season's most compelling visual art experiences.

The Boston Collective: Assembled at the Right Time and Place

Boston Art Review (BAR), an independent online and print publication focused on contemporary art in Boston, has published an article titled "The Boston Collective: Assembled at the Right Time and Place." The piece explores how a group of artists, curators, and cultural organizers in Boston have come together at a pivotal moment to form a collective that amplifies local creative voices and fosters collaboration across the city's art scene.

Back into the Fray: Fall’s Must-See Museum Shows

Boston Art Review (BAR) has published a guide to must-see museum exhibitions for fall 2026, highlighting major shows across the United States. The article curates a selection of institutional presentations that are expected to draw significant attention during the autumn season, though the specific exhibitions and venues are not detailed in the provided text.

Women on the Verge: Five Museums in Maine Showcase Nicole Wittenberg and Ann Craven

Five museums across Maine are simultaneously presenting exhibitions featuring the work of painters Nicole Wittenberg and Ann Craven, in a coordinated initiative titled "Women on the Verge." The participating institutions include the Portland Museum of Art, the Center for Maine Contemporary Art in Rockland, the Colby College Museum of Art in Waterville, the Bowdoin College Museum of Art in Brunswick, and the Farnsworth Art Museum in Rockland. Each venue is showing a distinct body of work by either Wittenberg or Craven, highlighting their vibrant, often nature-inspired paintings that explore themes of femininity, perception, and the natural world.

Ten Museum Exhibitions Across New England Worth Seeing

Boston Art Review (BAR) has published a curated list of ten museum exhibitions across New England that are currently worth seeing. The article highlights a diverse range of shows, from contemporary art to historical surveys, taking place at various institutions throughout the region.

Edvard Munch, Reprinted: A Study in Process at Harvard Art Museums

The Harvard Art Museums have opened a new exhibition titled "Edvard Munch, Reprinted: A Study in Process," which delves into the Norwegian artist's experimental printmaking techniques. The show examines Munch's repeated reworking of his own compositions, revealing how he used printmaking as a dynamic, evolving process rather than a means of simple reproduction. It features multiple states of iconic prints such as "The Scream" and "Madonna," alongside preparatory drawings and rare proofs that trace his creative decisions over decades.